We take fresh water for granted, but there are parts of the world where freshwater is a commodity. When that becomes the case for New York City, especially after the Wash Out, fresh water is the only thing people care about, next to a cure for the Blight. In Jordana Frankel's first novel in The Ward series, we see just how far people are willing to go to save the lives of those they love.
Ren can't tell anyone she works for the Blues, even if it is only to scout for water. Everyone would think she was a traitor who turned in the sick for a ransom rather than a selfless hero searching for a source of freshwater to sustain the population. Granted she wouldn't be working for the Blues had she not gotten arrested and forced to work for them, but still, she believes she is doing a good thing to find fresh water for the sick, dying, quarantined population. When she is told by a Blue to search a specific quadrant in the middle of a race whose purse she needs desperately, she can't tell him her sister is home suffering the final stages of the Blight. Instead of finding just fresh water, however, she finds something more important than she ever could have imagined.
She finds water that is essentially the Fountain of Youth, heavily guarded and protected, but powerful enough to cure everyone of the Blight. Or at least for a little while. When her sister Aven drinks the water, it beats back the Blight in her body briefly, but then it makes her worse. Now Aven must get to the bottom of what was int hat water to make Aven better, how to get more of it, and how to cure her sister. What she doesn't expect is a crazy governor, a group of guards who protect the spring to the death, and even people who she thought she could trust who have darker intentions. All Ren wants to do is save people, but it seems like everyone is standing in her way.
A good PA or dystopia has to create a world I understand and believe in. Unfortunately, The Ward had great potential, but it really didn't delve very deep into the world that was so integral to the entire story. For instance, what is the full story of the washout that dropped New York City into the water? How is it possible to have lots of technology like racers and some "party noise filter" that gives you a beam of silence in a party to talk in but still be poor enough to not be able to treat the illness or at least buy pain relievers, or even have electricity? The racing is another thing I never truly understood. They are subs, but then they are on the roof? At first I worried I had possibly read the book too fast, and that this caused me to miss this important backstory, but in looking at some other reviews online, I realized I wasn't the only one pretty confused with the backstory. This was a shame for me because the story was actually pretty interesting and read quickly for its size. But still, the backstory was a huge thing to leave out of the story and it took away from my enjoyment of the story. I hope Frankel puts more into the back story of the rest of the series, but I am concerned the story is going to struggle without having already established this background.
Ren is a great character with a headstrong need to help people, even in a world where so many are dying. I like her relationship with Aven even though they aren't blood sisters, and how Aven is the only concern for Ren's entire life. It made Ren an investible character for me, even when I struggled with other parts of the story. I was a little torn and confused about some of the supporting characters like Ter, Derek, and Callum, but I guess there could be more to give them a boost in the next book. Overall, this wasn't a bad book, but I shouldn't have finished 460+ pages with so many questions about basic plot points and characters. I don't think I would give this story to many students unless they were strong readers and could handle the plot holes. It might be interesting for someone who has already read a lot of PA or dystopias and is looking for another. I will certainly read the next book in the series, but I strongly hope Frankel plugs the holes when she writes it!
Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts
Thursday, August 29, 2013
Saturday, May 25, 2013
Spy-A-Licious
Your teen years are formidable. It seems like you will barely survive, but you eke out the other side relatively unscathed and tougher for the challenge. But what if you were raised by international spies, a lock picking, safe cracking prodigy (given Master Locks to play with and crack as a toddler), and had never gone to school, gone to a dance, or even kissed a boy? In Also Known As by Robin Benway, Maggie is up for her first official case for the group of Good Guy Spies they work for: going to high school and fitting in!
When news of a journalist writing an article about the group of spies her family works for, thereby blowing their cover, is released, Maggie is given her first job: infiltrate the high school of the journalist's son and get the evidence for the story back. This job is even more important than the other "do-good" jobs Maggie has been a part of before, because now her family's safety is in jeopardy. Even though the group of spies only work their magic for good, stopping bad guys, toppling evil, and returning items to those good people who they were taken from, she is still a spy, complete with aliases and multiple passports. Infiltrating a high school sounds relatively harmless, unless you have ever been a new kid before. Then you know just how treacherous this assignment really was. Terrifying in fact.
To make matters worse, Jesse Oliver, the mark, is a popular bad-boy. Maggie knows she has no chance of getting to him without an in, so she makes friends with an eccentric former Queen Bee named Roux. While Roux is currently a social-outcast, she still makes for a good in to Jesse Oliver's Halloween party. But after the party, Maggie realizes there is more to Jesse Oliver (she likes to say his full name!) than Maggie had expected. As she gets closer to him, she realizes she doesn't want him to just be a mark. But that would be breaking the cardinal rule for a spy: never get too close.
This was a fun, somewhat young, spy story, much in the same vein as Ally Carter's Gallagher Girls series. Maggie was a typical teenager, complete with sarcasm, snark, and a desire to be kissed by a cute boy, but it was her entourage that was the most fun. You find yourself really liking Jesse Oliver, and Roux is hilarious. I like the fact that Roux was a former-Queen Bee, fallen from her throne. It made her so much more interesting, and her hilarious rambling diatribes were so much fun! When she came face to face with Angelo, the family's spy friend, I thought I was going to die! Too funny!
But this is a rather young story. It would be good for any young reader transitioning from Middle Readers to YA. The cover screams girl book, but if you can get a boy to read it, I can see them being equally entertained, especially since Maggie isn't terribly "girly". The spy stuff isn't terribly dangerous, but made for a fun read. I am looking forward to the sequel to this story to see what happens to everyone!
Labels:
AKA Series,
first kiss,
middle reader,
new kid,
new school,
New York City,
Robin Benway,
spy,
young adult
Tuesday, May 14, 2013
A Game is Never Just a Game
If you are raised by a serial killer, taught his ways, and everything you learned as a child had something to do with maiming and dismembering, do you think there would be a chance you could turn out normal? For Jasper Dent, that is the question that haunts every thought in his head and every decision he makes. Game by Barry Lyga is the chilling sequel to I Hunt Killers where the Dent family has even more to worry about than a psychopathic father.
Jasper (Jazz) can't help blame himself for the deaths of the guards when his father, Billy Dent, the most notorious serial killer you can imagine, escaped from jail. He didn't know that moving his grandmother's birdbath for Billy would set off a chain reaction that sprung his father from jail. Now Billy is on the loose. But when an NYC officer comes to Lobo's Nod to find Jazz, there is more to worry about than just Billy. New York is being terrorized by a serial killer that is so scattered in his method, the police are finding it impossible to get any leads on him. The Hat-Dog killer's only calling card is he etches either a Hat or a Dog into his victims when he leaves their bodies to be found, but there is no rhyme or reason for who gets which tag. And no victimology fits any one hunting pattern. This killer is a mystery, but even worse, he is brutal. His victims know the face of true evil.
Jazz is reluctant at first to get involved. After the Impressionist stalked him in an effort to become the next Billy Dent, Jazz has absolutely no interest in putting the ones he loves in danger. But when he looks at the evidence, he realizes his unique knowledge might be the thing to catch Hat-Dog. Being inside a serial killer's brain isn't easy, but if Jazz can use it to catch another killer, he is willing to take that risk. Unfortunately, all that time in the head of a killer brings Jazz's own concerns and thoughts to the undeniable surface. The closer he gets to the surface, the more Jazz worries about his own proclivities. And this killer isn't easy to crack. But there is more than what is on the surface that should scare Jazz- Billy is still out there.
This series is simply phenomenal. It is gruesome, exciting, and heart-wrenching. The serial killers themselves are a Mind Hunter's dream and nightmare all rolled into one. You can't believe how Jazz comes to the conclusions he does, but then again, you can't imagine being the son of a serial killer. And that is the true heart of this story. Jazz. He is so tormented by his father that even getting physically intimate with the girl he loves is terrifying, because serial killers almost always have a sexual need that motivates their killing. Getting in the head of this boy is so fascinating and heartbreaking, it makes you wish you could save him from himself. He wants so badly to be a good person, but the ghosts of his father's lessons huants him more than the actual killers themselves.
But there is something to be said for an amazing support network. And Jazz certainly has one. Between his girlfriend Connie and his hemophiliac (and consequently very delicate) best friend Howie, Jazz has people who love him and will do anything to help and protect him. Of course that love leads to even more danger, but the idea that they would do anything for Jazz is really incredible. They even carry their own demons regarding Jazz's family (Howie beats himself up about how he could spend so much time with Jazz and NOT know the truth about Billy), but that makes them even more amazing. They know everything, but they still love Jazz enough to do anything for him. It is Connie and Howie who make Jazz human, and you can't help but love them for it.
