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A typical graphic novel is told in pictures and in words, but what if the story was actually two stories: one through words and one through images? Brian Selznick did it with surprising grace, and now Kiersten White and Jim DiBartolo have done it with In The Shadows, and the result is pretty awesome.
Cora and Minnie's mother runs a boarding house where they all live together. Minnie has an insatiable desire for adventure (bordering on the side of reckless), while Cora prefers to play it safe, except when Minnie calls her out on her stuffiness and she has to live up to her little sister's expectations. But after Minnie convinced Cora to climb a tree and peer into the witch's window and she got caught, she has never been the same. Her father died the very next day, and Cora knows it was a curse the witch put on her. Arthur was brought to live with them over a year ago after his father disappeared, but the girls suspect there is more to the reason Arthur is with their family. When Charles and Thomas arrive for the summer, the group bands together, all for different reasons, but all for the hope of some fun (at Minnie's direction). Especially when Charles' illness and imminent death is a weight holding Thom down.
When they visit the witch's house all together this time, Cora is more than just a little nervous. In fact, she is terrified, but the others convince her it will be fine. When they see the witch, Mary, they aren't prepare for what they witness- she hangs herself right in front of them. When they report it, however, something scary happens- her body isn't there anymore. When they see her again in town, she is with the scary man from the boarding house... and a woman Thom is convinced he heard speaking to his father right before he was sent to the boarding house. Something very mysterious is happening in this sleepy little tourist town, and Minnie and the others are going to get to the bottom of, regardless of the risks.
Half this story is the one I have just described. It is written in short chapters like any other typical story. The other half of the story is written in illustrations and follows an entirely different set of characters. I haven't described the illustrated story because it isn't easy to describe it without giving away too many important details needed for the end of the story when everything comes together. But they do, and when they do, it is pretty gosh darned awesome. My biggest issue with this book throughout the entire story was that I had absolutely no idea what was happening in the illustrated story- until the very very end. Now, in hindsight, I can see it was designed that way and that is what made it such a cool story, so I should have just had faith in the authors.
Another thing I struggled with was the ages of the kids. One moment they struck me as definite middle schoolers. Precocious, adventurous, and usually reckless abandonment regarding concern for consequences. But then the next moment they felt a little older, like young adults. It made them difficult to understand completely. While Minnie was the fun, impish, mischievous one, Cora and Arthur were the ones I really liked. Unfortunately, the story is really brief, so you don't get to spend a lot of time getting to know any of the characters very well. The important thing to know, though, is that this is one serious mystery! It was really a nail biter right to the end, and I did not see it coming. I really liked this story, and I hope White and DiBartolo give this format another shot!
I have been intrigued by this collection of the literary canon in one, graphic collection, but it is pretty expensive, so it took me a while to break down and buy them. Now that I have, I am really glad I did. Oddly, I was a little disappointed when they first came. Each story has its own style and adaption according to the creator/illustrator/author who adapted that story, either abridged, or in part. Some were incredibly minimalistic, and I wasn't sure I liked that, so it took me a while of pouring through them to see that this was pure genius.
Volume one starts with Gilgamesh and ends with Dangerous Liaisons. This is the antiquities portion of this series. Some, like Gilgamesh, are written in cartoon-style graphics. Others, like The Odyssey are truly illustrated. Each story is presented differently. For instance, The Odyssey is the piece of the epic poem about Polyphemus. The Sappho entry is a poem within one illustration. Medea is more of your graphic novel kind of illustrations. Some, like Lysistrata or The Flea, contain the kind of illustrations necessary for a story with sexual content, which I have seen some people complain about. I am not sure why reading about the naughty bits is OK, but the minute they are illustrated people get all up in arms, but I didn't think it was anything egregious or gratuitous. It was just the story as it was told! Some entries were all beautiful artwork and no words, like Plato's Symposium.
There were excerpts from the Hebrew Bible, Confucius, the Aeneid, The New Testament, Beowulf, etc. Beowulf is pretty amazing, and it does an amazing job at creepy without a single word used! I absolutely LOVED the illustrated poems by Rumi, and they were all so different, unique and beautiful. Some I just wasn't thrilled by, like The Divine Comedy or The Canterbury Tales, but overall, I loved the collection.
Obviously I wasn't familiar with everything in the book (I am pathetically neglectful of my knowledge in ancient Asian text), but I was impressed with the breadth of the literature represented in this collection. You have everything from the usuals to the Popol Vuh. Some even made me want to seek out the originals I wasn't familiar with, like The Visions of St Teresa of Avila. Absolutely beautiful. There is Dante, Milton, Shakespeare, and everyone else who should represent this end of the chronological canon.
The best part of this series is the little blurb before each excerpt. There is a brief explanation of the original text that might contain historical references, its discovery, the relevance of the excerpt, and the author's biographical information. Some contain the adaptor's reasons for their choices, which I also found fascinating. The coolest function for having this in a library or classroom would be to reach kids and encourage them to read literature they would never otherwise choose on their own. Maybe if they were intrigued by the graphic Lysistrata, they will do a little digging and find the story a tale they never thought would exist in the antiquities!
With all the attention Brian Selznick is getting with the movie version of Hugo Cabret out in theaters, I imagine his books are going to be flying off the shelves. His combination of beautiful stories and amazing illustrations leaves plowing through the huge tomes and still wanting more once you have finished. In Wonderstruck, Selznick has done it again. He has created a masterpiece.
Ben has lost his mother. He is living with his aunt and uncle, but he can still see the house he shared with his mother. When he wanders over there one night, he find something in his mother's belongings that might be the name and number of the father he never knew. While trying to dial the number, Ben is struck by lightning that puts him in the hospital and leaves him deaf. He runs away from the hospital and goes to New York City to find the man who might be his father.
Fifty years earlier, Rose runs away to New York City. She is deaf, and it is dangerous for her to travel alone, but she is determined to see her mother, a famous actress. She is rescued by her brother and stays with him in the city. Her life changes when she learns to sign and meets a deaf man who she can't help but fall in love with. Growing up deaf is hard, but the biggest struggle is that people don't think you are capable of being independent. As Rose grows up, gets married, and has a child, she also shows the world that being deaf won't stop you from being happy. When Ben and Rose finally cross paths, they realize there is more that connects them than just being deaf. Their connection is one that will warm even the coldest of hearts.
This was an absolutely beautiful story of two lives, lived so far apart, yet connected through one person. With over 400 pages of incredible illustrations, this book is yet another wonder of the genius that is Brian Selznick. Ben's story is told entirely in text. Rose's story is told entirely in illustrations. No words, just feeling, emotions, and imagination. Then, when the characters come together, the stories are told in a combination of illustrations and text. It is such a beautiful way to tell the two stories. The use of the illustrations for Rose's story makes you actually live through it with her. There is so much power and impact in the delivery of this story, you won't stop thinking about it.
This is a great middle reader story, but would be a great book to use for an emergent older reader. Since the story is mostly told in images, it would be a great book to give an emergent reader a sense of accomplishment and still practice reading. Like Selznick's first book, this story opens up possibilities for these emergent older readers that no other book could- a book they can read and still be proud of reading. I hope Selznick continues with these stories. They are simply breathtaking.
