A Savage End

Sometimes we don't stop and think about all the things that could go wrong in our precious, carefully orchestrated lives. When a mega-tsunami creates a chemical leak that changes the Four Corners are forever, a group of kids must learn to grow up quickly. In the Monument 14 conclusion, Savage Drift, Emmy Laybourne wraps up the story of those kids and how they had to change with the world. 

It wasn't easy, but Dean, Alex, Niko, Astrid and the other kids made it to Canada. In the refugee camps, life isn't easy, but it is far better than where they came from, running from criminals, looters, and worse, the compounds that changed them with every exposure. They have carved out a little life in the camp, but they never expected to see someone they thought was dead in the papers. When Niko finds the picture of Josie in the news, he insists they must go get her out of the O concentration camps they are keeping everyone who might go crazy in. Josie lost it to save their lives, and they can't leave her there with all those criminals. 

At first Dean and Astrid refuse to entertain the idea. They can't leave the kids behind, and with Astrid's pregnancy, it is too dangerous to travel, especially with the rumors of "drifts" where the compound was collecting and moving with the wind. But when they catch on that exposed pregnant women are being taken without their permission for testing, Astrid worries about her unborn baby's life. When they finally make their way out of the camp, the world outside is no longer as they remembered it. Things have changed, but so have they. 

This series has always been a little juvenile and unsophisticated. It has been a good alternative to the darker PA stories for middle school students, but it did reveal Laybourne's struggles to conclude and stretch the story simultaneously. I think older students would find it too tame and childish, but my middle school students who wanted to read a PA story seemed to like it, and I didn't have to worry about mature content. Unfortunately, that juvenile quality also made the story a little one dimensional. And the ultimate conclusion, while not that bad, felt rushed and predictable. 

Ultimately, I think the story would have been better if it had ended with their arrival in Canada. This installment wasn't really necessary, and that showed. It felt like the push to squeeze out a trilogy along with every other author out there, and the stretch showed through. It was interesting, but I think the story would have been better if the first two books had been combined as one and ended in Canada. I originally picked this story up for the content, but I am not sure if I will read Laybourne's next book, although I imagine it would be a decent middle reader for that age group. I just don't think I am partial to her writing style. 

City of Losing Interest a Little

Clary and Jace aren't exactly a normal couple. In fact, they have probably had the most traumatic and bizarre relationship as any couple in history. From assuming they were brother and sister, still being attracted to one another, being attacked, death, etc., they are a bizarre couple from the word go. And in The City of Lost Souls, the fifth book in Cassandra Clare's Mortal Instruments series, their relationship doesn't get any easier.

Clary thought it was over. Sebastian, her real brother (and also known as Jonathan Morgenstern), was defeated, Lilith was killed (or as killed as the oldest demon in history can be), and Jace was safe. She couldn't have been more wrong. When she returns to the roof, both Jace and Sebastian, who was supposed to be dead, are gone with no trace. They can't even be located magically. After an exhaustive search, the Clave can't afford to keep everyone looking for Jace. They are ready to close the search, but Clary refuses to give up. She will do anything to find him, even go to the Seelie queen. When she tries to steal the payment for the Queen from the Institute, she sees Jace, with Sebastian. As thick as thieves, the boys who were once mortal enemies seem to be the closest of friends. Clary had thought any manner of things could have happened to Jace, but she never imagined he would turn to the dark side. 

When Jace and Sebastian show up at Luke's apartment to get Clary to join them, it is clear to her that something had to have happened to Jace to change him. When they attack Luke and stab him with a demon metal knife, she knows she has to do something. But when it becomes clear that anything that happens to Sebastian also happens to Jace, their connection becomes even more frightening. One can't be killed without killing the other. Clary knows the Clave will consider Jace collateral damage in an effort to get rid of Sebastian, so she decides to do the only thing she can do- make them think she is going to join them in order to find a weakness in their connection. But what if there is no weakness?

You know when you follow a TV show for a long time and you start to think about how many times the main couple has broken up and made up, or how many guys the main girl has dated, or how many times the main characters have almost died, and it seems laughable? Like when you think about how many kids died in Buffy the Vampire Slayer over her years at Sunnydale High, but no one ever thought it was fishy? That is starting to happen to this series for me. I mean, really, how many times can Clary and Jace be in mortal peril or have their relationship completely destroyed, only to pick up the pieces and start again? Now, I have to say, I enjoyed the story, as always. But I am starting to go weary of Clary and Jace. In fact, I wanted to skip through their half of the book, but I just couldn't do it for plot's sake. 