This is a great story for anyone who likes murder mysteries, is a fan of "Dexter", or just loves a good story, because you would be crazy if you didn't think Lyga could write. Man, that boy can write! Barry Lyga knows characters, he can write a plot that keeps you guessing until the last possible second, and he never ceases to shock you (which is pretty hard considering the books are about gruesome serial killers). This is a great series for an older reader who needs something to grab their attention and HOLD it! But the way it ends? Oh lord. How could you do this to me Mr. Lyga? I am dying over here!!
Jasper (Jazz) can't help blame himself for the deaths of the guards when his father, Billy Dent, the most notorious serial killer you can imagine, escaped from jail. He didn't know that moving his grandmother's birdbath for Billy would set off a chain reaction that sprung his father from jail. Now Billy is on the loose. But when an NYC officer comes to Lobo's Nod to find Jazz, there is more to worry about than just Billy. New York is being terrorized by a serial killer that is so scattered in his method, the police are finding it impossible to get any leads on him. The Hat-Dog killer's only calling card is he etches either a Hat or a Dog into his victims when he leaves their bodies to be found, but there is no rhyme or reason for who gets which tag. And no victimology fits any one hunting pattern. This killer is a mystery, but even worse, he is brutal. His victims know the face of true evil.
Jazz is reluctant at first to get involved. After the Impressionist stalked him in an effort to become the next Billy Dent, Jazz has absolutely no interest in putting the ones he loves in danger. But when he looks at the evidence, he realizes his unique knowledge might be the thing to catch Hat-Dog. Being inside a serial killer's brain isn't easy, but if Jazz can use it to catch another killer, he is willing to take that risk. Unfortunately, all that time in the head of a killer brings Jazz's own concerns and thoughts to the undeniable surface. The closer he gets to the surface, the more Jazz worries about his own proclivities. And this killer isn't easy to crack. But there is more than what is on the surface that should scare Jazz- Billy is still out there.
This series is simply phenomenal. It is gruesome, exciting, and heart-wrenching. The serial killers themselves are a Mind Hunter's dream and nightmare all rolled into one. You can't believe how Jazz comes to the conclusions he does, but then again, you can't imagine being the son of a serial killer. And that is the true heart of this story. Jazz. He is so tormented by his father that even getting physically intimate with the girl he loves is terrifying, because serial killers almost always have a sexual need that motivates their killing. Getting in the head of this boy is so fascinating and heartbreaking, it makes you wish you could save him from himself. He wants so badly to be a good person, but the ghosts of his father's lessons huants him more than the actual killers themselves.
But there is something to be said for an amazing support network. And Jazz certainly has one. Between his girlfriend Connie and his hemophiliac (and consequently very delicate) best friend Howie, Jazz has people who love him and will do anything to help and protect him. Of course that love leads to even more danger, but the idea that they would do anything for Jazz is really incredible. They even carry their own demons regarding Jazz's family (Howie beats himself up about how he could spend so much time with Jazz and NOT know the truth about Billy), but that makes them even more amazing. They know everything, but they still love Jazz enough to do anything for him. It is Connie and Howie who make Jazz human, and you can't help but love them for it.
This is a great story for anyone who likes murder mysteries, is a fan of "Dexter", or just loves a good story, because you would be crazy if you didn't think Lyga could write. Man, that boy can write! Barry Lyga knows characters, he can write a plot that keeps you guessing until the last possible second, and he never ceases to shock you (which is pretty hard considering the books are about gruesome serial killers). This is a great series for an older reader who needs something to grab their attention and HOLD it! But the way it ends? Oh lord. How could you do this to me Mr. Lyga? I am dying over here!!
Labels:
Barry Lyga,
best friend,
death,
father,
FBI,
girlfriend,
Jasper Dent Series,
murder,
New York City,
serial killer,
young adult
Saturday, April 6, 2013
My Divine Intervention
The mind of Libba Bray must be like a creeptastic wonderland full of so many ingenius scenarios. Each book she writes is so different from the last, so my start with The Diviners was a journey where everything was unexpected. And that was what made it so wonderful.
After her parlor tricks got her in trouble back home, Evie O'Neill was sent to live with her uncle Will in NYC. Taking it as the beginning of her rise to fame and fabulousness, Evie is excited for the move to the big and beautiful city. What she didn't realize was that Uncle Will's Museum of American Folklore, Superstition, and the Occult was the laughing stock of the city and dubbed the Museum of "Creepy Crawlies". But never one to give up or fail to spin things her way, Evie isn't disappointed by the Creepy Crawlies- she is going to take NYC by storm.
When a serial killer begins leaving mutilated bodies around the city, Uncle Will is consulted by the local police. Evie, the ever-thinking young woman that she is, knows how to spin this to save the museum and rocket herself into the spotlight. When she begins to give exclusive interviews to a reporter, she makes sure he mentions the museum, and of course, photographs her on her good side. But the Pentacle Killer has escalated and there are no clues as to who he might be, only more and more carnage left in his wake. The truth of the killer might be too "out there" to believe, but Evie and the rest of the Creepy Crawly crew aren't afraid of the unexplainable... they live to explain it!
I don't really think my description of this book does it justice. In fact, I think it makes the book seem a lot lighter than it truly is, so please know this is a very, very creepy period piece. The murders are really gruesome, and I don't want to give anything away, because the book is best enjoyed with an element of surprise, but you will certainly be creeped out when they get to the bottom of the pentacle killer. I think this book might appeal to both horror fans and historical fiction fans, but it is quite long and might discourage a struggling reader. Despite it's size, it reads like a 200 page novel- you will blow right through it. So if you know a reader who needs a spunky heroine and a creepy story, you should think about the Diviners.
One thing I think might divide readers is the main character, Evie. She is bold, brash at times, self-serving, and headstrong. She acts without thinking, which puts her and her friends in danger over and over again. I can see how this might be totally grating for some readers. And yes, she can be impetuous and annoying, but there is also something charming and funny about how she acts before she thinks. I think if you go into her character thinking she is obnoxious, the book is going to be tough to get through, but if you see her as a willful young woman, you will enjoy her more. The supporting characters in this book are really fun and will make the story even more dynamic than the story with just Evie.
But this setting is also something to pique your interest. The language, slang, and jargon can be novel at first, but it helps you to feel like you have been submersed int he time period along with the characters. For many students who live in their bubbles without much thought to times long past, I love a fun period piece that takes a historical time and combines it with an exciting story. And this book has it in spades!
After her parlor tricks got her in trouble back home, Evie O'Neill was sent to live with her uncle Will in NYC. Taking it as the beginning of her rise to fame and fabulousness, Evie is excited for the move to the big and beautiful city. What she didn't realize was that Uncle Will's Museum of American Folklore, Superstition, and the Occult was the laughing stock of the city and dubbed the Museum of "Creepy Crawlies". But never one to give up or fail to spin things her way, Evie isn't disappointed by the Creepy Crawlies- she is going to take NYC by storm.
When a serial killer begins leaving mutilated bodies around the city, Uncle Will is consulted by the local police. Evie, the ever-thinking young woman that she is, knows how to spin this to save the museum and rocket herself into the spotlight. When she begins to give exclusive interviews to a reporter, she makes sure he mentions the museum, and of course, photographs her on her good side. But the Pentacle Killer has escalated and there are no clues as to who he might be, only more and more carnage left in his wake. The truth of the killer might be too "out there" to believe, but Evie and the rest of the Creepy Crawly crew aren't afraid of the unexplainable... they live to explain it!
I don't really think my description of this book does it justice. In fact, I think it makes the book seem a lot lighter than it truly is, so please know this is a very, very creepy period piece. The murders are really gruesome, and I don't want to give anything away, because the book is best enjoyed with an element of surprise, but you will certainly be creeped out when they get to the bottom of the pentacle killer. I think this book might appeal to both horror fans and historical fiction fans, but it is quite long and might discourage a struggling reader. Despite it's size, it reads like a 200 page novel- you will blow right through it. So if you know a reader who needs a spunky heroine and a creepy story, you should think about the Diviners.
One thing I think might divide readers is the main character, Evie. She is bold, brash at times, self-serving, and headstrong. She acts without thinking, which puts her and her friends in danger over and over again. I can see how this might be totally grating for some readers. And yes, she can be impetuous and annoying, but there is also something charming and funny about how she acts before she thinks. I think if you go into her character thinking she is obnoxious, the book is going to be tough to get through, but if you see her as a willful young woman, you will enjoy her more. The supporting characters in this book are really fun and will make the story even more dynamic than the story with just Evie.
But this setting is also something to pique your interest. The language, slang, and jargon can be novel at first, but it helps you to feel like you have been submersed int he time period along with the characters. For many students who live in their bubbles without much thought to times long past, I love a fun period piece that takes a historical time and combines it with an exciting story. And this book has it in spades!
