A typical graphic novel is told in pictures and in words, but what if the story was actually two stories: one through words and one through images? Brian Selznick did it with surprising grace, and now Kiersten White and Jim DiBartolo have done it with In The Shadows, and the result is pretty awesome.
Cora and Minnie's mother runs a boarding house where they all live together. Minnie has an insatiable desire for adventure (bordering on the side of reckless), while Cora prefers to play it safe, except when Minnie calls her out on her stuffiness and she has to live up to her little sister's expectations. But after Minnie convinced Cora to climb a tree and peer into the witch's window and she got caught, she has never been the same. Her father died the very next day, and Cora knows it was a curse the witch put on her. Arthur was brought to live with them over a year ago after his father disappeared, but the girls suspect there is more to the reason Arthur is with their family. When Charles and Thomas arrive for the summer, the group bands together, all for different reasons, but all for the hope of some fun (at Minnie's direction). Especially when Charles' illness and imminent death is a weight holding Thom down.
When they visit the witch's house all together this time, Cora is more than just a little nervous. In fact, she is terrified, but the others convince her it will be fine. When they see the witch, Mary, they aren't prepare for what they witness- she hangs herself right in front of them. When they report it, however, something scary happens- her body isn't there anymore. When they see her again in town, she is with the scary man from the boarding house... and a woman Thom is convinced he heard speaking to his father right before he was sent to the boarding house. Something very mysterious is happening in this sleepy little tourist town, and Minnie and the others are going to get to the bottom of, regardless of the risks.
Half this story is the one I have just described. It is written in short chapters like any other typical story. The other half of the story is written in illustrations and follows an entirely different set of characters. I haven't described the illustrated story because it isn't easy to describe it without giving away too many important details needed for the end of the story when everything comes together. But they do, and when they do, it is pretty gosh darned awesome. My biggest issue with this book throughout the entire story was that I had absolutely no idea what was happening in the illustrated story- until the very very end. Now, in hindsight, I can see it was designed that way and that is what made it such a cool story, so I should have just had faith in the authors.
Another thing I struggled with was the ages of the kids. One moment they struck me as definite middle schoolers. Precocious, adventurous, and usually reckless abandonment regarding concern for consequences. But then the next moment they felt a little older, like young adults. It made them difficult to understand completely. While Minnie was the fun, impish, mischievous one, Cora and Arthur were the ones I really liked. Unfortunately, the story is really brief, so you don't get to spend a lot of time getting to know any of the characters very well. The important thing to know, though, is that this is one serious mystery! It was really a nail biter right to the end, and I did not see it coming. I really liked this story, and I hope White and DiBartolo give this format another shot!
Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts
Tuesday, December 30, 2014
Monday, December 29, 2014
Elite and Ticked Off
We all carry our scars around, and they affect every decision we make, but what if every scar was on the outside? In Marie Lu's The Young Elites, the malfettos suffer the shame and ridicule and persecution of their entire society thanks to a plague that scarred them but didn't take them. But society isn't ready for those who survived and have become The Young Elites.
The plague ravaged the world, killing the adults it touched. Many children survived, however, they were left far from unscathed. Many were deeply scarred. They are now called malfettos, the abominations. To make matters worse, some malfettos have developed abilities that rival the supernatural. While Adelina's father was appalled to have a daughter who was a malfetto, he at least would have preferred her if she developed powers and was of any use to him. Instead, she was completely useless and a shame to their entire family on top of that. When she runs away after he sells her as a mistress to a local business man, they are both surprised to discover that she is indeed talented, even though her talent wasn't one that could help him...
Scheduled to be executed by the Inquisition, Adelina isn't going to fight her fate, but when the Young Elite rescue her, she finds out dark secrets she never thought could be true. Enzo, the leader of the Dagger Society (Young Elites) is the malfetto prince the royals said had perished. Now he wanted the throne back from his greedy, cold sister and her malfetto lead Inquisitor. To be part of the Dagger Society, Adelina must prove her worth, but her powers are dark and mysterious. She feels a connection to most of the Elites, but even they are unsure how her powers will play out. As she advances, so does the war on malfettos. Children and harmless women are dragged into the street and executed, but the Daggers have to pick their perfect moment to attack. If they don't, they could lose everything.
While I really loved Lu's first series, Legend, it had some moments that ran a little slow. After reading the first book in this series, it is clear Lu has gained a little experience under her belt and chose to pick up the pace, because this was one heck of a book! This historical fantasy goes above and beyond to hold a readers attention, and Adelina is the ultimate of anti-hero. She doesn't fully understand her power, but she does know she likes the strength it gives her over others. She isn't a bad person by any means, but after years of torture at the hands of her father, she definitely has a well-deserved dark side. But she is also kind and caring. She loves her sister unconditionally and will go to great lengths to save her, even test her own limits of right and wrong. And her relationships with the different Elites are so different and unique, you see layer and layer of depth within Adelina's character with each page you turn.