Instead, the true gems for me are in the supporting characters. The relationship between Alec and Magnus is simply fabulous (well, honestly, Magnus is simply fabulous and by influence, so is Alec!). I love having a serious gay couple in young adult literature where they aren't romanticized or too perfect, but rather experience the same insecurities any couple faces, gay or straight. This is a great for all young adults to have experience with. In addition, Simon and Isabelle are a great couple. As complete opposites both supernaturally and humanly, they are full of twists, turns, and surprises. I honestly felt these characters were more interesting than the same old Clary and Jace nonsense, and would have been happy to just have their stories in this book. But alas, there are bigger things at work, and we must have Clary and Jace together again for the big, final, epic battle that is surely to come in the final book of the series. (Wait. Didn't it end already?!)

Fe Fi Fo Spindlers!

There are all kinds of things that go bump in the night. Some things parents know about and others they can't wrap their old minds around. In The Spindlers, by Lauren Oliver, Liza knows the Spindlers are real, even if her parents tell her to stop making up stories... and they have taken her brother. 

Patrick went to bed as Patrick, but he woke up a Spindler. Liza is sure of it. Her brother's soul has been taken even though they always protect themselves from the Spindlers before bed. No one will believe her that the real Patrick has been taken by creepy spiders monsters who can't be killed. Not one to just let her brother's soul be taken and something else *gasp* being done to harm it, Liza waits until everyone is asleep and goes down to the basement. She knows it is the entrance to the Underground world of the Spindlers, but she didn't expect all the other creatures who lived down there too. 

When she first meets a human sized rat named Mirabella, who is wearing a dress, a wig, and an unnecessary amount of make-up, she is taken aback. But Mirabella agrees, albeit reluctantly, to take Liza to the Spindlers. Along the journey to the Spindler nests where they hold the souls to eat, Liza encounters a variety of creatures she never knew existed. Troglogs, and Nocturni, and little glowworm grubs, all become part of Liza's travels to her brother's soul. Some are helpful, some are tricky, but all stand between her and the Real Patrick. And Liza is nothing if not determined. 

This was a cute little middle reader that felt like the kind of book you would get if Roald Dahl wrote Alice in Wonderland meets Coraline. It was unique while still having a familiar feel of the greats, which made it even more enjoyable. I loved the little creatures Liza met along the way, and Mirabella in particular was a really multi-dimensional character as Liza's tour guide through the world underneath.  The characters were complex without being too complex for the age group the book was intended. The story is simple but will delight young elementary students (either read solo by a strong reader or with parents or teachers for a younger student) through middle school students. If you know someone who liked The BFG or James and the Giant Peach, this is a good next step for you. It truly feels like something written by Dahl, a man who transformed my own status as a child reader. I love the cross-over Oliver has created where she has gone from superb young adult novels to truly epic middle readers. That isn't easy to do, and it truly shows her skills as an author!

A Sky on Fire

Kids are resourceful. In extreme circumstances, I have no doubt kids could find a way to survive all on their own. In Emmy Laybourne's Monument 14, we saw them find a way to survive in a Greenway, but in the sequel, Sky on Fire, the group splits up in their fight to survive. 

As type O's, if Dean and Astrid breathe the compounds NORAD released into the air, they will become raving psychopaths hellbent on killing anything in their way. Therefore, they decided to stay behind and protect the little kids while Dean's brother Alex and the others took the schoolbus that saved them to the Denver Airport in the hopes of finding people willing to help rescue those left behind. But neither group experiences anything they expected.

Outside the Greenway, things are bad. A strange white mold eats rubber and has destroyed cars, making their bus a commodity for anyone within earshot. Add to that the raving lunatics and the fact that Josie lied to them about her blood type. With one whiff of the air, she becomes her own raving lunatic in the close quarters of the bus. Meanwhile, back at the store, Astrid and Dean are experiencing their own horrors. With crazy people trying to break into their stronghold one after another, they realize how defenseless they really are. Meanwhile, inside, they can barely hold things together with the little kids, infections, and people determined to get in. Both groups are in the middle of the battle of their lives, but will anyone make it out alive?

This series is an odd mixture of fairly mature circumstances with a relatively low reading level. Therefore, it is a good series for an older student who is also a struggling reader. The maturity of the subject matter includes a lot of murder, sex, and pretty scary situations, but the short nature of the stories and easy reading level makes them a perfect option for a reader who doesn't want to read a "kids" book, but needs a lower level story. Also, this series could easily serve as a bridge into more complex, mature post-apocalyptic and dystopic stories.

Overall, I like the story, but sometimes the kids make some really stupid mistakes. I know that is most realistic, but still, I would love it if they had a learning curve about trusting people! How many times do you have to get attacked, beaten, almost raped, and robbed before you figure out to not trust anyone??!! I like the fact that these books end with some finality, but still lead directly into the next story. I don't think these are the absolutely best PA stories out there, but they are quick and a lot of fun to read, which gives them a permanent space on the shelf of my classroom!