Thursday, February 28, 2013
Dance of Mediocre Shadows
Dancing, like music, can be a spiritual thing, but when the people surrounding get too caught up in it, it can get dangerous. In Yelena Black's Dance of Shadows, Vanessa already knows how dangerous the New York Ballet Academy can be, but she doesn't care. She cares about finding her missing sister.
Vanessa has been accepted to the prestigious New York Ballet Academy, but her parents are obviously nervous about her actually attending since her sister disappeared from the same Academy years ago. Still, they let her go, and she is determined to attend. For Vanessa, ballet is addictive, almost a drug, but there is something even more important at the Academy than dance: answers about her sister's disappearance.
When she gets there, she realizes there are many dark secrets to the Academy. The lead choreographer, Josef, is ruthless in his control of all the dancers, and it turns out Vanessa's sister isn't the only lead ballerina to disappear. In fact, every girl who was made lead in the Firebird has disappeared, along with some others. But it seems anyone who digs too deep goes missing as well. And when Vanessa is made lead in Firebird as a freshman, she starts to get close to the truth. When a friend of hers goes missing suddenly, the shadows around the studio become all too apparent. Vanessa will not give up on her sister and the other girls, but she may be playing with fire...
Sadly for me, I didn't think this was a stellar story. I was very interested in the ballet angle, the missing girls, etc., but where this story went was particularly odd. But that wasn't the only thing I struggled with. First, the characters weren't well-developed, including Vanessa. They were all very flat for me, and even the love triangle with Zeppelin and Justin was so dry I just didn't particularly care who she ended up with.
**SPOILERS AHEAD** And even worse for me was the supernatural element. I think the mystery of the missing girls was a great angle, but wouldn't a school be shut down if it lost 13 girls in 20 years, especially with so few kids accepted into the school?? How does that go unnoticed? But even so, the supernatural element was odd. It wasn't particularly interesting for me, and I love supernatural books. Also, the "mystery" was relatively predictable and seriously?? A necrodancer? Oh, boy. That was a stretch. Worse yet is that this is supposed to be a trilogy. As if one demon of the dance wasn't bad enough, now we plan to track down all the evil ballet demon summoners? *END SPOILER*
So, sadly I will most likely not be reading the next book in the trilogy. If I do, it will most likely be a moment of weakness to see where the story leads. I wasn't particularly thrilled with this book and I wish the story was as flawless as the beautiful cover.
Labels:
author reading,
ballerina,
ballet,
demon,
missing children,
mystery,
New York City,
supernatural,
Yelena Black
Tuesday, December 11, 2012
A Dysgraphic Romance
Who would move to a new city just to follow the boy you have a crush on, even though he barely knows you exist? Brooke would in Susane Colasanti's So Much Closer. A new city, a new school, and all in her senior year? Nothing can stand in the way of her love for him!
When Brooke moves to New York City, she has only one thing in mind. She wants to get Scott to finally notice her. Who cares if it means she has to ditch her friends, leave her mother behind, and move in with her absentee father who continues to ignore her even when she is under his very roof? Not Brooke. That is how much she loves Scott. Utterly and completely. It doesn't matter that he barely knows who she is.
And what are the chances that they would go to the same new school? Well, they do, and it gives them the opportunity to get to know one another. The new school is actually good for Brooke, despite her unhealthy attachment to Scott. She starts to tutor a fellow classmate who is dysgraphic and struggles to get his brilliant ideas onto paper. It gives her a chance to realize that her incredibly high IQ is a gift that she has been squandering on mediocrity and hiding for too long. She also has a chance to make a new friend. And most importantly, she falls deeper and deeper in love with New York City with each passing day. But can she win the boy she sacrificed everything for?
I hate to say it, but I had some real problems with this book, which was incredibly difficult because someone had compared this author to Dessen and Perkins, and there just aren't enough Dessen and Perkins books published to keep me satisfied. So I was excited to find a substitute while waiting for the next Dessen or Perkins, but that wasn't what I got with this book. Instead, I was really disturbed by this girl, who was a senior, dropping everything, her friends, her mom, her school, to follow a boy who didn't even know she was alive. And if that wasn't stalker enough, she would walk through his neighborhood day after day after day in the hopes of running into him. It was just creepy. Not romantic. Creepy. Add to that the fact this girl was brilliant. I am talking off the charts gifted, and she hides it. Now, I get kids being embarrassed by their smarts, but I really want a role model of a main character- a girl who can be cool AND super smart. Who rocks the genius gene with flair. Not Brooke. She is totally embarrassed to the point that she doesn't even try in classes and skates by with Cs. This has ruined her chances of going to a great college. And then she gets near perfect scores on her SATs? Why didn't anyone get to the heart of this behavior BEFORE she was ready to graduate? It was just not a quality I want to see in a main character my students are reading about.
One thing I did like about the book was the connection to the beauty of NYC. As someone who has lived close enough to NYC for a day trip, I love what it contains but struggle with the bad parts of the city- in particular the stench. But Brooke sees the beauty in the city, especially in reclaimed structures like the High Line or rooftop gardens. It was nice to see. And my favorite part of this book was something that was so great at the beginning of the book and then ignore, sadly, for the remainder- the boy Brooke tutors is dysgraphic! Now, I teach dyslexics and dysgraphics, and I have seen a number of dyslexic characters in books, but none are really described very well, but this kid was a great representative of a typical dysgraphic- brilliant but totally unable to translate his brilliance into the written word. I was so excited to finally find a dysgraphic character, but then Colasanti ignored his dysgraphia after the first few chapters. Why? Why not run with that or not bring it up at all? It didn't make sense to me.
So, I would say this is a book for a younger student, as most young adults would find it cheesy and inauthentic. Still, I don't think I would recommend it to any of my girls, as I would rather give them Dessen or Perkins and know they have a great book in their hands. It is unfortunate because I really needed a good girlie book to read. I think I will give Colasanti one more chance, but I hope my next book by her is far better than this one.
Labels:
dysgraphia,
middle reader,
new school,
New York City,
romance,
Susane Colasanti,
young adult
Monday, July 2, 2012
Who Survives?
I remember having a conversation with a family friend a year or so after 9/11. We were talking about humanity and the good and the seriously ugly that comes out of humanity. And after we talked about some pretty ugly things, one being all the people who died on 9/11, I made a comment that quieted us both. I said (not verbatim), "Well, there wasn't a single call of vengeance or hate or anger that came from those buildings or those planes. They were all of love." I remember him pondering that for a moment and saying, "I guess humans aren't so bad after all." We lived through 9/11. We remember where we were that day. What we were doing. Who we were with. But our children and students don't. I am teaching middle school students who were born after that horrible day. They hear about the horror, but none remember it. So how do we teach them about a day we will never forget? David Levithan has the right idea with Love is the Higher Law. He talks about the people who survived that day. And you didn't have to be in the towers to be a survivor.
Claire was sitting in homeroom when it happened. When she saw people bustling around and whispering to her teacher, she was scared something had happened to her mother. What she didn't expect was a tragedy that would take so many people's mothers and fathers. Jasper was sleeping. With his parents in Korea, he was using the time to indulge in late nights and later mornings and had disconnected the phone. For a family halfway around the world with their son in the middle of a terrorist attack, nothing can be scarier than him not picking up the phone. Peter is in Tower Records, picking out the next great album and day dreaming about his date that night with a cute boy named... Jasper. When he walks outside, he removes his headphones because any song he heard as he watched the second plane hit the towers would have been forever tainted by the horror he was witnessing.
When the towers went down in NYC, many people died. But while many people survived, a small piece of them went down with the towers. Everything stopped in the city that never sleeps and certainly never stops. And three young adults all living very different lives found their lives intertwining and never losing sight of what their city lost: the facade of safety and imperviousness. Claire, Jasper, and Peter all survived in very different ways, but they carry the towers and what happened that day with them each and every day.
The importance of this book is that it is not a dictation of facts of what happened that day. It is a personal, human story of three teenagers living through the scariest day of their lives. I think this is a story that teens today could not only relate to, but also get a better image of what happened that day. But the story doesn't stop with that day. It continues for days and years after, showing the true influence 9/11 made on those kids. What was particularly important for me was how different their reactions are. When we look at the way people deal with tragedy, we have to acknowledge the widely differing reactions and this book chronicled three of those. In particular, Jasper was unable to get it out of his mind while Peter just wanted to move on with his life.
While this book wouldn't tell the whole story of what happened that day, it would be a great companion to any lesson on the subject for teens. It is very realistic and upfront about the lives of these three teens, a skill Levithan is a master at. He doesn't hide behind stereotypes and fluff, but rather delivers a story that will leave you different by the last page. This is a short story, a little over 150 pages, so it is good for an older reader who struggles to focus on longer books or as a part of a larger unit about this time period. Levithan does it again. He brings the humanity out of the shadows and into the light.