The story itself is also unique while still being familiar. Super powers in young adults? Not terribly original. The way Lu does it? Pretty freakin' great! My only concern was the lack of real world building, which was a problem in her last series as well. If a world is developed on the page in the same level of detail as in the writer's head, I should be able to picture what each scene looks like, but with Lu's books, I often find myself surprised by a piece of the setting because it doesn't fit with other details I have gleaned. That means there are definite gaps in what she is giving us. It is a fine line between too much and too little world-building, and that is one thing Lu should work on for the sequel to Young Elites. Everything else she has in spades!
The plague ravaged the world, killing the adults it touched. Many children survived, however, they were left far from unscathed. Many were deeply scarred. They are now called malfettos, the abominations. To make matters worse, some malfettos have developed abilities that rival the supernatural. While Adelina's father was appalled to have a daughter who was a malfetto, he at least would have preferred her if she developed powers and was of any use to him. Instead, she was completely useless and a shame to their entire family on top of that. When she runs away after he sells her as a mistress to a local business man, they are both surprised to discover that she is indeed talented, even though her talent wasn't one that could help him...
Scheduled to be executed by the Inquisition, Adelina isn't going to fight her fate, but when the Young Elite rescue her, she finds out dark secrets she never thought could be true. Enzo, the leader of the Dagger Society (Young Elites) is the malfetto prince the royals said had perished. Now he wanted the throne back from his greedy, cold sister and her malfetto lead Inquisitor. To be part of the Dagger Society, Adelina must prove her worth, but her powers are dark and mysterious. She feels a connection to most of the Elites, but even they are unsure how her powers will play out. As she advances, so does the war on malfettos. Children and harmless women are dragged into the street and executed, but the Daggers have to pick their perfect moment to attack. If they don't, they could lose everything.
While I really loved Lu's first series, Legend, it had some moments that ran a little slow. After reading the first book in this series, it is clear Lu has gained a little experience under her belt and chose to pick up the pace, because this was one heck of a book! This historical fantasy goes above and beyond to hold a readers attention, and Adelina is the ultimate of anti-hero. She doesn't fully understand her power, but she does know she likes the strength it gives her over others. She isn't a bad person by any means, but after years of torture at the hands of her father, she definitely has a well-deserved dark side. But she is also kind and caring. She loves her sister unconditionally and will go to great lengths to save her, even test her own limits of right and wrong. And her relationships with the different Elites are so different and unique, you see layer and layer of depth within Adelina's character with each page you turn.
The story itself is also unique while still being familiar. Super powers in young adults? Not terribly original. The way Lu does it? Pretty freakin' great! My only concern was the lack of real world building, which was a problem in her last series as well. If a world is developed on the page in the same level of detail as in the writer's head, I should be able to picture what each scene looks like, but with Lu's books, I often find myself surprised by a piece of the setting because it doesn't fit with other details I have gleaned. That means there are definite gaps in what she is giving us. It is a fine line between too much and too little world-building, and that is one thing Lu should work on for the sequel to Young Elites. Everything else she has in spades!
Sunday, December 22, 2013
She May B. Dyslexic
Our children very often don't have an understanding of the kinds of lives people their age lived 100 or more years ago. In Caroline Starr Rose's beautiful little book, May B., we see a young girl who sounds very much like my own students today in 2013. But May's life is very, very different in many ways, and I can't help but think how special it would be for our students to read this book.
May's parents tell her she is going to have to travel 15 miles to live with another homesteader and his new wife. They need help around the homestead, and he is willing to pay May's parents to have her stay with them and help for the next few months. May knows it isn't permanent, but she also isn't ready to move away from her parents for so long with no way to be in contact with them. 15 miles across rough land in a horse and buggy is nothing to take lightly. To make matters worse, May is going to have to stop going to school when she moves in with them. School is hard enough for May, but with such a long time away from it, she knows she is never going to move out of the little kid side of the schoolhouse. It is embarrassing enough to have to sit with the little kids at her age because she can't read. After months away, she knows it will be worse and she will suffer the wrath of her teacher even more than she does now.
At the homestead, it is clear the homesteader's wife doesn't want to be there. She doesn't intend to do any chores herself, but it seems like May's very presence bothers her. When she picks up and leaves, her new husband chases after her, leaving May behind in the homestead. May assumes they will be back, but days and days pass and no one returns. Left to tend to the home herself with no new food, she has enough to survive a while, but not until her father comes for her at Christmas. Just a child, May B. does the bravest thing she could do. She survives.
