Attack of the Laurens... and a Jess!

Sunday I had the amazing opportunity to see Lauren Oliver, Lauren Morrill, Jess Rothenberg, and Nova Ren Suma at the most recent author's salon at the Hudson Valley YA Society in Rhinebeck's Oblong Books. I go to these events as often as I can, and I am always blown away by the amazing YA authors I have the opportunity to meet and how passionate they feel about their target audience: young adults.

But what really blew me away about this particular salon was just how young they were! These young women are successful. They are published. And many, through social media, have demonstrated their pure star-struck pleasure at finding their books on the shelves of their favorite bookstores (like the Strand). When we read these books with our students or our children, I think the idea of who the author is can be lost on any reader (myself included). SO coming to an event like this can make that person real for you, and in my case, often it can also make the book better for you!

So what were my impressions of these young women? Nova Ren Suma is that deep, poetic writer who would appeal to the young women in the world who aren't quite sure where they belong. They are original, unique, and content to be so, but they are looking for something deeper and more serious from their life and their choices. Suma can deliver a means for that introspection they crave so deeply. Not to mention she was wearing FABULOUS shoes!

Lauren Morrill is a RomCom junkie. Yep, we all love our RomComs, even though we might pretend we don't when the literary and cinematic snobs of the world mock them (because let's face it, we are all still teenage girls inside our adult bodies, insecurities and all). And Morrill is unapologetic for her love of them, which I love so deeply about her! Meant to Be was so much fun, but her new book is described as "Parent Trap meets the Cutting Edge". WHAT?! Sound incredible? Yeah, I thought so!!

Then there is Jess Rothenberg, the author of The Catastrophic History of You and Me. She openly talked about her decision to write a book about a girl's heart literally breaking in half and killing her was the result of a bad break-up. She joked that it was the perfect revenge on the guy if it ever got published (Ha! And it did!). I loved that she talked about this catalyst for writing, especially since we so often keep our true emotions, especially about heartache, to ourselves. She was so honest and candid, and she is a great role model for all those girls out there. Don't get angry, don't wallow. Instead, Write About It!

And then there is Lauren Oliver. Oh, Lauren Oliver! This was the second time I had seen her at HVYAS, AND *swoon* she recognized me! While Oliver can be considered the heavy hitter here in terms of sheer amount of published books, she is still so down to earth and honest. She is hilarious to watch on these panels and unapologetic about her PR for her books ("How many of you have read the first two books in the series? Awesome! And the rest of you, WHAT ARE YOU WAITING FOR ALREADY??!!"). Her enthusiasm is infectious, and you can't help but want to read every single thing she has written once you have heard her speak!

So why should we send our kids to author readings and panels? Because there is something so satisfying about listening to an author and realizing they are human. They are people who love RomComs, who go through bad break-ups, who are spazzy and hilarious. They MAKE their books even more exciting! So take your kids to an HVYAS event. They are awesome!

This Story Was Meant to Be

"I ended up acting like every single word out of Mark's mouth is a jewel crapped out by a fairy princess."

There is something about a trip to a foreign land that makes romance so inevitable. Especially for a person who has never really experienced romance. In Lauren Morrill's Meant to Be, London sets the stage for crushes, love, and adventure.

Julia is a rule-abider. She follows the rules, does her homework, and is obsessed with all things British. She read Romeo and Juliet when she was in sixth grade, her favorite band are the Beatles, and she can't get enough of Jane Austen. This may have been the result of hearing of her parents' magical time in London before they had her. After her father died when she was seven, London became the connection Julia had to him, and to the magical love her parents found there. So when she has an opportunity to spend ten days in London on a school trip, she jumps on the chance... before she realizes none of her friends are going along. Leaving all of her friends and her crush (or Meant to Be, MTB), Mark, home, she packs her guide books, her No. 2 pencils, and her pocket Shakespeare and decides to take a risk once in her life.

Once in London, it is clear to Julia why her parents loved it so much. All the history and culture surrounding her is everything she could have hoped for. Unfortunately, she is stuck with Jason as her "trip buddy". Forced to go everywhere with Jason is a nightmare, but nothing is going to stop Julia from experiencing the London she has dreamed about for years. When Jason makes her sneak out of the hotel and drags her to a party in the city, she decides to break the rules for once. Of course the hangover she experiences the next day pretty much solidifies it won't happen ever again, but she is intrigued by one experience from the night before- a boy she apparently met (but doesn't remember) named Chris keeps texting her. He wants to meet her. He finds her irresistible! 