Coming-of-Age, Not a Romance

Sarah Dessen is a magician with beautiful, clean, innocent, but meaningful romances set in Colby, the calm, beach town that swells during tourist season. With The Moon and More she wrote a different kind of novel. All the components you love are there, but this story is about Emaline and Emaline only. 

Emaline's family runs Colby realty, renting houses for the owners to pushy tourists hungry for some time at the beach. As her last summer before heading to college, Emaline should be hanging out with her boyfriend and friends, enjoying the freedom before she heads off for college. Unfortunately, her sister Margo has recently returned from business school and has taken the opportunity to transform their comfortable family business into a well-oiled machine.  And Emaline's boyfriend Luke has recently been unhappy with the way their relationship is progressing, or rather, not progressing. But when a high roller rents the biggest house in Colby for two months, its occupants are about to change Emaline's life in a way she never would have expected. 

Ivy  and her assistant Theo are making a film about Clyde Conaway, the reclusive Colby native who also happened to be a world-renowned artist at one point. To everyone in Colby he is just Clyde, but to these ambitious New Yorkers he is much more: he is the ticket to fame. When Emaline's boyfriend turns out to not be the guy she thought he was, she finds herself in the arms of Theo, a somewhat dorky film student from New York who is more ambitious that even his boss understands. When Emaline's father (not her dad, but her biological father) comes to town to stay for the first time since getting her mother pregnant at the age of sixteen, she has more than just her romantic life and the rentals to deal with. He was the man who abandoned her mother, ignored her most of her life, and most recently, reneged on his offer to pay for Columbia, forcing her to go to East U in the fall. With her half-brother in tow, he spends the summer in Colby working to sell his aunt's house and adjusting his son to the separation of their family and the inevitability of his parents' divorce. What Emaline didn't expect was to really get to know Benji and to get to know the real man behind the fatherly emails. But even bigger was the opportunity Emaline had in one summer to truly and deeply get to know who She was. 

Dessen usually writes these amazing romance novels, but this book was not a romance novel. Not because you aren't really invested in either Luke or Theo (who is a total tool, but every girl finds herself with a tool at least once in her life, right?!), but because they are not really the focus of the story. Instead, this is a coming of age story for a girl who has always approached life passively and agreeably who finally stands up for herself and goes for what she wants, not what someone else wants for her. I think if you go into this story thinking you are going to find a romance, you will undoubtedly be disappointed. In fact, the jacket blurb talks about Theo as though he is a cool, almost sheik film student who transforms town. Instead, he is a tool. A total tool. He starts off pretty dorky, a guy who never had a girlfriend, never went to prom, was generally miserable in high school. Now this alone doesn't make him a toolbox. I tend to like the dorky guy (brings me back to my love for Duckie, if you must know), but when he become an arrogant, pompous, over-ambitious jerk, I had had enough. And still she stayed with him for most of the novel. This annoyed me at first, but I realized, after a great deal of anger and confusion that I waited for so long for a Dessen romance and got THEO instead, that Emaline needed to date this tool. She dated Luke, not because she was madly in love with him, but because he was comfortable. He embodied all that was Colby, and for a girl who was abandoned by her father, who saw her stepdad as her real dad and his daughter's as her sisters, whose mother was duped and got pregnant in a typical summer romance that faded before she even reached her nine months, she needed her stable, loving family. Theo, on the other hand, was different. It didn't matter that he wasn't a good different (because lord know he wasn't), but just that he was different. But quickly, Emaline realized that she didn't want different. She loved Colby. She didn't want to be "stuck" there for life like so many others, but she didn't want to flee like the other half of its recently graduated population. Instead, she wanted choices while also having her roots. And that was what made me really love this novel.

Instead of your simple romance, this was a complex and emotional coming of age story. Emaline never knew how to define herself, but throughout this story, you watch her finally become comfortable in her own skin and her own desires. Sometimes it takes the exact wrong guy to help you realize what you really want, and Theo was certainly that guy (I can't stress enough how much I disliked him). So, don't go looking for a lovely Dessen romance. You won't find it and you will be disappointed (I know I was at first). But if you go into this thinking you are going to find one of Dessen's more serious novels hidden within a beachy, carefree cover, you will enjoy the book as much as I did. It isn't your typical Dessen, but that is what I love about her the most. She isn't predictable, and neither are her characters. I can't say I loved this story, but I really liked it in more ways than one. But more importantly, I came out the other end of the story loving Dessen more than ever before. 

City of Crazy Twists

While the series seemed to end neatly with the third book in The Mortal Instruments, it seemed Cassandra Clare wasn't ready for it to be over. Continuing the story of the Shadowhunters brings Clary, Simon, Jace and the others back again to make sure the world doesn't end at the hands of evil... again.