Labels:
9/11,
boyfriend,
David Levithan,
friends,
gay,
New York City,
novella,
September 11th,
short novel,
terrorist,
World Trade Center,
young adult
Friday, March 16, 2012
The Monstrumologists are Back in Town
Will Henry has lost his family, but the Monstrumologist, Dr. Pellinore Warthrop took him in. Will Henry's father was Warthrop's assistant, and after his death the doctor kept Will Henry on as his assistant. While it might not seem like a young teen would be the best assistant, Will Henry is the only person in Warthrop's life who truly cares about him... even if he isn't thrilled about all the monsters. In Rick Yancey's sequel to The Monstrumlogist, The Curse of the Wendigo, Will Henry and Warthrop aren't trying to find a monster. They are trying to convince everyone it doesn't exist...
When Warthrop's best friend and arch nemesis goes missing, Warthrop agrees to go to Canada to find John Chanler. Chanler was sent by the head of the Monstrumology Society, Dr. von Helrung, to find tangible proof that the Wendigo truly did exist and have it entered into the list of existing monsters. Warthrop knows the Wendigo is just a myth, but nonetheless, Chanler has still gone missing. He and Will Henry set off to find the missing scientist only to find themselves lost in the wilderness and being hunted by something that neither of them can explain. They find Chanler, but returning to civilization is no easy feat.
When they finally find their way back to the town, Warthrop refuses to admit anything was hunting them. He convinces Will Henry it was all dehydration and exhaustion playing tricks on their minds, but Will Henry can't forget those yellow eyes. Chanler is returned to his wife in New York City and Warthrop and Will Henry head to the same city for the annual Monstrumologist convention. But went they find Chanler being kept under guard in von Helrung's house, not a hospital, Warthrop accuses the old scientist of losing his mind and endangering Chanler's life. What they don't expect is for Chanler to quickly devolve into more beast than man. Can you still question the existence of a Wendigo when it is rampaging through the city and hunting your own apprentice? Dr. Pellinore Warthrop can!
When I try to describe Dr. Pellinore Warthrop, I always find myself claiming him to be a male Temperance Brennan, from the television show "Bones". He isn't heartless, he is just very scientific and logical, to the point of seeming to be without emotion. In the first book, however, it became very clear that he cared very much for the orphan boy he took in. In this book, that fatherly devotion grows to the point where Warthrop even considers sending Will Henry away to protect him from the dangerous profession of Monstrumology. In fact, the relationship between the young apprentice and the doctor is what makes me love this series so much. Warthrop doesn't care much about the lives of other people, but he would do anything to keep Will Henry safe- even send away the only person he actually cares about. And sometimes, when Warthrop is describing something very clinically, and Will Henry is struggling to maintain his composure and not laugh out loud in front of the doctor, I found myself cracking up! The very dynamic between the two is hilarious.
I think this is a good series for most junior high through high school students. It is set at the turn of the century, so the historical aspects of New York City at that time are very interesting (giant piles of horse poo from the carriages!). There is certainly some violence with the rescue and escape of John Chanler and Will Henry always seems to find himself in grave danger, much to the irritation of Dr. Warthrop. There are some times when the story slows a little bit, so a stronger reader with a little stamina might be necessary. Still, these are great books that have a subtle humor that will keep you sniggering and giggling right along with Will Henry!
When Warthrop's best friend and arch nemesis goes missing, Warthrop agrees to go to Canada to find John Chanler. Chanler was sent by the head of the Monstrumology Society, Dr. von Helrung, to find tangible proof that the Wendigo truly did exist and have it entered into the list of existing monsters. Warthrop knows the Wendigo is just a myth, but nonetheless, Chanler has still gone missing. He and Will Henry set off to find the missing scientist only to find themselves lost in the wilderness and being hunted by something that neither of them can explain. They find Chanler, but returning to civilization is no easy feat.
When they finally find their way back to the town, Warthrop refuses to admit anything was hunting them. He convinces Will Henry it was all dehydration and exhaustion playing tricks on their minds, but Will Henry can't forget those yellow eyes. Chanler is returned to his wife in New York City and Warthrop and Will Henry head to the same city for the annual Monstrumologist convention. But went they find Chanler being kept under guard in von Helrung's house, not a hospital, Warthrop accuses the old scientist of losing his mind and endangering Chanler's life. What they don't expect is for Chanler to quickly devolve into more beast than man. Can you still question the existence of a Wendigo when it is rampaging through the city and hunting your own apprentice? Dr. Pellinore Warthrop can!
When I try to describe Dr. Pellinore Warthrop, I always find myself claiming him to be a male Temperance Brennan, from the television show "Bones". He isn't heartless, he is just very scientific and logical, to the point of seeming to be without emotion. In the first book, however, it became very clear that he cared very much for the orphan boy he took in. In this book, that fatherly devotion grows to the point where Warthrop even considers sending Will Henry away to protect him from the dangerous profession of Monstrumology. In fact, the relationship between the young apprentice and the doctor is what makes me love this series so much. Warthrop doesn't care much about the lives of other people, but he would do anything to keep Will Henry safe- even send away the only person he actually cares about. And sometimes, when Warthrop is describing something very clinically, and Will Henry is struggling to maintain his composure and not laugh out loud in front of the doctor, I found myself cracking up! The very dynamic between the two is hilarious.
I think this is a good series for most junior high through high school students. It is set at the turn of the century, so the historical aspects of New York City at that time are very interesting (giant piles of horse poo from the carriages!). There is certainly some violence with the rescue and escape of John Chanler and Will Henry always seems to find himself in grave danger, much to the irritation of Dr. Warthrop. There are some times when the story slows a little bit, so a stronger reader with a little stamina might be necessary. Still, these are great books that have a subtle humor that will keep you sniggering and giggling right along with Will Henry!
Labels:
apprentice,
hunters,
monster,
monstrumology,
New York City,
Rick Yancy,
science,
wendigo,
werewolves,
young adult
Tuesday, January 17, 2012
From a Bully's Perspective
After finishing The Fault in Our Stars, I really needed to read something different. I had bought this book on a whim, at first scoffing at it, then intrigued by it. I was torn between being impressed by Curtis "50 Cent" Jackson writing about his early start as a playground bully and being annoyed by this ghost written story pumped out to make more money. Now that I have read Playground: A Mostly True Story of a Former Bully, I think I am more impressed than annoyed...
Butterball is a big guy. Junior High is rough enough for a kid, let alone a fat kid, so you have to be tough to make it through. When Maurice, Butterball's only real friend at school, starts telling people something truly horrible about Butterball's family, he does the only thing he can. He defends his honor. He bashes Maurice's face in with a sock filled with D batteries. Now Butterball has to go to a social worker twice a week and talk about his feelings- the last thing he wants to do.
Butterball and his mother moved out of the city to Garden City when his parents split up. He still goes to the city occasionally to see his father, but his dad is usually preoccupied by his latest girlfriend. Butterball's mom works constantly between her time at the hospital and college classes to become a nurse. Mostly he spends his time with Evelyn, his mom's friend who make gross vegetarian stews and rags on Butterball to behave himself. At school he has gotten a lot of attention, some good and some bad, for what he did to Maurice. Now a group of guys wants him to do it again to a guy Butterball has never met. But Butterball doesn't understand- this guy hasn't done anything to him, so why would Butterball bash his face in?
I wouldn't say this was a great story, but it was one that has a good moral and is told form a different perspective than others of its kind. I like the fact that 50 Cent took the time (via a ghost writer) to get his story out there about his own bullying, why he did it, and how it affected him later. As an artist many kids look up to, it is great to put yourself out there and try to be a positive role model to them. I think it was important for him to stress that there was a reason behind Butterball's actions. While the reason doesn't condone the actions, it helps someone understand and address the situation properly.
I would probably keep this book around, even though there are better stories out there, because it would appeal to some kids where other books might not. They may pick it up and read it just because the author is someone they know and look up to. And to be honest, the moral of the story is pretty strong. Overall, not a bad book but definitely one that has a place on my shelves. But I'm not going to lie... still feel silly calling him 50 Cent (what a ridiculous name!).
Labels:
50 Cent,
bullying,
divorce,
fight,
gay,
New York City,
overweight,
young adult
Thursday, December 15, 2011
Wonderstruck and Wonderful
With all the attention Brian Selznick is getting with the movie version of Hugo Cabret out in theaters, I imagine his books are going to be flying off the shelves. His combination of beautiful stories and amazing illustrations leaves plowing through the huge tomes and still wanting more once you have finished. In Wonderstruck, Selznick has done it again. He has created a masterpiece.
Ben has lost his mother. He is living with his aunt and uncle, but he can still see the house he shared with his mother. When he wanders over there one night, he find something in his mother's belongings that might be the name and number of the father he never knew. While trying to dial the number, Ben is struck by lightning that puts him in the hospital and leaves him deaf. He runs away from the hospital and goes to New York City to find the man who might be his father.