When in London! Julia answers the texts, but with Jason's advice, plays a little hard to get. Meanwhile, she realizes Jason is quite so bad after all. He might be annoying and his brutal honesty might blow her romantic ideals out of the water on a daily basis, but at least he isn't as awful as she thought he was. But now Julia, a girl who has never even told a boy she liked him, is caught between the crush she has romanticized for so long, the boy who believed she was a model, and the boy who makes her so angry she could throw him into the water. Sometimes it takes a foreign country to bring out the truth in your emotions! 

At first, when I started this book, I thought Julia was a little too juvenile for the age she was, but it didn't take me long to realize she was just very sheltered. She had self-imposed that sheltering, throwing herself into books and school and anything else that couldn't get her hurt, because she had experienced the biggest hurt a child could ever experience- the loss of a parent. Basically, Julia was a big ole nerd! And she was unapologetic about it! She loved her No. 2 pencils and her Shakespeare, and she didn't make any excuses about it! But she is also pretty sassy. And there is nothing that makes me happier in YA than a snarky nerd who loves her nerdiness and isn't afraid to tell people to stuff it!

But the romance in this story is so much fun. Lauren Morrill is the next Sarah Dessen or Stephanie Perkins, who are some seriously heavy hitters to be in league with! But Morrill belongs there. She can write fabulous contemporary romance without all the "I saw him. He is the one. My life will be over if he doesn't pledge himself to me" nonsense we see too much in YA. She was able to make Julia finally see into the depths of her different relationships, friendship, crush, parental love, etc., without making it feel cheesy. Instead, it felt really honest and beautiful. I loved this story, and if you like Dessen and Perkins, you are going to love it to. It is also an incredibly clean romance, so feel free to give it to any age who meets the reading level (moderate). I truly feel my journey to this book was Meant to Be!!

And if you get a chance to swing by Rhinebeck today, Lauren Morrill will be there with Lauren Oliver, Jess Rothenberg, and Nova Ren Suma for the latest Hudson Valley YA Society Reading! I know I will be there! Will you?

When Death Wants to Die

In the final book of the Riders of the Apocalypse series, Jackie Morse Kessler writes about the final horseman, the Pale Rider... Death. And Death has been having a very difficult time lately. In Breath, he contemplates the most final act he can ever choose- his own death.

Death never gets a day of rest. The job is continuous, exhausting, and there is never a day of relief. As he visits his riders, especially War, his handmaiden and companion, he realizes there is nothing to compel him to keep going with this interminable life. Death is suicidal. Of course, that means if Death goes, the entire world goes along with him. It signals the end of the world, the beginning of the apocalypse. Death is not human, but that doesn't mean he doesn't experience emotions like the people he guides and works with. But there is one piece of unfinished business... a boy and a chocolate bar. 

Xander's biggest worry in life is finally telling Riley he is in love with her. He has been trying to tell her for years, but he can't find a way to get the words out. But when Death arrives on his balcony, he has a lot more to worry about. As the boy who gifted Death with a chocolate bar, he is the young man whom Death owes. But the story is more complex than a simple debt, and when Xander realizes Death's suicidal tendencies, he knows he must do something to stop the end of the world. And sometimes, all people need is someone to really listen to them.

I am not sure how to really express my feelings for this final book in this series. I loved the first and second book. They were raw and gritty and phenomenal. Then came the third book. It wasn't as powerful as the first two, but it was OK. All three had serious situations, the characters had a lot of soul searching to do, and that is what made the books simply amazing. But this book lost the situations and focused solely on the soul searching, and honestly? It got a little old for me. I can't say I disliked the book, but I can definitely say it wasn't my favorite. That doesn't mean it didn't end the series fairly well, but I expected more from Kessler, especially after her first two books were so controversial and REAL.

But still, this isn't a bad series. I think the first two books are the best, but it is important to know this book can't be read without having read the beginning of the series. You just won't understand all the dynamics between Death and the Riders. I love the idea of Death becoming suicidal. It just blows my mind with twists and paradox. How is that possible?? So, there was definitely a redemption out of this story, and if you read the first three books, you simply must read this one too. 

Taken Hostage

When survival is your primary focus, it is hard to think about the things you can't control. But when your boys are Heisted, it makes life particularly difficult to deal with. In Erin Bowman's dystopia, Taken, life in Claysoot isn't enough for Gray, especially when his Heist looms so close. 