As the Shadowhunters try to adjust to life as kids, not heroes saving the world, they find themselves struggling to continue as thought everything is normal. Now that Jace and Clary are sure they aren't related, they feel like they can finally show their feelings for one another, but it isn't as simple as that. Since returning from the big battle, Jace hasn't been acting like himself. Suffering from terrible nightmares, he is almost terrified to even be around her. In his dreams, the awful things he does to Clary are so terrifying, he would rather avoid her than put her in danger.

But there is more going on than just a difficult adjusting. Shadowhunters are being murdered. At first, it seems like a simple attack from a Downworlder, but the story can't be simple as the bodies continue to pile up. When their investigations start coming up short, they enlist Simon as help, the newly adjusting Daylighter, a vampire who can walk in the sunlight. With every vampire faction, every evil being, clamoring to get Simon on their side, they have access to even the most elusive of creepy crawly, but Simon isn't as predictable as he used to be. Being a vampire requires blood, and the hunger is instinctual. While he can't imagine hurting someone, he might not be completely in control of his urges. Predictable or not, Simon is at the heart of the evil goings-on and the Shadowhunters must once again rely on the younger members of their order to get to the heart of the dark forces threatening their kind.

I am not sure how I felt about the continuation of this series because I really felt the third book was final and very complete. I know Clare has a penchant for beating a dead horse, and I assume this was her way of continuing with the familiar since it seemed to work so well in the past. With that said, I can't say I didn't enjoy this book, because I really did. I think the whole Jace angle was a bit much, but I liked that Simon played a larger role in this book. I think his story line has really evolved and I hope to hear more about him in the next two books to come. I do, however, hope Clare does give this series a deserved end and doesn't keep it dragging on until I regret reading them. It is so frustrating when an author just doesn't know when it is time to let go of a series. 

Crash Into Me

In a family feud, no one really knows who is right and who is wrong. In fact, the younger generations may not even really know what started the feud. In Lisa McMann's new novel Crash, a family feud becomes much more serious when one party can see into the future... and it isn't something she wants to see happen.

Jules and her brother and sister don't live an easy life, but they have learned to live day to day. Their parents run an Italian restaurant and pizzeria, but the whole family works there. Day after day, the kids report to work just to keep things going. They don't complain, but mostly because they don't want to see their father lose it again. Jules' dad is unpredictable, except when it comes to the family that owns the rival restaurant. And with them, Jules' dad is always on edge, predictably so. But even worse is their dad's hoarding. Their whole house is so piled with junk, and their mother is so overworked just trying to keep up on the days when their father doesn't leave his bed, that they never bring anyone home. 

When Jules sees an accident at the rival pizzeria, she is most disturbed by the fact that she sees Sawyer, her star-crossed crush, in a body bag. She tries to warn him, but their families can't even see one another without bitter hatred spilling out like waves in the ocean. She and Sawyer certainly don't hate one another, in fact, their childhood friendship still lingers over them, but they know their families would forbid their ever set eyes upon one another. This vision complicates things for Jules. She tries to fly under her father's radar, but she simply cannot let this boy die. Her vision is hard to decipher, but as the pieces of the puzzle begin to come together, she will stop at nothing to stop the accident form happening. Even if it means breaking all the rules.

I like Lisa McMann. She writes interesting, yet simple stories that always keep me coming back for more. They are short and easy to read, and you can't get enough of them. The start of the Visions series is no different. I really liked Jules and there is so much more to her dysfunctional family that unraveling the mystery is half the interest. The whole description of her father and the tension of the family was so real and written so well, I almost felt like I knew them. 

This is a great story for those readers who might struggle or be behind their peers, but crave mature books. McMann gives you realistic scenarios, especially in terms of interpersonal relationships, but she does so with simple language that is best for students who may not be the strongest readers. It is great for anyone with a variety of reading levels in their classroom. And since this is another McMann series, there will be more to come! I am really looking forward to seeing where this series goes, especially after such a heart-stopping ending!

In the Little Never Realm

Before Perry came across a girl from the domes, he was just a boy with a complicated family in a tribe that can barely feed itself. In Roar and Liv, and Under the Never Sky story by Veronica Rossi, we get the sense that life isn't easy for anyone... especially those whose lives can be traded.

Roar loves Liv. She is his life. Now that his grandmother is gone, Liv and her brother Perry are the only family he has, and he would do anything to protect them. But their brother, Vale, is the Blood Lord of the tribe, and when he decides the tribe's well-being is more important than what his sister wants, Roar will do anything to prevent her from being sent away. But how much will he risk? His life? Her life? The lives of everyone in the tribe?

This was a really interesting prequel because you really get an idea of how Perry came to see the world as he does. He knows the duty his brother carries on his shoulder, but he also knows what is right and wrong. It was quite an illuminating little story as you think about Under the Never Sky. How could you not be bitter and cynical when your brother has to sell his sister to feed his tribe? Especially knowing how life in the dome is!

