Eleanor and Park Stole My Heart

Every now and then a young adult book comes along that instantly transports us back to our own adolescence, for better or worse. It can be a painful or a beautiful journey (more often than not, a little of both), but it takes a talented author to do so effortlessly. In Eleanor & Park, Rainbow Rowell tells you a story of two misfits that will leave you forever changed. 

Since her mother brought Eleanor back to the house, she, and everyone else, has had to walk on eggshells. Their stepfather is not a nice man, and in particular, he hates Eleanor. In a house as tiny as theirs, it is all but impossible for her to escape him. Sharing a bedroom with her four siblings, worrying about whether or not they will have food each night, and listening to Richie beat her mother are just some of the reasons Eleanor has no interest in seeking friends in her new school. Never mind the fact that she dresses weird (in whatever her mother gets her from Goodwill), she isn't the skinniest girl, and her flaming red hair has a mind of its own. When she steps foot on the bus that first day, no one will let her sit down... until Park lets her sit with him. 

Park isn't a complete outcast, but he isn't popular by any means either. He tries very hard to keep his head down and blend into the background. When he sees Eleanor, he feels bad, but girls like her are who keep the vicious attention of his peers off his own faults. Taking more after his Korean mother, he has always been too gentle, too feminine, and not manly enough for his former soldier father. He doesn't intend to be anyone's hero, but he can't let Eleanor stand in the aisle of the bus and cry the way those beasts want her to. So he tells her to sit. And that changes everything. 

Eleanor and Park don't talk. He reads his comic books and she carefully tries to read them without letting him know she is peaking over his arm to see. He notices her reading the comics and starts turning the pages slower. Then he starts bringing her comics to borrow. All of this happens without a word shared between the two, but slowly, glacially, Park avoids Eleanor less and less. A few careful questions here, a kind gesture there, and the two find the human interaction they miss the most at the end of each day are the interactions they have together on those bus rides. But Eleanor has a lot to hide and is the target of many a malicious teen. And Park is very conscious of how her proximity affects his ability to camouflage himself from the other kids. Their backgrounds, self-consciousness, and situations should have prevented them from ever getting to know one another, but sometimes life's circumstances can't stop love from blossoming, no matter how hard it tries. 

There is something you should know before you read this book. It has been raved about by bloggers, reviewers, booksellers, and readers everywhere. They are right. John Green gave this clip for the New York Times Book Review: "Eleanor and Park reminded me not just what it's like to be young and in love with a girl, but also what it's like to be young and in love with a book."  He was right. Yalsa, Printz, and every other professional in the field loved this book. They were all right. If you are anything like me, you develop an immediate bias against a book when it receives instant and passionate acclaim. Why? I don't know. I guess the little rebel in us doesn't want to love what everyone loves. But that stupid generalization keeps us from books like Harry Potter, The Fault in Our Stars, and Eleanor & Park, so let's just stop this nonsense already, ok?! Because if we miss out on amazing books like this one, we are just silly little rebels who have lost out on a chance to read some seriously amazing books. 

Eleanor and Park was the saddest and most achingly romantic story I have read since The Fault in Our Stars. Eleanor is a girl who just needs life to cut her a break, but no one stands up for her. Until Park. And he doesn't do it willingly at first, but when he does, you know it goes against every ounce of self-preservation inside him. And it is that simple act of sticking his neck out for this girl that will make you love him unconditionally. Park isn't perfect. Even Eleanor knows she embarrasses him, but he wants to be a better person, and more importantly, he can't imagine life without Eleanor. I loved this boy. I really did. My heart broke for Eleanor, but I loved Park. And his life wasn't tulips and daisies either, but it couldn't compare to the war zone she lived in. 

I imagine some critics of this novel might find fault in the love between Eleanor and Park, but you have to think of the lack of love they have both lived with. Park can never be enough to satisfy his father. Eleanor's own mother left her with a neighbor for a year because Richie didn't want her in his house. For two damaged kids, finding that love was transformational, both for them and for you, as the reader. Rowell has the ability to make you love the main characters with a fierce protectiveness that will surprise you, and the ability to make you hate those who hurt them with a ferocity that makes you want to inflict bodily harm upon those fictional characters like Richie and the girls who bully Eleanor in school. 

This is a book that will steal the heart of any reader. Filled with fabulous 80's music references, comic book references, totally called-for foul language, and adolescence in all its ugly glory, it will change ever reader who turns that first page and can't put it down. There are some dark and dirty parts of this story that are hard to read, but they are just as important as the beautiful, innocent, guarded love that blossoms between Eleanor and park. This book is everything people say it is, and I know it will stand the test of time among readers. 

Coming-of-Age, Not a Romance

Sarah Dessen is a magician with beautiful, clean, innocent, but meaningful romances set in Colby, the calm, beach town that swells during tourist season. With The Moon and More she wrote a different kind of novel. All the components you love are there, but this story is about Emaline and Emaline only. 

Emaline's family runs Colby realty, renting houses for the owners to pushy tourists hungry for some time at the beach. As her last summer before heading to college, Emaline should be hanging out with her boyfriend and friends, enjoying the freedom before she heads off for college. Unfortunately, her sister Margo has recently returned from business school and has taken the opportunity to transform their comfortable family business into a well-oiled machine.  And Emaline's boyfriend Luke has recently been unhappy with the way their relationship is progressing, or rather, not progressing. But when a high roller rents the biggest house in Colby for two months, its occupants are about to change Emaline's life in a way she never would have expected. 