In Claysoot, all boys are Heisted when they turn 18. The citizens of the town have no control over the Heist, but they know they lose their boys before they have the opportunity to become men. When Gray watches his brother, Blaine, be Heisted, he refuses to accept the loss of his brother and his own impending Heist. Although he is slated to the one girl he can see himself with forever, he knows forever isn't an option in Claysoot. The boys must be active before their Heist in order to keep the population going. And Emma isn't interested in keeping the population going when all that they have to look forward to is grief and loss. But Gray refuses to just accept their fate. He wants to see what is over the wall despite the charred bodies that always come back. But he expected to go alone.

When Emma follows Gray over the wall, he is mad at her for risking her life at first, but then he realizes how lucky he is to have her with him. They don't know what to expect from over the wall, but it certainly wasn't what they found- another civilization. A domed city full of people and run by a man trying to save the people of Claysoot is more than Gray and Emma could have ever hoped for, but their story isn't that simple. There is more to Frank, the leader of the dome, than he cares to share with them. Emma and Gray's skepticism is what will keep them alive, but it is also what will put them in danger. With layers and layers of deceit and lies surrounding their lives, Gray feels like the unraveling of one layer only leads him to more confusion. But he will get to the truth, even if it means risking everything he has ever cared for. 

I actually thought this was a really good dystopia. With so many books in the genre popping up, it is hard to weed out the bad from the fabulous, but this book is firmly in the pretty good section. There was a point when I had a difficult time keeping all the different layers of lies and deceit together, but you just have to read each new pack explanations with skepticism, the same way Gray did. Trust no one, and you might have a chance. I also liked that the story didn't end perfectly. There were some great sacrifices and some realistic situations (like when Emma thought Gray was dead) that made the book seem more practical for me. Those situations certainly ticked me off as I was reading the book, but in retrospect, I appreciated being surprised by such a familiar genre and not knowing what to expect next. 

This is a great story for any age/grade, and it would be best for a somewhat strong reader, since there are subtle situations that might be missed with a struggling reader. It is broken into three distinct stories, which gives the book three nice breaks in the action to recoup and soldier on. I really enjoyed this story and look forward to seeing where it goes next. The story ends on a cliffhanger, but it isn't the kind of cliffhanger that leaves you fuming. It was a nice break that will have you pre-ordering the next book as soon as it is available. So overall, I thought this was a great start to a promising series and I am looking forward to seeing how it turns out!

Catastrophic History of One Girl's Journey

I am not one who generally seeks out an "afterlife love story," but there was something about Jess Rothenberg's story The Catastrophic History of You and Me that kept calling to me. And I am glad it did. 

Brie's heart broke in half. Literally. Jacob, the boy she loved, broke her heart in half and now, being D&G (Dead and Gone), she must travel through the five stages of loss. Fortunately for Brie, she has a guide through her adjustment to life beyond life: Patrick. Patrick might be goofy and sarcastic, and his clothes are Sooo 80's, but he just wants to help Brie through her denial, anger, bargaining, depression, and finally, acceptance. 

But the journey is made worse by Brie's ability to see her family, friends, and especially Jacob. The boy who told her "I do not love you" and cleaved her heart in two has some secrets of his own. As Brie spends time watching her friends and family live their lives without her, she realizes how much pain and suffering her death has caused. Through her stages of grief, she takes out her feelings on the people she left behind, even when Patrick cautions her against it. But in the end, it is Brie who must accept her death the most. Even if there isn't much she can change about what she left behind.

I honestly didn't know what to expect about this story, but I really liked it! I am always skeptical of the ghost girl seeks the boy story (weirdness), but this one was so darned sweet and endearing, but also a little snarky and fiesty at times! Brie really experiences each of those five stages, and when she is angry, boy is she angry! She is so mad she is willing to act without really thinking of the consequences or even seeing the full scope of the circumstances. And her anger feels true and realistic and sincere. I can just imagine any girl in her situation reacting and feeling the way Brie does. And it is heartbreaking. Sometimes funny, but mostly heartbreaking.

This is a really unique story and would appeal to anyone looking for the romantic comedy books that also have some meat to them. It is a story that really examines grief as you survive it (in one capacity or another) and there are some definite twists to the story you will undoubtedly enjoy. They certainly surprised me, and I was left really satisfied by the end of the story. It is a very clean book that deals with some serious situations about love, family, friendship, and relationships. I think that makes it a fabulous story for a wide range of readers. And I can't imagine anyone not wanting to see where Brie takes you next!