There are No Limits

Do you know that feeling when a book far surpasses the expectations you had for it? When you read a book and think to yourself, "It is so good I don't want it to end!" When I started katie McGarry's Pushing the Limits, I expected teen romance. What I got was so much more.

Echo was once the popular girl with everything going for her, but two years ago she fell off the grid. Her brother died in Afganistan, her mother disappeared, and her father married her former babysitter, but Echo has a secret almost no one knows. Her arms are horribly scarred from something that happened to her at the hands of her own mother, something so terrible Echo has repressed all memories of that day. Living life like an empty shell, Echo is back in therapy, but something is different this time.

Noah lost his parents in a house fire, lost his brothers to foster parents, and the only thing that keeps him in line is the idea that he might get them back when he turns 18. After punching his first foster father (who was abusing his own son), Noah has been bounced from house to house, but he has been at this house with his foster brother and sister for a while. Isaiah and Beth are just as damaged as Noah, but together they make a decent but dysfunctional little family who actually care about each other. But when Noah continues to press the courts and the system to get more visitation with his brothers, their foster parents block him every time. In order to appear to be following the rules, Noah agrees to therapy to deal with everything he has lived through... as long as getting his brothers back is the end result.

What Echo and Noah don't expect is to be put together with Echo tutoring Noah by their mutual therapist. It seems like it would end in disaster, bad boy with tattoos and little rich girl with everything she ever wanted, but their mutual demons give them something in common. Two people who have not had the happy loving lives all children should have find comfort and respect in one another. Together they fill in each other's empty spaces until they become whole again. But there is more at stake than anyone understands. With the emergence of every repressed memory, Echo gets closer to the terrifying truth of what her mother did to scar her, physically and emotionally, and with everything Noah does, his actions and choices are scrutinized to the point where he could lose all hope of getting his brothers back. They know the risks, they fight the feeling, but how can you turn your back on the one person who makes your shattered life whole again?

Oh, sweet Zeus. I loved this book. I read this book, turned the last page, closed my eyes to digest for a minute, and started at the beginning again. This book defied all my preconceived assumptions with buckets of dynamite. With 50 pages to go, my husband came into the living room to find me holding the book with a troubled look on my face. He asked me what was wrong, and I said, "I don't want this book to end!" Yes, he laughed at me a little, but it was true. I didn't want to let go of Echo and Noah. They were the most dynamic, tragic, and beautiful characters I have read in a long time. By 50 pages into this book, you know these characters so well you find yourself laughing, crying, living, and dying along with them. I couldn't believe such characters could exist... especially with such a cheesy cover!

And why would publishers choose to cheapen this incredible story with such a craptastic cover? I will never understand that, but I hope people will look beyond the cheese to see the heart of this really fantastic story. It isn't just a romantic story. There is so much more to this story that the feelings between Echo and Noah are only a fraction of what makes this story so wonderful. The writing is so raw and real you will find yourself hanging on each and every word, living the story along with them. The demons these two carry with them are so difficult to digest, and you never really know the whole story. But most of all, the sacrifice they make for themselves, for their families, and finally, for each other, is beautiful. I loved this book both times I read it and I know I will be reading it again soon. This is the kind of book that stays with you for a long time. So give Noah and Echo some life, because every page makes them just a little more real.

High School is Like Prison

High school is a prison. At least it feels that way when you are there. But what our slightly melodramatic youngsters can't imagine is actually being trapped in your high school, under a quarantine that literally makes your high school into a prison. In Lex Thomas's Quarantine: The Loners, you get to see just how ugly high school can be.

David knew punching Sam, the star of the football team, was going to have repercussions, but he had no idea they would be so long-lasting. In a normal time, he would have had to watch his back and life would have been difficult until he graduated, but when half the school exploded and the rest was put under a mandatory, isolating quarantine, he was left to survive the insane wrath of Sam with no adults to supervise. When a kid infected with an insane virus that kills all adults instantly runs into the high school, there is no other option but to try to contain the disease by bombing the school. Unfortunately, nothing was contained and all the adults died anyway. Now hundreds of kids are left to fend for themselves with no answers, and no way to feed themselves. The military starts dropping food, but as the seniors age, they start to die the same way, by coughing up their own lungs. In order to avoid the inevitable massacre, the military creates the "graduation booth" where kids who have lost the virus from their systems can safely leave the toxic school and rejoin the rest of society. But that means there are a lot of kids stuck in the school who face years before they can leave. And we all know what happens when kids are left to their own devices for years on end... we have all read Lord of the Flies. It doesn't end well.