May B. is my newest love. This book is told in short free verse that is very readable and easy to understand. It also makes the book incredible accessible for students who struggle with reading. Do they look at a page full of text the same way May describes? You bet they do! So having these short, powerful snippets are an amazing way to tell the story of a dyslexic girl while simultaneously not alienating the dyslexic young adults who the story would mean the most to. Pure brilliance. And while May isn't actually stated as being dyslexic, her struggles with reading are so spot on, you can't deny her obvious dyslexia. I loved this. Our students are lucky enough to live in a modern world where dyslexia is known and can receive remediation. What if they lived 150 years ago and you were just considered unintelligent if you couldn't read? This book really gives them a moment of perspective, and I really believe that is invaluable.
In addition, May is a young dyslexic girl who is SO brave she is able to take care of herself and survive through enormous winter storms all by herself. We so often now see kids who passively let everyone do things for them- teachers, parents, etc., but they never learn to handle difficult situations themselves. In fact, the Washington Post did an interesting article on these "Snow Plow" parents. So to watch May survive and figure things out herself was truly inspiring. I love this little story, and I think it would be great for any kid to read. It is simple enough for super low-skilled students, but it is also appropriate for older students as a supplement to history or a quick connection to the times. I think parents and teachers will enjoy this quick little story too. It was just so wonderful in ever possible way!
May's parents tell her she is going to have to travel 15 miles to live with another homesteader and his new wife. They need help around the homestead, and he is willing to pay May's parents to have her stay with them and help for the next few months. May knows it isn't permanent, but she also isn't ready to move away from her parents for so long with no way to be in contact with them. 15 miles across rough land in a horse and buggy is nothing to take lightly. To make matters worse, May is going to have to stop going to school when she moves in with them. School is hard enough for May, but with such a long time away from it, she knows she is never going to move out of the little kid side of the schoolhouse. It is embarrassing enough to have to sit with the little kids at her age because she can't read. After months away, she knows it will be worse and she will suffer the wrath of her teacher even more than she does now.
At the homestead, it is clear the homesteader's wife doesn't want to be there. She doesn't intend to do any chores herself, but it seems like May's very presence bothers her. When she picks up and leaves, her new husband chases after her, leaving May behind in the homestead. May assumes they will be back, but days and days pass and no one returns. Left to tend to the home herself with no new food, she has enough to survive a while, but not until her father comes for her at Christmas. Just a child, May B. does the bravest thing she could do. She survives.
May B. is my newest love. This book is told in short free verse that is very readable and easy to understand. It also makes the book incredible accessible for students who struggle with reading. Do they look at a page full of text the same way May describes? You bet they do! So having these short, powerful snippets are an amazing way to tell the story of a dyslexic girl while simultaneously not alienating the dyslexic young adults who the story would mean the most to. Pure brilliance. And while May isn't actually stated as being dyslexic, her struggles with reading are so spot on, you can't deny her obvious dyslexia. I loved this. Our students are lucky enough to live in a modern world where dyslexia is known and can receive remediation. What if they lived 150 years ago and you were just considered unintelligent if you couldn't read? This book really gives them a moment of perspective, and I really believe that is invaluable.
In addition, May is a young dyslexic girl who is SO brave she is able to take care of herself and survive through enormous winter storms all by herself. We so often now see kids who passively let everyone do things for them- teachers, parents, etc., but they never learn to handle difficult situations themselves. In fact, the Washington Post did an interesting article on these "Snow Plow" parents. So to watch May survive and figure things out herself was truly inspiring. I love this little story, and I think it would be great for any kid to read. It is simple enough for super low-skilled students, but it is also appropriate for older students as a supplement to history or a quick connection to the times. I think parents and teachers will enjoy this quick little story too. It was just so wonderful in ever possible way!
Friday, August 23, 2013
Dara and the Magic Marble
Our students will never fully understand the idea of being a refugee in your own country, but there are books that can make the terrors and hardships a little more of a reality for them. In Minfong Ho's The Clay Marble, the life of a little girl as a Cambodian refugee is all too real.
Dara's family hears there is food in the refugee camps near the border, and they truly don't have a choice. If they want to eat, they are going to have to go there. While Dara, her mother, and her brother don't have much, they at least have each other. While the refugee camp may have more food than they had at home, it also has more dangers. Shelling and bombing is an all too-real danger that rocks the camp like shrapnel-laden thunder. But in the camp, they also have the opportunity to meet other families like themselves. When she meets a young girl named Jantu who not only shares her family's food with Dara's family, but also gives Dara the opportunity to think about things other than hunger, war, and death, Dara begins to see the real root of happiness: family.