Fifty years earlier, Rose runs away to New York City. She is deaf, and it is dangerous for her to travel alone, but she is determined to see her mother, a famous actress. She is rescued by her brother and stays with him in the city. Her life changes when she learns to sign and meets a deaf man who she can't help but fall in love with. Growing up deaf is hard, but the biggest struggle is that people don't think you are capable of being independent. As Rose grows up, gets married, and has a child, she also shows the world that being deaf won't stop you from being happy. When Ben and Rose finally cross paths, they realize there is more that connects them than just being deaf. Their connection is one that will warm even the coldest of hearts.
This was an absolutely beautiful story of two lives, lived so far apart, yet connected through one person. With over 400 pages of incredible illustrations, this book is yet another wonder of the genius that is Brian Selznick. Ben's story is told entirely in text. Rose's story is told entirely in illustrations. No words, just feeling, emotions, and imagination. Then, when the characters come together, the stories are told in a combination of illustrations and text. It is such a beautiful way to tell the two stories. The use of the illustrations for Rose's story makes you actually live through it with her. There is so much power and impact in the delivery of this story, you won't stop thinking about it.
This is a great middle reader story, but would be a great book to use for an emergent older reader. Since the story is mostly told in images, it would be a great book to give an emergent reader a sense of accomplishment and still practice reading. Like Selznick's first book, this story opens up possibilities for these emergent older readers that no other book could- a book they can read and still be proud of reading. I hope Selznick continues with these stories. They are simply breathtaking.
Friday, November 25, 2011
A Love that Spans Lifetimes
Have you ever felt like you knew someone all your life even though you just met them? Do you believe in love at first sight? Do you know things you don't understand how you could know? Then maybe you are remembering a past life, the same way Haven Moore did all her life. In The Eternal Ones, by Kirsten Miller, you will be witness to generations of love, hate, and obsession.
Haven grew up in Snope City, Tennessee with her crazy, religious grandmother who is convinced Haven is possessed by a demon the same way Haven's father was before he died in a car crash with his mistress. Haven has always planned to escape Snope City as soon as possible with her best friend, Beau, but she is haunted by memories of a life she hasn't lived. When she faints in and has another vision, her grandmother refuses to let her go to college in the fall. After their house burns to the ground, everyone is convinced Haven was the culprit. No one wants to listen haven when she tells them she saw a strange man set her room on fire just before he lit her bedroom on fire. She knows she has to get to the bottom of the visions, and the only place to do that is New York City where the Ouroboros Society is- the same group that her father researched when he believed his daughter's talk of a former live and love was proof of reincarnation.
As soon as Haven gets to NYC, she realizes the Ouroboros Society (OS) is more than just a safe place for people who remember past lives- it is a complex, corrupt group that control people through debts and loans of more than just money. When she finds Ethan- now Iain Morrow- she knows she was meant to be with him. This life, last life, scores of lives before, they have belonged together. But the OS and the people involved in it want to come between Haven and Iain in any way possible, including convincing Haven that Iain murdered her in a previous life. Can she trust the man she loves unconditionally? Are these people really trying to protect her or exploit her? Who really did murder her in her most recent past life?
Reincarnation is a topic rarely discussed in YA stories. It was in Lauren Kate's Fallen series and a few others, but only as a side note to bigger themes. This is the first book I have read where it plays the signature role in the plot. I was a little worried it wouldn't be enough to sustain a full-length novel, but Miller has made enough twists and turns, such as the Ouroboros Society, where the story was full and interesting and captivating. My one complaint would be the main character, Haven. At first, I loved Haven, but she quickly became annoying once she went to New York. She seemed too gullible to me, especially considering the strong character she was at home. When she was battling her uber-religious grandmother, she was hilarious. But in NY she believed everything everyone told her. First she believed Iain loved her, then she believed he was a murderer because someone she had never met told her so. Then she loved him again, then someone told her he was a bad man and she was cleaning the toilet with his toothbrush. Forgive him, hate him, forgive him, hate him. I hated how gullible and back and forth she was. I wanted her to really love and trust him or be completely skeptical- not change her mind on an hourly basis.
Otherwise, this was a very interesting book. There was, clearly, a lot of history and the OS was an interesting twist. In fact, it was pretty cult-like. I imagine this would be a good book for a strong middle-school reader through high school readers. The love story started out as the premise for the entire book, but it was actually not as central to the story as they made it out to be. I think it might take a bigger role in the next book, so I am anxious to see where Miller goes with it!
Labels:
first love,
Kirsten Miller,
New York City,
past life,
reincarnation,
young adult
Tuesday, July 12, 2011
NYC in the 1980's!
It's tough to be young in the city... the city. But for Carrie Bradshaw there is a pull from New York City calling to her like nothing else ever has. She wants to be a writer and has one chance, a mere two months, to convince everyone she should stay in the city rather than go to Brown in the fall. In Summer and the City: A Carrie Diaries Novel, by Candace Bushnell, we finally get to see how Carrie's first summer in the big city makes her a New Yorker permanently.
Carrie is torn between the other kids in her writing class and the tantalizing life of one Ms. Samantha Jones. The kids in her class are a mix of New York savvy college kids who know their way around the restaurants and clubs and kids from out of town who still can't use the subway, but they are all her age, experiencing the same things she is. Samantha takes Carrie in when her landlady kicks her out and she has no where to go. She also takes Carrie out to her usual haunts, introducing her to New York's most important up and comers. When Carrie returns to her friends from class telling them how she is dating Bernard Singer, the most coveted new playwright on Broadway, and hung out with a bevy of models, fashion designers, writers, and artists, the others are clearly impressed.
But Carrie can't get herself to really write. When she finds out Bernard is recently divorced, she is inspired to write a play about a husband and wife. As she continues working on her play, she comes to some conclusions about herself and the others around her. First, some people just aren't cut out to survive NYC. Also, some people may seem like talented artists when they are really silly fools who are just as miserable as everyone else (just with better tables in restaurants). And finally, Carrie Bradshaw has changed. Everything she does and thinks now is clearly through New York City tinted glasses. When she returns home or a friend comes to visit her, they clearly know she has changed. Now all she has to do is realize it. But will she, before she has to go to Brown? I bet you already know the answer!
This sequel was much better than the first book for me because I got a chance to see Carrie in NYC, but it still wasn't a phenomenal book. it was entertaining and interesting, but only because I loved the show on HBO. I think if I gave these books to a kids who had never seen the show, they might quickly grow bored with the story. But knowing who Samantha and Miranda become made this much more interesting for me. This series might just be a YA series meant for fans and only fans.
There is quite a lot of sex in the story, but none of it is overly graphic or specific. Instead, it is mostly everyone talking about sex and virginity as opposed to Bushnell "showing" it. Still I probably wouldn't give this to a younger high school student, more for the slowness of the story than the sexual content. I am not sure if this is it for the Carrie Diaries, but if there is more, I will most likely read it. I won't drop everything to read it, but I will get to it eventually.
Labels:
adolescence,
Candace Bushnell,
fashion,
New York City,
writer,
young adult
Wednesday, July 6, 2011
Realistic, Honest, and Well Written
After reading Bumped, a dystopia about teenage pregnancy for profit, I had to prove to myself that my issues with Bumped weren't about the idea of teenage pregnancy. Instead, my issues were the silly way it was handled. So I picked up Hooked by Catherine Greenman with one purpose in mind- prove to myself I was open to all kinds of Young Adult novels- even ones about tough subjects. I have one ting to say- This book proved it.
Thea is the product of a now-sober alcoholic father and a flighty mother who is more concerned with her own life than that of her daughter she is supposed to be raising. Despite a somewhat absentee father (even when he was physically present) and mother, Thea turned out ok. She was doing decently in her competitive high school, was your average, well-rounded young woman, and had some good friends. When she met Will, it was your typical first love. She felt hooked by her love for him; she needed him to love her as much as she loved him.
When Will graduated, he decided to stay in the city and go to Columbia University. At some point in the beginning of the year, Thea becomes pregnant. At first, she is stunned, but she tells her mother and decides to have an abortion. While her best friend and her mom offer to go with her, Thea decides to do it on her own. When she sees the sonogram, though, she can't imagine getting rid of the little person inside her. She panics and leaves the clinic, but doesn't tell anyone about her situation. When it becomes too late for an abortion, she finally admits to Will, her mom, and finally tells her father the truth: she is still pregnant and plans to have the baby.