After a year in the school, gangs have formed so kids can have some fighting chance of staying alive. Without a gang like Varsity, Pretty Ones, Nerds, Freaks, or Sluts, you can pretty much count on starving and looking over your shoulder with every move you make. Thanks to David's impulsive decision to punch Sam for fooling around with David's girlfriend, he is a wanted and shunned man, and his brother Will is guilty by association. They make do, cleaning laundry to trade since they have no chance of actually getting food in the military drops, but Will resents his lot in life. As Scraps (gang-less kids), they barely get by. But when David tries to protect a newly shunned Pretty One from being raped by a Varsity, he accidentally kills the guy and becomes more than just shunned... now he is a wanted man. When he is saved by a bunch of Scraps and Will, the Scraps have an interesting proposition. They want to form their own gang. David finally agrees when the Scraps come together an stand up to Sam for the next drop, but just because they have a gang, it doesn't mean they are safe. Because no one is safe in Quarantine.

So, this was quite the story. Two man writing team Lex Hrabe and Thomas Voorhies (pen name: Lex Thomas) created a realistic, terrifying, brutal place that is exactly what you would expect. There is violence and rape and starvation and insanity and even forced "prostitution" where the Pretty Ones are forced to date Varsity in order to get their protection and food and resources. This book is ugly because this situation is ugly. A world where bullies and beasts are strongest is just survival of the fittest. And everyone else is forced to survive on the fringes. But we all know a revolution is imminent when people are scared and starving. Starving people will do anything to eat, even stand up to someone who has all the power when they are essentially powerless as one individual. But together, they can show the powers that be that there is power in numbers. This story felt so real and accurate it was incredibly disturbing. I found myself cringing with each descriptive sentence and action scene. Not because it was gratuitous. Because it was exactly what would happen if this wasn't fiction.

There is an amazing depiction of the relationship between brothers, David and Will, that will ring true to any sibling relationship. They hate each other, but love one another, they want to kill each other, but won't let anyone hurt the other, they forgive but don't forget, and most of all, they compete. It was a really well executed relationship for Lex Thomas, and it will ring true for anyone with siblings. But the other characters were just as dynamic and well executed. The boy, Smudge, who preferred being a Scrap, and Dorothy, who abandoned the Scraps out of fear when they faced Sam, and even Hilary, the leader of the Pretty Ones who did what she had to in order to stay alive, but who could barely live with herself anymore. They were executed brilliantly.

Since the story is so disturbing, it would probably be best for older young adults, maybe grades 10 and up. But this would be a perfect story for any reluctant reader, boys in particular. Like I said, the story is mature, so be aware of who you give it to. I can't imagine anyone with delicate sensibilities will make it more than 10 pages in this story. My one biggest critique was the difficulty keeping up with the ever-changing point of view. It switched so often it felt a little schizophrenic at times. I never really got used to it. But otherwise, you will enjoy this story if you can stomach the terrifying reality of it all! And you will walk down the halls of your school a little differently once you are finished!

A Tragedy Like No Other

You don't have to actually be a parent to know the most terrifying thing is the loss of your child. Whether it be illness or violence or kidnapping, the idea of a losing a child is terrifying to anyone and everyone. In Lisa McMann's Dead to You, the reader experiences the confusing and emotional return of a child who was kidnaped years earlier.

Nine years ago Ethan was abducted from his front yard when he was just 7 years old. Now he is a 16 year old about to be reunited with his family he has pretty much forgotten. He is terrified about meeting his family again, especially since the woman who took care of him all those years, Ellie, (and abandoned him, causing him to live in an orphanage and become homeless eventually), was someone he truly loved. As he returns, everyone wants to hear about the horrible woman who abducted him and the awful things she did to him, but he really doesn't have any stories like that. He loved Ellie.

But the transition back into the family isn't the worst for Ethan. He has a crush on his childhood best friend and she is very protective of him. He is overwhelmed at first by all the attention, but eventually, he settles into his new life. But Ethan's return is hardest on his younger brother Blake who was just four and in the front yard when Ethan was abducted. Blake is convinced Ethan is not really Ethan, that another boy has come to their home pretending to be Ethan. Ethan's father contemplates a DNA test, but Ethan's mother will not doubt her son. She knows if she asks him to take a DNA test, she will always be the mother who doubted her son. But why can't he remember anything from his life before the abduction? Is he really Ethan? Can the family survive losing another son?

OK. I am gonna put this out there with as few spoiler-ish hints as possible. The ending is one of those, "What the H-E-double hockey sticks just HAPPENED" kind of moments. The last ten pages are the kind of ending that readers want to believe they hate, but really it accomplishes what the author was going for- you are still thinking about it and talking about it for WEEKS after you finished the book! I know a lot of people want a sequel to find out how things were resolved, but I hope McMann leaves this story alone. The ending is unresolved, but that is what makes it so powerful. Uncertainty fills the book, so why not end it with uncertainty too? I know I usually hate unresolved endings, but with this book, I actually love it. I think it makes the book that much better.