This was a very short little story, and the violence of the camp and the war raging around them is incredibly subtle. You barely see any of the violence while the situations are clearly dangerous. For me, that makes this a good story for a 5th or 6th grade class to read with a teacher who can explain the situation in Cambodia and also make the story a little more exciting than it is at face value. In fact, I was a little surprised the story was so mild considering the subject matter. If it is taught well, however, with enough teacher supplement to compensate for a story that is a little slow and slightly anti-climactic, it could provide some wonderful teaching opportunities. I think at most, I would give this to a low-skilled 7th grade group, but it is a very young story and older students might find it boring. I do think an awesome supplemental project could be to make the clay village Jantu and Dara made while in the camp! Not a bad story, just very young and a little too subtle for the circumstances surrounding Cambodia in the 1980s.
Dara's family hears there is food in the refugee camps near the border, and they truly don't have a choice. If they want to eat, they are going to have to go there. While Dara, her mother, and her brother don't have much, they at least have each other. While the refugee camp may have more food than they had at home, it also has more dangers. Shelling and bombing is an all too-real danger that rocks the camp like shrapnel-laden thunder. But in the camp, they also have the opportunity to meet other families like themselves. When she meets a young girl named Jantu who not only shares her family's food with Dara's family, but also gives Dara the opportunity to think about things other than hunger, war, and death, Dara begins to see the real root of happiness: family.
This was a very short little story, and the violence of the camp and the war raging around them is incredibly subtle. You barely see any of the violence while the situations are clearly dangerous. For me, that makes this a good story for a 5th or 6th grade class to read with a teacher who can explain the situation in Cambodia and also make the story a little more exciting than it is at face value. In fact, I was a little surprised the story was so mild considering the subject matter. If it is taught well, however, with enough teacher supplement to compensate for a story that is a little slow and slightly anti-climactic, it could provide some wonderful teaching opportunities. I think at most, I would give this to a low-skilled 7th grade group, but it is a very young story and older students might find it boring. I do think an awesome supplemental project could be to make the clay village Jantu and Dara made while in the camp! Not a bad story, just very young and a little too subtle for the circumstances surrounding Cambodia in the 1980s.
Labels:
Cambodia,
culture,
historical fiction,
Khmer Rouge,
middle reader,
middle school,
Mingfong Ho,
refugee,
Thailand,
War
Monday, August 19, 2013
A Corner of the Universe for Everyone
Every family has secrets, but some secrets are harder than others to fully understand. In this touching little book, Ann M. Martin, one of my favorite authors of all times, tells the story of one girl, one family, and one universe. In A Corner of the Universe, Hattie's summer of 1960 is one that will change her life forever.
Hattie's parents ran a boarding house. There were many rules for the house, but not as many rules as in her grandmother's proper, sophisticated home. The summer is your typical summer until word comes to Hattie's family that her uncle Adam is coming home. Hattie didn't even know she had an uncle Adam. Significantly younger than her mother and her other uncle, Adam has lived most of his life at a special school. Unfortunately, that school is closing, and Adam's parents have to take care of them until they can find an appropriate place for him to stay.
At first Hattie isn't sure what to expect from Adam. She has heard words like "retarded" and schizophrenic and autistic to describe him, but she isn't sure what all that means. When he finally arrives, though, she is surprised at one thing in particular. When Adam is happy, he is the happiest person on earth. And most of the time, Adam is very happy. Most of the time. Throughout the summer, Hattie spends a lot of time with Adam. He teaches her, she teaches him, and most importantly, she finds a friend in the man her family seems to be ashamed of. What Hattie doesn't know is that there are deeper, darker pieces of Adam's psyche that can't be overcome by ice cream, I Love Lucy, and carnivals.
I need to first profess my undying love for Ann M. Martin. This is the woman who made me a reader. Right here! And it wasn't because of the Babysitter's Club that I became a reader. It was because of a book she wrote called 10 Kids, No Pets. I read that book so many times, my copy literally fell to pieces. Disintegrated. But I haven't read anything from Martin in decades, so I had really high expectations from this story... and it didn't disappoint.
Hattie is your typical 12 year old girl growing up in Millerton. That's right! Millerton! Now, don't expect Millerton in 2013 if you are a local, because this is Millerton in 1960, but how cool is it that Martin wrote about our very town?! So exciting! Hattie's grandparents are very wealthy and don't necessarily approve of their daughter's choice in husband (and artist, gasp!), but they deal with it since they moved back to Millerton to raise Hattie and run the boarding house. The monkey wrench of a son like Adam is such a touchy subject with this family that it leaves one word on the tip of your tongue as you read: shame. It is so sad to see this model of shipping off a "damaged" son who ruins your perfect persona, and I think this mindset is one our students would have a difficult time understanding in 2013. That makes this a perfect story to read together, and if possible, a phenomenal story for them to read with a grandparent or older teacher. I am sure this story will provoke questions, so who better than to read it with than someone who lived through this era in history?