At first everyone is angry with Thea for a host of reasons, but most importantly for keeping this from them. But then they soften and realize she was determined to have the baby. Both sets of parents decide to help Thea and Will out, set them up with a cheap apartment, and are moderately involved in financial support. Will is still going to Columbia, so Thea stays home and takes care of the baby, Ian. At first, the arrangement seems cozy, but quickly the immaturity of both parents comes out. Thea accidentally burns Ian with water and rushes him to the hospital. When Will arrives, he makes it very clear he blames Thea (despite it being an accident). This tension continues until he pushes her to put Ian up for adoption. Terrified Will is going to take Ian and give him away, Thea moves in with her father and asks Will to leave them alone.
Life with her father, a man she barely knew growing up, is odd at first, but their shared love for Ian brings them together. They make a cozy little life together, but sometimes their ideas for Thea's future are very different. This causes tension between two parents in very different points in their lives, both trying to raise their children. While Thea must find out who she is and who she wants to become, one thing is always obvious. Thea loves Ian and wants nothing more than to be his mother.
This is an amazing story because the characters are flawed, caring, mean well, and are so darned realistic. Thea is a kid, but she is a kid who is determined to be the best mother she can. I have a cousin who had a baby when he was still a teenager, and it still amazes me to see him with his son- he is such an amazing father and he desperately loves his son. This is Thea. She is young. She makes mistakes (which is something we adults to all the time too!). She loves her child unconditionally. I love the way her parenting is told through the voice of an 18 year old woman, too. Instead of "nursing" her son, she "gives him the boob"! And when Will tries to give Ian to an adoption agency, she is too scared to seek help from the adults in her life but also too immature to know he didn't have the right to do so. This was a book that showed the real life of a teen mom- bumps, bruises, tears, joy, love, affection, and all. Nothing is spared here, from the time his belly button nub falls off, to the terror when she accidentally scalded him with hot water. This book is frank and honest. Sure the message is that being a young mother is hard work, means losing the "childhood" your friends get to have, and will change you for better or for worse... but the book also says, "Hang in there. It can be done. People will help you." I loved this message. Oddly, it makes me think of all the things we say to kids to scare them throughout their childhoods. "Don't make that face or it will stick that way." "Don't swallow the watermelon seeds or a plant will grow in your belly." We say so much to scare them, but we forget to just tell them the truth. Well, this book does just that. Truth, for better or worse, is what you will get with Hooked.
There is some sexual content in this book that might make it better for a high school reader. The moral is handled seriously, but with enough levity and individualism to make it not sound like a "moral" book. I suspect the cover might frighten away a number of parents and teachers, but I hope you give it a chance. This book doesn't glamorize teen moms, but it doesn't make them seem like a stereotype either. This is a wonderful book for any teenager to read in order to let them get all the information, good and bad, and let them make decisions and choices for themselves. Sometimes, like with Thea, the answer isn't what you first thought was the right answer, but it still might be the best one in the long run.
Sunday, June 26, 2011
"Ashes, Ashes, It All Falls Down"
A raging small pox virus changes the face of the planet. 99.99% of the population is dead. Those who survived the virus are horribly scarred and the rumor is they are crazy and ruthless, driven mad by the virus. Then there are the Sweepers, men in masks who kidnap people and take them back to the last working lab, still trying to find a cure to the mutated virus. Those who are left are scavengers. They survive off what they can find and what meager amount they can grow, but the tsunamis, earthquakes and horrible flood/drought seasons have made any kind of farming almost impossible. New York City has become a nightmare for all those who live there.
Lucy outlived her entire family. When the virus was first starting to rampage through her hometown in New Jersey, she was called to the nurse a lot, and they drew a lot of blood, even though Lucy never showed any symptoms. She thought it was routine until her father stormed in and took her home. She never returned to school after that, but there wasn't a school to return to before long. When she outlived her family and most of the world, she wondered if her parents' decision not to vaccinate her as a child was the reason the doctors were so interested in her blood.
Now, Lucy survives alone in the Wilds of NYC, a patch of land between the swollen Hudson River and the destroyed and flooded landscape. She kills and snares her food and lives off the few safe plants she can scrounge. When she is chased by a pack of dogs one day, she is sure she is going to be ripped apart, until a young man pulls her into a tree. At first Aidan seems like a fool hellbent on getting them killed, but when he leads the dogs away and gives her a chance to escape, she can't stop thinking about him. She returns to her lean-to, but when she sees the water recede from the shore, she knows she has a precious few minutes to escape a tsunami. Fleeing up the slope to higher land leads Lucy straight to Aidan's settlement.
Once she arrives, she spies a Sweeper van headed straight to the settlement. She knows she can't let them come unnoticed, so she alerts the people with a wolf whistle, saving many people. Unfortunately, the Sweepers nab two kids and two adults, despite Aidan and the others trying to protect everyone. When they leave, Lucy runs straight to Aidan, thrilled he wasn't hurt. He convinces her to stay with the group, and she grudgingly does, mostly to be with Aidan. Her interest in Aidan becomes a sore spot with a young woman named Del who staked her claim to Aidan years ago, but when Del and a man named Leo are taken by Sweepers int he middle of the night, Lucy wants to go get them. No one has ever returned once they had been taken by the Sweepers.
When Leo arrives dying of the plague and days later Del wanders back after having escaped, they tell everyone what is going on in the hospital and where they are keeping the kids. With first hand knowledge of the hospital, Del, Aidan, and Lucy set off to save the kids. What they don't know is the people inside the compound will be waiting for them. For Lucy in particular. Her blood may be the key to the stopping the virus, and Dr. Lessing, the woman in charge, will stop at nothing to get it.
This book hooked me right from the start, but by the time it wound down to the storming of the hospital, it lost me. When they get in there, nothing is clear. Some people are against Lessing, but then they support her again, but then they try to help the kids escape again, but then they try to stop them. The kids want to escape, then they consider staying, then they don't trust Lessing again and try to escape. You don't know if you are supposed to hate Lessing (which it seems you should) because the character is so odd and her motives- curing the disease- aren't altogether bad. The real problem I had with this final sequence was the unfolding of all the action. It was very confusing and almost seemed to be written by an entirely different author since the first 2/3 of the book was so well written. I am not sure what happened to this part of Jo Treggiari's story, but it made Ashes, Ashes tough for me by the end. And I was left so confused, it ruined the rest of a really good book for me.
The reading level is moderate and the content is mild considering the post-apocalyptic nature of the book. The most gory parts of the story are when Lucy is hunting and cleaning her meat, which is told in pretty serious detail. (You will never look at a turtle the same again). I love this genre, so I have a lot to compare it to, and I probably wouldn't use this book as one of my first recommendations for a kid, unless they had read a great deal of PA before and were whittling down the genre (as I have). I wish it had ended better, because if it had, this would be one seriously great novel! Oh well... maybe next time?
Labels:
Jo Treggiari,
New York City,
post-apocalyptic,
small pox,
virus,
young adult
Sunday, June 5, 2011
Safety vs. Freedom: Which Would You Choose?
A dystopia leaves us faced with some big choices, but a fairly common decision is that of safety vs. freedom. Would you be willing to be subservient and blindly follow orders if it meant your community was safe? Even if it meant you had to deal with murder, sacrifice, and other impossible choices? Or would you rather take your chances in the ugly world if it meant your decisions were your own? Even if it meant survival was less than likely and surely not to last terribly long? These are the questions you will find yourself asking while reading the first book in the Razorland series, Enclave by Ann Aguirre.
All Deuce ever wanted was to make it to age 15 where she got her name and her new job: Huntress. Living in the subway tunnels underneath the city, the College Enclave has a very strict way of doing things, and this is what has kept them alive. Children die so often they remain unnamed until they are 15. Then they are named and given their job, Hunter, Breeder, or Builder. The Hunters are responsible for going out into the tunnels to gather food for the Enclave, as well as keeping the Freaks at bay.
The Freaks are weird monsters that are human/zombie type creatures. They are constantly looking for meat (fresh or rotten) to eat, have sharp teeth and hideous claws. They will even resort to eating each other, but they aren't particularly bright and don't work together, or so the Enclave thought. When Deuce and her new partner, Fade (not born in the Enclave) come across a blind boy from another Enclave, they are sent to on a suicide mission to see if the boy's Enclave really did fall to the Freaks. When they surprisingly make it back to their own Enclave with scary news of Freaks working together, the Elders refuse to believe it. Instead, they seem to be determined to live in ignorance of the inevitable threat that will destroy the Enclave and every person in it. They even go so far as to plant banned artifacts in people's rooms and sacrifice them as examples. When Deuce's best friend is accused of hoarding artifacts, Fade and Deuce take the blame and are exiled from the Enclave.
Deuce assumes going Topside (above ground) is a death sentence, but Fade tells her he used to live there and he thinks they can make it. He warns her about gangers- gangs of men who only use women as breeders and hunt other men for sport if they won't join their gang. Unfortunately, the warning isn't enough, and they are captured by a gang called the Wolves. Stalker, head Wolf, claims Deuce for his own. He has plans for her once he finishes hunting Fade (think "The Most Dangerous Game") and he sends her with another young woman name Tegan to get cleaned up. What he doesn't expect is that Deuce isn't about to go down without a fight, and she is taking Tegan with her. Together, they free Fade and manage to dismantle the Wolves' hunting party one by one.