The story itself is pretty complex and disturbing. Imagine getting your son back after nine years and then people start to question whether he is the real deal or not. That has to be devastating. The mother is such a wonderful character. She never doubts Ethan. She fights for her son tooth and nail, and I loved her for that. But Blake's character was the most interesting for me. It had to be so hard for him, always the one who was there when Ethan was abducted. Not that they blame him, but that guilt that still surrounds him all his life about BEING there when his brother was taken. Then his suspicions about Ethan and how vehemently he tries to prove this isn't the real Ethan, but how much everyone ignores him, assuming jealousy is the cause. It felt so realistic and terrifying, but sad and heartbreaking. This book is written in simple language (with minor profanity), but the story is quite deep and provocative. It would be perfect for an older, low-skilled student who wants a mature book but needs a lower reading level. It would be perfect for papers, discussions, and "What if" assignments where you could really question the fabric of family, suspicion, and the unresolved ending. I will definitely be keeping this on my shelves for a variety of students. But a warning... if you can't handle unresolved endings, this book is going to tick you off!

A Monument to Apocalyptic Fiction

You know what you would say to your loved ones if it was the last time you were going to see them, but what if you didn't know that time was the last time? In Monument 14, Emmy Laybourne takes a group of kids from a school bus (or two), throws them into a new, very dangerous world, and hopes they can survive.

Dean boards the high school bus and his younger brother, Alex, gets on the elementary and middle school bus. They head off on just another day of school and routine, but this isn't just another day. On their way to school a freak hailstorm takes out Dean's bus. The driver is dead, as are some kids who were trapped and beaten to death by hail, but the remaining kids know they have to get out. Through the heroics of an ancient bus driver, the surviving kids find themselves trapped in the Greenway department store. When the bus driver heads off to find help, she leaves the kids behind, not knowing just how alone they will soon be. 

The hail storm was just the beginning of the after effects of a giant tsunami. When a major earthquake hits, the kids assume they made it through until a chemical spill from NORAD. The chemical reacts differently in people with different blood types, killing some, sterilizing others, and making another percent of the population go stark raving mad and murderous. The kids are lucky enough that the emergency gates on the store closed, sealing them inside, but what is on the outside wants to come in. While the kids have enough supplies to survive in the department store, there are scarier things out there than they can imagine safe inside the store. 

First, let me just assure you that there are no zombies going on here. Homicidal psychopaths, yes. Zombies? No. I wanted to get that out in the open, because the description of the people affected by the chemical sounded to me a lot like zombies, but they aren't. They are alive, reasoning, thinking loons who want to tear everyone and everything apart they can get their hands on. Scarier than the zombies if you ask me! But nevertheless, no zombies here. 

The story is quite interesting story, especially on the heels of a similar story I just read called No Safety in Numbers. They are very different books as this is apocalyptic and that was a terrorist plot that led to a quarantine, but there are still some similarities, like being trapped in a mall/department store. The thing that sets this story apart is the lack of adults. The older kids try to hold things together, but since they are children themselves, it doesn't always work. Some kids started dipping into the pharmacy, others gorged themselves on candy and ice cream. A couple of the older kids paired off, little kids wanted their mommies, and all of them grew more and more scared. It actually felt very real in regards to how the kids all reacted to the situation. 

My one skepticism surrounded the chemical agent released from NORAD during the quake. I am not sure how a chemical could react so differently based on blood type, but I have learned not to question these things too much and to give fiction a little wiggle room for creative license. So I let that go and just enjoyed the story. It was written in first person narrative and sometimes the story felt very much like it was slipping out of the mouth of a young adult... perhaps a little too much at times? With this writing style comes a few choppy sentences or disjointed thoughts where I had to go back and reread to get the full gist of what was happening. But all in all, it wasn't distracting most of the time, so I was able to really enjoy the story. I found the story exciting and engaging and really want to know what happens next. I desperately hope this is the beginning of a series because otherwise Laybourne's "Got some 'splainin' to do!" The ending had a feeling of finality while still being abrupt and leaving you hanging. I don't know how she concluded the story that way, but she did, and it left me dying to know more!

The Most Forbidden Love

When you think "forbidden love", I am sure you think of Romeo and Juliet. A love forbidden by others, but beautiful in reality. I have been a witness of beautiful love with large age differences, including an aunt who married a man 20+ years her senior. Looking back at those pictures, despite their age difference, my aunt and uncle were never happier than when they were together. We have seen love forbidden by religious lines, ethnic boundaries, and racial separation. So is there a love that is truly forbidden? The love Tabitha Suzuma writes about in Forbidden is not only "forbidden", it is downright taboo... so why do you feel your heart wrench for these two young adults who seem so in love?