Hattie is the true gem of this story, but Adam plays a close second. He is so happy and truly just enjoys all that life has. The dialogue from Adam really paints a picture of this bright young man that makes him all the more endearing. But of course, not everyone will find someone who is so different to be endearing. And that is why I loved Hattie so much. Even as an impressionable young 12 year old, she defends Adam both to strangers who are ready to mock him or call him a freak, but also to his own family who treat him like a stain upon their perfect family. She really was a wonderful kid- one you will love to expose your students to. I absolutely loved this story, and while the subject matter can be heavy at times, I think our middle readers can handle it. In fact, the heavy parts of the story are handled so beautifully, it made me remember just how much I loved Martin's writing. She knows how to use circumstances and inference to guide the reader, not dictate to the reader. So please give this book a chance and remember, it is better to read about tough subjects with your kids and to talk to them about it than to try to shelter them for too long. Kids never stay sheltered for too long.
Hattie's parents ran a boarding house. There were many rules for the house, but not as many rules as in her grandmother's proper, sophisticated home. The summer is your typical summer until word comes to Hattie's family that her uncle Adam is coming home. Hattie didn't even know she had an uncle Adam. Significantly younger than her mother and her other uncle, Adam has lived most of his life at a special school. Unfortunately, that school is closing, and Adam's parents have to take care of them until they can find an appropriate place for him to stay.
At first Hattie isn't sure what to expect from Adam. She has heard words like "retarded" and schizophrenic and autistic to describe him, but she isn't sure what all that means. When he finally arrives, though, she is surprised at one thing in particular. When Adam is happy, he is the happiest person on earth. And most of the time, Adam is very happy. Most of the time. Throughout the summer, Hattie spends a lot of time with Adam. He teaches her, she teaches him, and most importantly, she finds a friend in the man her family seems to be ashamed of. What Hattie doesn't know is that there are deeper, darker pieces of Adam's psyche that can't be overcome by ice cream, I Love Lucy, and carnivals.
I need to first profess my undying love for Ann M. Martin. This is the woman who made me a reader. Right here! And it wasn't because of the Babysitter's Club that I became a reader. It was because of a book she wrote called 10 Kids, No Pets. I read that book so many times, my copy literally fell to pieces. Disintegrated. But I haven't read anything from Martin in decades, so I had really high expectations from this story... and it didn't disappoint.
Hattie is your typical 12 year old girl growing up in Millerton. That's right! Millerton! Now, don't expect Millerton in 2013 if you are a local, because this is Millerton in 1960, but how cool is it that Martin wrote about our very town?! So exciting! Hattie's grandparents are very wealthy and don't necessarily approve of their daughter's choice in husband (and artist, gasp!), but they deal with it since they moved back to Millerton to raise Hattie and run the boarding house. The monkey wrench of a son like Adam is such a touchy subject with this family that it leaves one word on the tip of your tongue as you read: shame. It is so sad to see this model of shipping off a "damaged" son who ruins your perfect persona, and I think this mindset is one our students would have a difficult time understanding in 2013. That makes this a perfect story to read together, and if possible, a phenomenal story for them to read with a grandparent or older teacher. I am sure this story will provoke questions, so who better than to read it with than someone who lived through this era in history?
Hattie is the true gem of this story, but Adam plays a close second. He is so happy and truly just enjoys all that life has. The dialogue from Adam really paints a picture of this bright young man that makes him all the more endearing. But of course, not everyone will find someone who is so different to be endearing. And that is why I loved Hattie so much. Even as an impressionable young 12 year old, she defends Adam both to strangers who are ready to mock him or call him a freak, but also to his own family who treat him like a stain upon their perfect family. She really was a wonderful kid- one you will love to expose your students to. I absolutely loved this story, and while the subject matter can be heavy at times, I think our middle readers can handle it. In fact, the heavy parts of the story are handled so beautifully, it made me remember just how much I loved Martin's writing. She knows how to use circumstances and inference to guide the reader, not dictate to the reader. So please give this book a chance and remember, it is better to read about tough subjects with your kids and to talk to them about it than to try to shelter them for too long. Kids never stay sheltered for too long.
Labels:
1960s,
Ann M. Martin,
carnival,
historical fiction,
institution,
mental illness,
middle reader,
Newbery,
suicide,
summer,
uncle
Friday, July 26, 2013
A Venomous Past
Serial Killers aren't a new phenomenon, they are just more commonly talked about. So, is it hard to imagine the dark dealings that may be going on in the shadows of a city like Venice? In Fiona Paul's new series, The Secrets of the Eternal Rose, she explores the mystery of murders only a young girl is willing to investigate.