Once they are free of the Wolves, they continue on their journey north, where Fade's father always told him life would be safer. Along the way, however, it becomes clear the Freaks aren't just in the tunnels anymore. They are Topside and they are hungry. When the Wolves find Fade, Deuce, and Tegan, the Freaks attack, leaving Stalker as the lone Wolf surviving. He decides to stick with them and head north, seeing the futility of returning to the city if these creatures are coming up to the surface. Can they find the land to the north where life continues as it did before the world came crashing down? Will Deuce lose Fade to more tragedy and loss than he can handle? Can Tegan, the weakest of the group, survive the journey, especially alongside her former captor who she wants to see dead and bloody?
Now, clearly you know by now I have a dystopic/post-apocalyptic "soft-side". I love 'em! Call me dark, weird, creepy, whatever, but I can't help it... I love reading about The End of The World As We Know It (TEOTWAWKI). Some are good, some are bad, but occasionally you find the ones that are phenomenal. Welcome to Enclave. Simply addictive. My only complaint about this book? The next book is over a YEAR away! The world Aguirre weaves is so intricate and believable. The creepy Freaks gave me nightmares last night and were way too zombie-like not to make me barricade the door (but they aren't quite zombies). The characters are interesting and have layers you end up peeling back layer by layer. Finally, the journey is one you would be terrified to take, but can't resist tagging along on. This was an amazing story of epic proportions that will keep you angry at Aguirre for not pumping out the next book faster!
The language is very tame, and the content is typical for this genre, but not overly gory or bloody. There are life and death scenes of course, but they aren't terribly graphic. In light of the recent Wall Street Journal article knocking the current climate of YA lit (real, gritty, graphic, and true), I can't help but chuckle that this is the book I happened to be reading as this article dropped. This is the exact kind of book that is charged with "darkening" our the lives of our children. And you know what I have to say to that? Wall Street Journal, if you think YA lit, which delivers strong morals and survivor stories, are hurting our children, you clearly haven't been to high school lately. Sadly, our kids HAVE to be survivors to make it today, and I am not afraid to let them read books about other survivors. In those books, kids survive the apocalypse, oppressive governments, rape, torture, bullying, gay bashing, abuse, eating disorders, and so much more. Until you can keep our children from having to be survivors, you need to dismount from your ignorant moral high horse and accept the fact that survivor stories, of all kinds, are reality. You don't scare me, Wall Street Journal, but now we know we scare you!
Labels:
Ann Aguirre,
early death,
monster,
New York City,
post-apocalyptic,
virus,
young adult
Monday, May 30, 2011
Things are Not Always as They Seem
When we last left the Blue Bloods, Schuyler had left Oliver, Jack had left Mimi, and Bliss had left altogether (after Lucifer inside her had failed to open the gate to hell under Jack and Mimi's bonding ceremony). Now the Coven is in complete disarray, Mimi plans to kill Jack as soon as she can find him, for refusing their bond, and Jack and Schuyler are trying to find the remaining Gates to Hell in order to secure them against the Silver Bloods.
Schuyler and Jack found themselves being hidden by the European Coven. At first, the safety was welcomed, but when it became clear they were being held against their will, they knew they had to get free. Unfortunately, they aren't just fleeing their captors, they are also fleeing the bounty hunters Mimi sent after Jack. When they are rescued by a strange Somali priest, it becomes clear there is much more going on in the world than they thought. When young girls begin disappearing from villages, there is more to the story than they are ready to hear.
While Mimi was still ready to kill Jack for his betrayal, she hadn't forgotten what was happening at home. In NYC, with Forsythe gone (for harboring Lucifer), the Coven was without a Regis (Coven leader). When they nominate Mimi for the job, she reluctantly accepts the new found power. Soon, though, the situation begins to deteriorate when a young Blue Blood is kidnapped and a video hits the internet. The video not only displays vampires showing off and exposing their powers, it also shows the kidnapped girl being threatened by hellfire- one thing that can kill the very essence of a vampire. Now she must find a way to save the teen (and soon another one) without putting the entire coven in danger.
Deming is a Venator who is known for her skills. She is known for her ability to solve problems for her Chinese Coven, and now she has been brought to New York to help find the missing girls. She infiltrates Duchesne and gets to know the top suspects in the investigation. What she finds out quickly, though, is the person she least expects is responsible for the kidnapping. Deming manages to uncover the same terrifying news Schuyler and Jack have stumbled upon: Lucifer has found a way to attack the Blue Bloods without them even knowing it was coming. Now they are all in danger, and what comes next we must wait to see.
As this series grows up, its readers do too. It went from "Gossip Girl" meets to "Twilight" to a truly dark tale. With the entrance of this new threat, the Nephilim, the story has a number of places to go. I am really interested to see where De La Cruz plans to go with this series. She has already developed a rich story line that has plenty of room to grow. The introduction of new characters definitely breathed a bit of life into the story as well. Deming and the story of her life spiced this story up. Now all I can wonder is what the Blue Bloods are going to do next!
Wednesday, May 25, 2011
Vampires can be Dark?
After the debacle in South America, Schuyler's grandfather was killed by Leviathan, Lucifer's brother, and Leviathan killed Lawrence. The conclave doesn't believe Leviathan killed Lawrence, so Schuyler and her best friend Oliver have to go on the run to escape punishment for a murder she didn't commit. Back home, the Conclave is in complete disarray, and Bliss is being overcome by the demon inside her- Lucifer. Mimi has joined Kingsley Martin and the other Venators trying to locate the Watcher (formerly hidden as Bliss's sister Jordan) to help them locate Lucifer. The Van Alan Legacy, by Melissa De La Cruz, is the darkest and most mature story in the series so far, and it will keep you wanting more.
Schuyler and Oliver barely stay in one place for longer than a day or two. After a year of hiding, they are worn out and seek the help of the European coven- the same coven that has been estranged from the New York coven for generations. In doing so, they are almost captured by
Leviathan. When Jack Force comes to their rescue, it brings up more than concerns about the Conclave wanting to punish them- it brings back all the feelings Schuyler has for Jack- feelings she can't have since he is to be bonded to Mimi.
Meanwhile, Bliss has lost a year of her life to Lucifer, who she acknowledges as The Visitor. Finally, after losing a full year, she learns to suppress the Visitor, and she can even control him or see through him when he is controlling her. It is this control that gives her an idea of what Lucifer has planned- using Schuyler to break open the gates of hell. Now the Blue Bloods teens must come together to stop Lucifer, but can they do it in time? Will the Conclave and the rest of the 400 finally believe them that Lucifer and the Silver Bloods are stronger than they thought?
This story is growing up with each installment, which I really like to see. I struggle with a series that stays at one level or meaning and understanding. It seems to keep the readers in a stationary spot for a while, especially students like mine who only read 2-3 books a year. Therefore, a series that grows with the reader is a big hit in my eyes- both for the reading ability and the maturation of the reader.
This story does get a lot darker than the rest of the series. The clothes, shoes, and designer handbags fall to the wayside as plots, plans, murders, and Lucifer himself take the foreground. In a way, I like this progression. This is the fourth book, so it wasn't sudden, but it wasn't too slow, either. My only problem with this series is that each installment ends on a cliffhanger. I am glad the first 5 books were out before I got into this series- I never could have waited a whole year to read the next book! Unfortunately, now I have to wait for #6!
Sunday, May 8, 2011
Can a Mask Hide a Vampire?
When we last left the Blue Bloods in Melissa De la Cruz's first book, the Blue Blood teens had determined that Silver Bloods (vampires who feed on other vampires for super power) were behind the recent rash of deaths. Unfortunately, they couldn't get anyone to listen to them. When Schuyler Van Allen's grandmother is attacked by a Silver Blood and almost destroyed completely (if you save enough blood the soul can reincarnate), she tells Schuyler to go to Venice and find her exiled grandfather. He was the only one who could help them.
Masquerade starts with Schuyler, new Blue Blood/ half blood, in Venice with her best friend and human Conduit, Oliver, (vampires use Conduits to help them in the human world) trying to find Lawrence Van Allen, Schuyler's grandfather. Just when they think they have failed, they locate him and warn him of the Silver Blood threat. Lawrence tells them he won't come back to New York, so Schuyler and Oliver return disappointed.