Lochan, called Lochie by his family, is painfully shy and quiet. A brilliant young man, he is stunted in school by his almost physical inability to speak to anyone other than his own family. Maya is his younger sister. Separated by only a year, they are completely different people. Maya is more social, has friends, and even a possible interest in boys. But together, Lochie and Maya are thrust into the most difficult of childhoods you could imagine- they basically have to raise their younger siblings with little to no help from their parents. Their father left them years ago for his new family and their mother is more concerned with getting her party on and keeping her new boyfriend happy. She comes around less and less, including ignoring all the responsibilities that come with having five children. 

So Lochie and Maya must, in order to keep their family together and out of the foster system, become the parents of their younger brothers and sister. Willa and Tiffin are young enough to accept this arrangement, but Kit is old enough and angry enough to fight what little authority Maya and Lochie have over him. Life as high school students and the virtual parents of three is not only taxing on Maya and Lochie physically, it creates an emotional bond that is much, much different than how a brother and sister are supposed to see each other. Alone in their roles as parents, they find themselves drawn to each other even though they know it is wrong. They emotions for one another have never exactly been "sibling-like", but now they start to see each other in a way they know is wrong- the way a husband and a wife would see each other. Their love and desire grows with each passing day, but they know the risks of giving into their desires. They know their love is not only socially unacceptable, they know it is illegal and if they are caught, they will lose their family. And there is nothing more important to them than keeping Kit, Willa, and Tiffin together. But their desperate situation brings them closer and closer. So close, in fact, that there is no going back. Their love may be the ultimate societal taboo, a brother and sister loving each other in a way that should never happen, but to Maya and Lochie, it couldn't be more pure or devoted. Is it their fault they had the horrible luck to be born to the same neglectful mother? You can't help who you fall in love with, right?

Oh boy. I don't know how to really write this review. I actually finished this book 2 days ago, but had to step away from it and think about it before sitting down to write about it. I will admit, at first I had absolutely no interest in reading a love story about a brother and sister. I did read Flowers in the Attic like most junior high kids did in my time, but even though we knew that situation was wrong, and we found ourselves blaming it on the situation- kids locked in the attic with nothing else to do for years. But this relationship didn't have that sense of hopelessness. They went to school, had friends, and while they were trapped by their horrible circumstances, it still seemed unnecessary. But my cousin, who always gives me great book advice, suggested I had to read this book. I trust her judgment, so despite my "ick-factor" presumptions about this book, I bought it...

Now I don't know how to explain it. Actually, I wish I could convince someone else to read it because I REALLY need to talk to someone about it. Incest is nothing romantic or beautiful like other romantic tragedies we find ourselves loving, but this isn't the dirty incest you usually imagine. In fact, at one point, Lochie even researches incest by two consenting adults, and there really is none. Their situation is so rare and unheard of, they can't find any traces of other people suffering the same forbidden love. In fact, Lochie even explains to Maya that it would be considered a love of the abuse and neglect they have suffered at the hands of their parents. They know how bad their situation is, but that doesn't mean they can stop loving one another they way they do. You can't simply shut off the feelings Maya and Lochie are experiencing. In fact, you find yourself WISHING they weren't related because their love really does seem pure and unadulterated.

Then you find yourself questioning the very horror of that wish! How could you, a reader, think this love is ok? Well, you don't. Not exactly. But god, you sure are confused by everything about these two kids. This was how I felt as I finished this tragic, sad, heartbreaking story. I was so confused. I loved Maya and Lochie, and I just wanted to save them or desperately find out they really weren't related. I wanted it to be all a mistake- maybe they were switched at birth or something and Lochie really isn't her brother. Well, that wasn't the case, so I found myself even more confused. 

This book is taboo. It is hard to read, emotionally, but beautifully written. The author really crossed a boundary with her topic, but she did so in a way that will leave you both breathless and terrified at the same time. But at the same time, you have to read it. This isn't the same cheesy graphic shock-value V.C. Andrews piled into Flowers in the Attic. It is something different entirely. but at the same time, I can't think of a single student I would give this book to. Not because it is poorly written or I think it will influence our students in any way (because that is just ludicrous, to be very honest), but because the subject matter seems so black and white at the beginning and leaves you as confused as you could ever be at the end. I think it might be too heavy for a teenager who, like an teenager, has trouble defining themselves, let alone the very fabric of societal, ethical, and moral boundaries. This book will have you question everything you know to be right or wrong, and it does so in one seriously ground-shaking way. I commend Suzuma for having the guts to write about the most truly forbidden love, and to do so with such grace and beauty. If that isn't the work of a literary magician, I am not sure what is.