Cass lives the life of any other Venetian girl of means: she waits to be married off so she can become a proper wife. The only problem is her fiance, Luca, is a terrible bore. When her friend succumbs to an illness and dies, Cass has a hard time dealing with the loss, especially after having lost both her parents. At night she slips out of her house to visit her parents' graves, and when she does so to visit her friend, she finds the body has been replaced by another body- one that certainly doesn't belong there and certainly did not meet a peaceful end. With a giant X carved into her chest, the girl clearly met an ugly ending. Terrified, Cass leaves the crypt and bumps into a man named Falco. She should be scared of any guy wandering the graveyard at night, but there is something about Falco she finds intriguing. When he agrees to help her investigate the girl in the crypt, Cass finds herself with a new partner in crime.
Together, Cass and Falco delve into the seediest areas of Venice, places Falco is clearly comfortable with but that Cass has never experienced. Throughout their investigation, Cass finds herself drawn to him in ways a proper engaged girl shouldn't be thinking about a man who isn't her betrothed. Of course, she isn't exactly proper as she escapes into the night in her nightgown with a strange man to hunt down a murderer. Cass's connection with Falco makes her forget just how dangerous what they are doing truly is, but the shadows of Venice can only stay hidden for so long.
I had actually started this book a while ago and put it down only a few pages into it because I just wasn't in the mood for historical fiction, and I am really glad I did, because when I finally did read it, I really enjoyed it. Good historical fiction doesn't get bogged down with too many specifics of the time period, but rather allows them to come out naturally through the progression of a really good plot. That was how this story was. It had a great pace, a solid story, and it really kept me intrigued right to the last page. In fact, I really loved how the whole setting developed around the plot.
Sometimes I was a little annoyed with Cass, especially with her volleying feelings about Falco and Luca. There were times when it felt like her feelings went from one guy to the other six times before the end of a page. It was so frustrating! But in the end, I was surprised but not displeased with where the story left her between the two men. It left me wanting to come back for more and check out the next book in the series. The story deals with some ugly parts of the time period (prostitution, lack of police protection, murder, indentured servants, etc.) and might be better for older readers. But if you have a younger student who is a strong reader and enjoys historical fiction, this is for you!
Cass lives the life of any other Venetian girl of means: she waits to be married off so she can become a proper wife. The only problem is her fiance, Luca, is a terrible bore. When her friend succumbs to an illness and dies, Cass has a hard time dealing with the loss, especially after having lost both her parents. At night she slips out of her house to visit her parents' graves, and when she does so to visit her friend, she finds the body has been replaced by another body- one that certainly doesn't belong there and certainly did not meet a peaceful end. With a giant X carved into her chest, the girl clearly met an ugly ending. Terrified, Cass leaves the crypt and bumps into a man named Falco. She should be scared of any guy wandering the graveyard at night, but there is something about Falco she finds intriguing. When he agrees to help her investigate the girl in the crypt, Cass finds herself with a new partner in crime.
Together, Cass and Falco delve into the seediest areas of Venice, places Falco is clearly comfortable with but that Cass has never experienced. Throughout their investigation, Cass finds herself drawn to him in ways a proper engaged girl shouldn't be thinking about a man who isn't her betrothed. Of course, she isn't exactly proper as she escapes into the night in her nightgown with a strange man to hunt down a murderer. Cass's connection with Falco makes her forget just how dangerous what they are doing truly is, but the shadows of Venice can only stay hidden for so long.
I had actually started this book a while ago and put it down only a few pages into it because I just wasn't in the mood for historical fiction, and I am really glad I did, because when I finally did read it, I really enjoyed it. Good historical fiction doesn't get bogged down with too many specifics of the time period, but rather allows them to come out naturally through the progression of a really good plot. That was how this story was. It had a great pace, a solid story, and it really kept me intrigued right to the last page. In fact, I really loved how the whole setting developed around the plot.
Sometimes I was a little annoyed with Cass, especially with her volleying feelings about Falco and Luca. There were times when it felt like her feelings went from one guy to the other six times before the end of a page. It was so frustrating! But in the end, I was surprised but not displeased with where the story left her between the two men. It left me wanting to come back for more and check out the next book in the series. The story deals with some ugly parts of the time period (prostitution, lack of police protection, murder, indentured servants, etc.) and might be better for older readers. But if you have a younger student who is a strong reader and enjoys historical fiction, this is for you!