When they get back, though, they find the other Blue Bloods getting ready for the big 400 Ball- where all 400 Blue Bloods gather each year to induct the newest members. With preparations in full swing, Schuyler is still trying to get to the bottom of the Silver Bloods when her grandfather returns. He plans to help both his family and the rest of the Blue Bloods stay safe against these abominations. Unfortunately, something keeps happening to Schuyler's friend Bliss- she starts to black out and wake up in strange places, and her dreams have become monster filled nightmares. Even Schuyler can't seem to take to the vampire transition as she starts to get weak and pass out often. When her grandfather tells her to take a human familiar (someone the Blue Bloods feed off of, but never kill), she decides to use Oliver, further complicating their relationship.
When the 400 Ball kicks off, Schuyler shows up in her mother's gown, setting the guests at the party into an tizzy as she blows away even the most high-powered Mimi Force. When Mimi and her twin brother Jack are recognized as bonded angels, the Angel of Death and the Angel of Destruction, Schuyler learns they are a reincarnated pair that comes together every cycle out of love and devotion (although being born as siblings in this cycle complicates things in the human world). Now Schuyler's crush on Jack seems futile, but Jack hasn't stopped noticing Schuyler, much to Mimi's horror. When Mimi decides to protect her eternal love and bond, she decides to unleash an evil that will rock the Blue Bloods like nothing ever has before.
I read the first book of this series many months ago, and I got distracted by other books before reading the rest of the series. When I got an advanced copy of De la Cruz's new book (adult fiction) I started to read it and realized there are connections to the Blue Blood's series. So I decided to delve back into the series so I didn't miss anything in the new book. I always worry about waiting too long for a sequel, because with as many books as I read, I tend to forget much of the book. Sometimes an author does a good job of briefly catching you up on the story, but sometimes they write a sequel as if no time has passed since the end of the last book. De la Cruz was part of the former- choosing not to leave her readers grasping to remember what had already happened. It was done briefly and well detailed so someone reading the series straight through wouldn't feel it was too repetitive. I definitely appreciated her efforts with this.
The book itself was fun and exciting. The series is a bit younger than some other YA out there, and would be good for most middle school through high school students. The language and subject matter are fairly tame. The only weird thing I had trouble digesting was that Mimi and jack, who are born as brother and sister in this cycle, will be bonded and essentially made husband and wife. It is explained well in the book, and I understood it, but the pair seems unnecessarily complicated. The bonded pair could have easily been two unrelated people. I guess I am just having trouble getting over the ick factor with this relationship! Maybe more will come out in the later novels in the series. All in all, this was a great follow-up and I am already knees deep in book #3!
Sunday, April 17, 2011
Because She Stayed
In her first book, If I Stay, Gayle Forman told the story of Mia, a young woman left in a coma by the same car accident that killed her mother, father, and little brother. She tells the story as she watches over her unconscious body and the friends and family who plead with her to stay. We know she chose to stay, but I always wondered where she went. Now we know...
When Mia came back, one of the only reason she returned was for her boyfriend and best friend, Adam. Now, three years later, Adam has become an angry, unhappy man. His band is famous, he is dating a famous actress, and he has the world at his fingertips, but he can't have the one thing he really wants: Mia. After she woke up, Adam stayed with her on the long, painful road to recovery. Her determination to play the cello again was one of the driving forces that kept her going. When she left for Julliard the following fall, Adam headed to the LA with his band. Although they were a continent apart, Adam was determined to stay together. what he didn't understand at first was that Mia needed to move on, from both the accident and everything that reminded her of the accident, including Adam.
After three years apart, Adam is in New York with his band, ready to continue their European tour. On a whim, he decides to stay in New York one more night, and he finds himself drawn to the concert hall where Mia is playing. After her concert is finished, she sends someone to bring him backstage. It is that choice, that instant, that changes their lives forever. The survivor's guilt, the shame, the grief, the loss, all come flooding back to both of them as they spend an awkward night together. Mia convinces Adam to take a farewell tour of NYC with her that one last night before she leaves for Japan on her own tour. He agrees, but he seems to do so in the same punishment-seeking way he is about his entire life- believing he doesn't deserve anything better. Along the journey, Mia and Adam share their deepest pains and find in one another the people they once knew as well as the people they have become.
This is a beautiful story full of grief and heartache. Told from Adam's perspective, you can understand how he grieves as much as Mia, although his grief was never realized since they technically weren't his family (although in all aspects but biology they were indeed his family). The reader can also see the grief pattern Mia has experienced where she is simply tired of being treated like the victim. For three years she experienced everyone, from her grandparents to her professors, treating her like she was fragile and would break at any moment. She hated it. She was tired of everyone giving her a free pass because of her family. She just wanted to be seen for who she was: a girl, a cellist, a person who didn't lose everything and at the same time, a person who did lose everything. Together, Mia and Adam heal one another, and it is a story you need to experience to understand.
I not only suggest this story for anyone who read the first book, but I also recommend both books as a great story for struggling readers. The story starts with a traumatizing event and continues in a full story arc through the culmination of the sequel. It is a well-envisioned and beautiful story that will undoubtedly touch anyone who graces its pages. Gayle Forman is a great author, and I am grateful she decided to continue this story.
Labels:
accident,
band,
car accident,
cello,
Gayle Forman,
grief,
If I Stay,
Julliard,
New York City,
young adult
Sunday, April 10, 2011
Always Strings Attached
Historical fiction is a funny subgenre. It all gets lumped under one heading, but it could be anything from incredibly distant history to a mere couple decades ago. Strings Attached by Judy Blundell is a story set in New York City during the late 1940's and early 1950's. This is a time when my mother and her family lived in NYC, and I was anxious to read about the time period.
Kit Corrigan was a the last triplet born, and she was the triplet who killed their mother in childbirth. Her father found a way to make ends meet: he made the triplets into the Corrigan Three, a mildly talented trio who travel to state fairs, do endorsements, and bring in enough money to get the family through tough times. Now that Kit is all grown up, she wants to pursue her dream and move to NYC to be famous, even if that means leaving her boyfriend, Billy, behind.
At first she can't get much work and finds herself in a doomed performance. When that show goes under, Nate Benedict finds her. Nate is Billy's father, and Nate is known in Providence for being a lawyer with mob ties, no matter how much he denies it. Nate convinces Kit to stay in an empty apartment he owns and even sets her up with an audition at the Lido, a nightclub famous for its "Lido Girls". At first Kit is uncomfortable with everything Nate does for her (including buying her an all-new wardrobe, complete with intimates), but he insists he is doing it all for her and Billy. With Billy recently enlisted, Nate hopes the dream of coming home to Kit will keep him safe in Korea.
It all seems fine until Nate starts asking Kit for small favors, like delivering a package or keeping him informed on the guests at the Lido at night. When one of Kit's "favors" for Nate leads to the man being the target of a hit right in the Lido, Kit knows her information was what got the man killed. She knows Nate is a dangerous man, and when the story breaks about the mob hit, nothing can stop him. Then the papers start speculating that Nate and Kit are having an affair. She tries to explain to Billy that it isn't true, but with the apartment and the fancy clothes, it is hard to convince him she hasn't been Nate's mistress. Quickly, everything falls apart for Kit and it starts to put her family in danger. She must find a way to protect her family and get the truth out, even if it means risking her own life.
This was a very difficult story to get through. I actually had to put it down halfway through, read another book, and pick it back up again. I wasn't sure if it was the time period at first, but then I realized it was the lack of dynamic characters that really made it a difficult book for me. Kit is not a very likable lead, which would be fine if you could invest in any of the other characters. Nate is supposed to be creepy and controlling, but her interactions with him are so limited you can't even get yourself to dislike him (even though you know you should). Billy was the one who really drove me nuts, though. Were we supposed to want her to get together with Billy? Hate him? I couldn't bring myself to feel much about him, except his striking resemblance to an early Michael Corleone before he was dragged back to the family business.
That was the other difficulty with this book. It was supposed to be a young adult novel and yet I can't imagine a young adult getting through this story. It isn't just that they won't be able to relate to the time period (which they won't through this particular narrative), but also that there is nothing at all they can relate to. If the characters were at least a little interesting or familiar, some kids might stick with this story, but that isn't really the case. If I even mentioned the Corleone connection I noticed, most of my kids wouldn't even understand the reference! In fact, I wouldn't even recommend this book to an adult (although it seems to be written more for adults than young adults).
If you are going to pass this on, the best bet would be that student who is really into historical fiction. Unfortunately, the interesting parts of the story, like the war and the mob, are so drowned by Kit's annoying musings, it makes it hard to pinpoint the type of student this book would be best for. The vocabulary is modest and there isn't anything graphic or inappropriate in the story. For sheer dryness, I would suggest this story for strong readers only, especially those who are good at wading through some dry parts to get to the meat of the story. I was sadly disappointed with this story, but maybe Blundell's next one will be more of a hit... I know it would be great to have exciting historical fiction to get our students and children to read!
Labels:
1950,
dancer,
historical fiction,
Judy Blundell,
mob,
New York City,
organized crime,
showgirl,
War,
young adult
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