We Barely Have a Pulse on This One!

When the world was clearly facing an end, the consolidation of humans seemed to be the only thing left to do. In Patrick Carman's Pulse,  over 90% of the earth's population lives in controlled states while the rest of the world is left to its own devices. A few people live outside the states, but life isn't easy on the outside.

Faith hides an important secret from everyone. Her parents are drifters. There are two kinds of people on the outside of the states: those who can't give up their freedom and the drifters who don't really know where they belong. No one trusts the drifters, so Faith doesn't tell many people about her parents. But as more and more people leave the outside for the states, more and more schools are closed and Faith is forced to move around herself often. But at her latest school, changes seem to be happening.

Everyone relies on their tablets for school and the rest of their lives, but it is illegal to hack the tablets or use them for anything they weren't intended for. But teenagers never follow rules like that. Kids have developed a way to create "Wire Codes" which is a code that creates a kind of hallucination or "drug" when entered in the tablet and watched. When Faith is forced to take two Wire Codes without her knowledge, it starts her on a journey of which she won't come back from. Doors are opened to her abilities, abilities she didn't even know she had. But Faith will quickly realize she is in over head in a world she barely understands. 

I have to be honest and say I finally gave up on this book at page 270, about 100 pages shy of completion. I never quit on a book that far into it, but I really had to force myself to get that far to begin with. The book just wasn't all that exciting and I had absolutely no investment in any of the characters. It took over 200 pages just to introduce the idea of the Pulse. Frankly, that is ridiculous. The first 200 pages of the book were just Faith's wanderings and involvement with different boys and getting herself into odd situations. It could have been scrapped entirely because it didn't even accomplish its primary purpose- to make me give a hoot about Faith. It isn't that I disliked Faith, I just didn't have any feelings toward her whatsoever. And the rest of the characters are there so briefly and superficially it hurt my emotional connection to the book. 

So I finally gave up. There was a weird clash of a dystopia and super-tech stuff like the tablets. This can be done if explained well (Under the Never Sky), but nothing was explained until 2/3 through the book, so it just managed to be a strange combination the whole time. And it wasn't even completely explained by then! Just a partial info dump and background to the story, but there were too many holes in the story. So my suggestion is to take a pass on this one. It isn't worth the effort of trying to get through it. There are far better dystopias out there. 

City of Crazy Twists

While the series seemed to end neatly with the third book in The Mortal Instruments, it seemed Cassandra Clare wasn't ready for it to be over. Continuing the story of the Shadowhunters brings Clary, Simon, Jace and the others back again to make sure the world doesn't end at the hands of evil... again.

As the Shadowhunters try to adjust to life as kids, not heroes saving the world, they find themselves struggling to continue as thought everything is normal. Now that Jace and Clary are sure they aren't related, they feel like they can finally show their feelings for one another, but it isn't as simple as that. Since returning from the big battle, Jace hasn't been acting like himself. Suffering from terrible nightmares, he is almost terrified to even be around her. In his dreams, the awful things he does to Clary are so terrifying, he would rather avoid her than put her in danger.

But there is more going on than just a difficult adjusting. Shadowhunters are being murdered. At first, it seems like a simple attack from a Downworlder, but the story can't be simple as the bodies continue to pile up. When their investigations start coming up short, they enlist Simon as help, the newly adjusting Daylighter, a vampire who can walk in the sunlight. With every vampire faction, every evil being, clamoring to get Simon on their side, they have access to even the most elusive of creepy crawly, but Simon isn't as predictable as he used to be. Being a vampire requires blood, and the hunger is instinctual. While he can't imagine hurting someone, he might not be completely in control of his urges. Predictable or not, Simon is at the heart of the evil goings-on and the Shadowhunters must once again rely on the younger members of their order to get to the heart of the dark forces threatening their kind.

I am not sure how I felt about the continuation of this series because I really felt the third book was final and very complete. I know Clare has a penchant for beating a dead horse, and I assume this was her way of continuing with the familiar since it seemed to work so well in the past. With that said, I can't say I didn't enjoy this book, because I really did. I think the whole Jace angle was a bit much, but I liked that Simon played a larger role in this book. I think his story line has really evolved and I hope to hear more about him in the next two books to come. I do, however, hope Clare does give this series a deserved end and doesn't keep it dragging on until I regret reading them. It is so frustrating when an author just doesn't know when it is time to let go of a series.