Ivy  and her assistant Theo are making a film about Clyde Conaway, the reclusive Colby native who also happened to be a world-renowned artist at one point. To everyone in Colby he is just Clyde, but to these ambitious New Yorkers he is much more: he is the ticket to fame. When Emaline's boyfriend turns out to not be the guy she thought he was, she finds herself in the arms of Theo, a somewhat dorky film student from New York who is more ambitious that even his boss understands. When Emaline's father (not her dad, but her biological father) comes to town to stay for the first time since getting her mother pregnant at the age of sixteen, she has more than just her romantic life and the rentals to deal with. He was the man who abandoned her mother, ignored her most of her life, and most recently, reneged on his offer to pay for Columbia, forcing her to go to East U in the fall. With her half-brother in tow, he spends the summer in Colby working to sell his aunt's house and adjusting his son to the separation of their family and the inevitability of his parents' divorce. What Emaline didn't expect was to really get to know Benji and to get to know the real man behind the fatherly emails. But even bigger was the opportunity Emaline had in one summer to truly and deeply get to know who She was. 

Dessen usually writes these amazing romance novels, but this book was not a romance novel. Not because you aren't really invested in either Luke or Theo (who is a total tool, but every girl finds herself with a tool at least once in her life, right?!), but because they are not really the focus of the story. Instead, this is a coming of age story for a girl who has always approached life passively and agreeably who finally stands up for herself and goes for what she wants, not what someone else wants for her. I think if you go into this story thinking you are going to find a romance, you will undoubtedly be disappointed. In fact, the jacket blurb talks about Theo as though he is a cool, almost sheik film student who transforms town. Instead, he is a tool. A total tool. He starts off pretty dorky, a guy who never had a girlfriend, never went to prom, was generally miserable in high school. Now this alone doesn't make him a toolbox. I tend to like the dorky guy (brings me back to my love for Duckie, if you must know), but when he become an arrogant, pompous, over-ambitious jerk, I had had enough. And still she stayed with him for most of the novel. This annoyed me at first, but I realized, after a great deal of anger and confusion that I waited for so long for a Dessen romance and got THEO instead, that Emaline needed to date this tool. She dated Luke, not because she was madly in love with him, but because he was comfortable. He embodied all that was Colby, and for a girl who was abandoned by her father, who saw her stepdad as her real dad and his daughter's as her sisters, whose mother was duped and got pregnant in a typical summer romance that faded before she even reached her nine months, she needed her stable, loving family. Theo, on the other hand, was different. It didn't matter that he wasn't a good different (because lord know he wasn't), but just that he was different. But quickly, Emaline realized that she didn't want different. She loved Colby. She didn't want to be "stuck" there for life like so many others, but she didn't want to flee like the other half of its recently graduated population. Instead, she wanted choices while also having her roots. And that was what made me really love this novel.

Instead of your simple romance, this was a complex and emotional coming of age story. Emaline never knew how to define herself, but throughout this story, you watch her finally become comfortable in her own skin and her own desires. Sometimes it takes the exact wrong guy to help you realize what you really want, and Theo was certainly that guy (I can't stress enough how much I disliked him). So, don't go looking for a lovely Dessen romance. You won't find it and you will be disappointed (I know I was at first). But if you go into this thinking you are going to find one of Dessen's more serious novels hidden within a beachy, carefree cover, you will enjoy the book as much as I did. It isn't your typical Dessen, but that is what I love about her the most. She isn't predictable, and neither are her characters. I can't say I loved this story, but I really liked it in more ways than one. But more importantly, I came out the other end of the story loving Dessen more than ever before. 

Things a Brother Knows

Things a Brother Knows

Guest Blogger Brad M.

I recently read Things a Brother Knows by Dana Reinhard. It's a pretty good book, and it's also a fiction novel. The book tends to revolve around Post Traumatic Stress Disorder (PTSD) which many of the marines suffer from when they come back from the war. 

It's about a young man named Levi who is 18 and his older brother whose name is Boaz, and who is just coming back from the war after being overseas for 3 years. Boaz comes back messed up, and he stays in his room and won't come out much and hardly ever talks to his family anymore. Then Boaz goes on a trip. He is supposedly hiking the Appalachian Trail, but he is really going somewhere else, and that is just an excuse. The day that he goes off, he leaves Levi a map full of addresses of the places he will be staying at. It's a hint saying come with me if you want, and Levi goes with him.  They bond together over the trip, and the two brothers get to Washington, DC at the end where their whole family meets up, and even people they have met along the trip are in DC with them.

The book was good; it was well written and detailed. However, I feel it was a little too long. In my opinion they could have come to the conclusion that Boaz needed help earlier. The book is interesting, but the end is a buzz kill. The book seems to draw you closer with every turn of the page, but the ending is a cliff hanger. The book talks a lot about PTSD.  That's what Boaz has, and he is just coming back from the war; he was enlisted for three years. I feel the book skips out on what PTSD really is, and I also feel they should talk about the steps of recovery. 

The book affected me in a couple of ways. I learned a little more about what PTSD is. However, it did not change my thoughts about the war. I feel we should have pulled out after we got Bin Laden. I also don't feel that the war is pointless, and I feel we should respect every person that enlisted in the army. This book does a good job of depicting struggles of veterans and their families.