Saturday, April 6, 2013
My Divine Intervention
The mind of Libba Bray must be like a creeptastic wonderland full of so many ingenius scenarios. Each book she writes is so different from the last, so my start with The Diviners was a journey where everything was unexpected. And that was what made it so wonderful.
After her parlor tricks got her in trouble back home, Evie O'Neill was sent to live with her uncle Will in NYC. Taking it as the beginning of her rise to fame and fabulousness, Evie is excited for the move to the big and beautiful city. What she didn't realize was that Uncle Will's Museum of American Folklore, Superstition, and the Occult was the laughing stock of the city and dubbed the Museum of "Creepy Crawlies". But never one to give up or fail to spin things her way, Evie isn't disappointed by the Creepy Crawlies- she is going to take NYC by storm.
When a serial killer begins leaving mutilated bodies around the city, Uncle Will is consulted by the local police. Evie, the ever-thinking young woman that she is, knows how to spin this to save the museum and rocket herself into the spotlight. When she begins to give exclusive interviews to a reporter, she makes sure he mentions the museum, and of course, photographs her on her good side. But the Pentacle Killer has escalated and there are no clues as to who he might be, only more and more carnage left in his wake. The truth of the killer might be too "out there" to believe, but Evie and the rest of the Creepy Crawly crew aren't afraid of the unexplainable... they live to explain it!
I don't really think my description of this book does it justice. In fact, I think it makes the book seem a lot lighter than it truly is, so please know this is a very, very creepy period piece. The murders are really gruesome, and I don't want to give anything away, because the book is best enjoyed with an element of surprise, but you will certainly be creeped out when they get to the bottom of the pentacle killer. I think this book might appeal to both horror fans and historical fiction fans, but it is quite long and might discourage a struggling reader. Despite it's size, it reads like a 200 page novel- you will blow right through it. So if you know a reader who needs a spunky heroine and a creepy story, you should think about the Diviners.
One thing I think might divide readers is the main character, Evie. She is bold, brash at times, self-serving, and headstrong. She acts without thinking, which puts her and her friends in danger over and over again. I can see how this might be totally grating for some readers. And yes, she can be impetuous and annoying, but there is also something charming and funny about how she acts before she thinks. I think if you go into her character thinking she is obnoxious, the book is going to be tough to get through, but if you see her as a willful young woman, you will enjoy her more. The supporting characters in this book are really fun and will make the story even more dynamic than the story with just Evie.
But this setting is also something to pique your interest. The language, slang, and jargon can be novel at first, but it helps you to feel like you have been submersed int he time period along with the characters. For many students who live in their bubbles without much thought to times long past, I love a fun period piece that takes a historical time and combines it with an exciting story. And this book has it in spades!
After her parlor tricks got her in trouble back home, Evie O'Neill was sent to live with her uncle Will in NYC. Taking it as the beginning of her rise to fame and fabulousness, Evie is excited for the move to the big and beautiful city. What she didn't realize was that Uncle Will's Museum of American Folklore, Superstition, and the Occult was the laughing stock of the city and dubbed the Museum of "Creepy Crawlies". But never one to give up or fail to spin things her way, Evie isn't disappointed by the Creepy Crawlies- she is going to take NYC by storm.
When a serial killer begins leaving mutilated bodies around the city, Uncle Will is consulted by the local police. Evie, the ever-thinking young woman that she is, knows how to spin this to save the museum and rocket herself into the spotlight. When she begins to give exclusive interviews to a reporter, she makes sure he mentions the museum, and of course, photographs her on her good side. But the Pentacle Killer has escalated and there are no clues as to who he might be, only more and more carnage left in his wake. The truth of the killer might be too "out there" to believe, but Evie and the rest of the Creepy Crawly crew aren't afraid of the unexplainable... they live to explain it!
I don't really think my description of this book does it justice. In fact, I think it makes the book seem a lot lighter than it truly is, so please know this is a very, very creepy period piece. The murders are really gruesome, and I don't want to give anything away, because the book is best enjoyed with an element of surprise, but you will certainly be creeped out when they get to the bottom of the pentacle killer. I think this book might appeal to both horror fans and historical fiction fans, but it is quite long and might discourage a struggling reader. Despite it's size, it reads like a 200 page novel- you will blow right through it. So if you know a reader who needs a spunky heroine and a creepy story, you should think about the Diviners.
One thing I think might divide readers is the main character, Evie. She is bold, brash at times, self-serving, and headstrong. She acts without thinking, which puts her and her friends in danger over and over again. I can see how this might be totally grating for some readers. And yes, she can be impetuous and annoying, but there is also something charming and funny about how she acts before she thinks. I think if you go into her character thinking she is obnoxious, the book is going to be tough to get through, but if you see her as a willful young woman, you will enjoy her more. The supporting characters in this book are really fun and will make the story even more dynamic than the story with just Evie.
