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Families are as different as people themselves. The definition of family is so broad that it doesn't just cover a mom, a dad, and children. Sarah Tregay gets to the heart of this growing cultural difference in Love and Leftovers with a variety of different kinds of family, but they all have one thing in common: love.
Marcie's mother drags her to New Hampshire after finding out Marcie's dad has been lying and cheating on her- with another man. Usually they just vacation at their family's old summer house, but fall has arrived, school has begun, and they should have left by now. Back in Idaho, Marcie left her father, her best friends (the Leftovers), and her perfect boyfriend, Linus. She didn't even pack for the move, and her aunt has to donate some clothes to the cold and changing cause (including underwear the size of Idaho).
At first Marcie just wants to go back to Idaho, but she begins to settle in to her new school. In fact, she even starts hanging out with a boy named J.D. and starts to forget about the life she has back home. When her own father's lies and life choices start to invade her own thoughts, she finds herself uncertain about what to believe. Could Linus be gay like her father is? Is it easier to go after a boy who is so clearly not gay but might be a player?
There are so many layers to this book, it is hard to unravel them all. First you have the catalyst for the whole story, Marcie's dad. This whole relationship is handled so well, I was happy to see it in this book. Yes, the realization that he was no longer in love with Marcie's mother was difficult, but he still cared about her. And Marcie struggled with the separation and divorce, but eventually she accepted it and was actually quite understanding about her father's new relationship. She even becomes close with Danny, her father's boyfriend, and realizes how much happier her father is now. I loved the way this relationship unfolded, and it gave this added depth and love to the story that doesn't often come out of one parent cheating on the other.
Next were the supporting characters. In Idaho, Marcie's friends call themselves the Leftovers, the unclassifiable kids who don't belong to any group. They are an eclectic bunch, but they are truly fabulous- the kids you wish you were brave enough to be at that age! But they all have their skeletons too. Emily got pregnant and gave her son up for adoption. Linus' father lost his job and Linus spends most of his time babysitting his brother's daughter. All of these backstories make this group of kids enough for an entire book for each of them! But the backstories aren't hokey or cheesy, they just are what they are, and they all care about one another. I loved these kids!
This was a really great book written in verse with short but powerful sentences that suck you in and throw you into the spin cycle. I would love this book, which deals with such mature topics, to be used for an older, mature, struggling reader because the chapters are super short, the language is melodious but simple, and the verse is acceptable. They would be able to read it successfully but not feel like they were reading a story that was beneath them in terms of maturity. I really liked this story and applaud Tregay for fitting in so much material with so few words! Brilliant!
Cassia, Ky, and Xander have survived a lot, but they have no idea how the Society will end up after the rebels have executed their plan. But the plan may have more consequences than anyone prepared for in Ally Condie's Matched finale, Reached.
Ky is a pilot for the Pilot, the leader and inspiration of the rebels, and he delivers to the people who need them. Cassia's sorter skills are going to help find the ultimate cure. But it is Xander who is there, on ground zero, helping the people who have become "incidental casualties" to the rebellion. He is a physic, a medic who helps the people suffering from the Plague. It is easy enough to do, as part of the rebellion, because the Plague was supposed to happen. The Society's very own control measure backfired and infected the general public, so the rebels created a cure. And isn't it convenient that they were able to swoop in and save the day just before the Plague took too many lives? Xander knows this was the plan all along, and he understands people wouldn't support the rebellion without a good reason, but no one prepared for what happened next.
The Plague mutated.
Now the stakes are higher. The rebellion's cure doesn't work on this strand of the Plague, but there has to be a cure out there because a large portion of the outsiders, the people not living within the Society's control before the Plague, are immune. But it will take a lot of work and many sorters to find out the basis for the immunity. Meanwhile, Xander has been quarantined with the victims of the mutated plague and Ky begins to question the true nature of the rebellion. But one thing is for certain. Without a cure, all the lives lost and things sacrificed will be wasted if a cure isn't found. And no one knows the stakes more than Cassia.
I have to say this was my least favorite of the three books. I am fine with how it ended, I understand both the execution and the conclusion, but I just didn't like how I got there as much as I did with the first two books. If you remember, Matched was just so beautifully written, poetic, melodious. Crossed took the story to a new level, getting Cassia outside the Society and really expanding the story. But Reached lost the magic of both previous stories. Yes, the writing was beautiful, but not as much so as before, and the story hit a weird point where the crossing between Society and Rebels became too much for me to invest in fully. I even liked the separate stories of our main characters, which eld my interest, but there was just some kind of magic missing from this last installment that I simply can't put my finger on. Maybe it was just me, but this book didn't captivate me like the rest of the series did.
On a whole, though, this is a really beautiful story. It is meant for people who liked The Giver, not those who loved Hunger Games because the story is less about the action and more about the beautiful human emotions tied to the circumstances. Condie does a beautiful job of getting to the root of all this conflict- the human will for freedom, expression, and beauty. It is amazing to see those complex emotions and desires displayed with such ease on the page, and in a way young adults can fully understand and talk about. That type of metacognition is not something the average teenager engages in on a daily basis (or adult for that matter) so it is beautiful to see a popular series that would encourage (or even force) them to do so. I did like this series, and I am starting to think if I reread this book and took more time to digest it (instead of devouring it because I wanted so desperately to know what happened), my opinion might just change. So I will do that. I will reread it after a while and let you know if my initial reaction was jaded. So stay tuned!
Every now and then a story comes along that leaves you breathless. It is so beautiful you think about it more and more. Finishing the book doesn't stop you from thinking about it. You tell people about the book, pass it on to others, and think about it some more. This is how I felt about Inside Out and Back Again by Thanhha Lai. I couldn't get it out of my mind.
Ha's family is from North Vietnam, but her parents made the decision to leave the north and move south to escape the Communists. Ha's father has been missing for years, but they all hope he will return home one day. Ha knows she should be a good girl, but she can't help it sometimes. During the New Year, she knows her brother is supposed to be the first out of bed in the morning because boys are good luck. That doesn't stop her from putting her big toe on the ground before he gets out of bed. She doesn't like being told girls aren't good luck too. When Ha's uncle tells them they must escape Vietnam as the war comes their way, they reluctantly leave the only home they have ever known.
The journey from Vietnam is very scary and involves a ship and the hope of rescue. When they see the American ship, they know they are saved, but their future is uncertain. They wait for a long time to be chosen by an American host family. When they are chosen by a Cowboy, they begin their new life in Alabama. There Ha experiences prejudices and alienation by people who just see her as Vietnamese. As different. She and her brothers struggle to learn English and fit in in this scary new land. Most of all, she misses her father. Ha lives more "life" in her few short years than most people live in a lifetime.
Inside Out and Back Again is a book written in verse. While the writing reads a lot like prose, enough so for someone to understand it easily, it is still incredibly beautiful and melodious. As you read each short chapter, you find yourself amazed by how powerful each bit is. As with most poetry, each word is carefully chosen for maximum power and effect. No emotion is wasted, no word is unnecessary. The book left me reeling from philosophical statements that force you to examine the world and life as a whole. This is a powerful book that you won't forget for a long time.
I would suggest this book for any class or tutoring situation where you will have the opportunity to read it aloud with a child. It is so beautiful and full of discussion-worthy content, you will be happy to spend time picking your way through it. The language is not complex, but the meaning behind it is. The story of a young child leaving a war-stricken land is so foreign to our students it would make a good learning experience as well. They will learn a lot from Ha and her family. In fact, I guarantee they will think about Ha for long after you finish the final stanza.