But this setting is also something to pique your interest. The language, slang, and jargon can be novel at first, but it helps you to feel like you have been submersed int he time period along with the characters. For many students who live in their bubbles without much thought to times long past, I love a fun period piece that takes a historical time and combines it with an exciting story. And this book has it in spades!
Wednesday, April 3, 2013
The Book Thief
Guest Author Review by Filipa S.
The Book Thief by Markus Zusak
Books have never been hard for me to begin, but I never seem to get to the end. So when I first pick up a book, the first thing I do is read the last page and see if it captures me. While I was doing my usual inspection of The Book Thief, I became so intrigued by that last pages that I knew I would be able to read the book from cover to cover.
The introduction to the book is an explanation by the narrator (who is death itself) of the three times he catches the Book Thief stealing. By giving a color to each location of the stolen item, the first in snow, the second in fire, and the third in darkness, he paints the reader a picture of the Nazi Flag. This gives a time period over which the book takes place. Then death introduces the reader to the main character, Liesel Meminger, by explaining their first interaction. From then on the book is split up into ten parts, and on the first page of each part the narrator gives a few key words that hint to what will happen.
Liesel is a young girl whose mother is unable to raise her. Liesel and her younger brother (who dies before they make it) are sent to be raised by a foster family in Molching, Germany. She has a strong desire to learn to read, precipitated by her curiosity over the first book she had stolen. Her foster papa slowly taught her how, and once she could read, words and letters intrigued her. Her adventures on Himmel street fill up the pages of the book, describing how she saves a Jew, joins a gang, and gets into countless trouble with her best friend, Rudy. The reader follows the life of this young girl until the end when her passion for words is what saves her life.
The Book Thief was a compelling, long, and descriptive book. The first parts of the book are captivating, but towards the middle it is very slow moving, although it picks back up near the end. I really like the way the narrator moves in and out of the novel and occasionally gives insight to what is going to happen in the future. I would recommend this book to someone between the ages of 15 and 19. Not only is the plot stimulating but the historical content is a good backdrop for the storyline.
Labels:
Germany,
guest author,
historical fiction,
Jewish,
Markus Zusak,
Nazi,
The Book Thief,
young adult
Thursday, November 17, 2011
The ReInvention of a Picture Book
As a teacher of dyslexic students, I appreciate just how hard it is to find a book for a low-skilled older student. Virtually impossible. You don't want to insult the student, but you don't want to frustrate them with a book that is entirely too difficult. And what about your emergent readers? Older students who are just learning to read. Do you give them picture books and chapter books? What if you had a really beautiful story, full of gorgeous illustrations disguised as usual middle reader book (except much bigger and much heavier)? Brian Selznick created a masterpiece with The Invention of Hugo Cabret, but when he did, I am sure he didn't realize he was creating a bridge for emergent readers into the world of book lovers.
Hugo was orphaned twice. When his father was killed in a fire in his workshop working on a device Hugo wanted him to fix, Hugo was sent to live with his uncle. Hugo's uncle lived in the train station and was responsible for winding all the clocks twice a day. It wasn't the hardest job in the world, but it took a lot of responsibility so the clocks didn't fall behind and break down. When Hugo's uncle disappears, Hugo takes over the clocks and keeps up the ruse his uncle is still there because he has no other place to go.
Unable to cash his uncle's checks, Hugo is forced to steal his food. He only steals out of necessity, except for toys. Hugo can't resist the toy booth run by the old man, but when he is caught stealing a toy mouse, the old man forces him to fix it. He takes Hugo's notebook- the last thing Hugo has from his father that holds the secrets to fixing the device his father died trying to fix for Hugo- the automaton. Hugo salvaged the automaton from the building where his father was killed, but without the notebook, he will never get the figure to work. When the old man sees Hugo's ability to fix the toy, he puts him to work fixing toys in the shop. By day Hugo works in the shop, but night he works on the automaton. It is a busy life, but Hugo just wants his notebook back. When the old man's goddaughter promises to get it back for him, he doesn't realize the secrets they will uncover together. There is more to the old man than Hugo ever realized, but then again, the old man didn't know Hugo was an orphan living in the train station either.
The beauty of this book, besides the pages and pages of beautiful illustrations, was the ability of those illustrations to tell huge parts of the story. An emergent reader must look at a book and be completely overwhelmed by all those words. Pages and pages of words. So what if half the story was told by a series of illustrations that wordlessly told a beautiful story of a sad boy who finds people who care about him? I love this book for many reasons, but the biggest reason is that I can just see a student who is just starting to read being able to successfully wade through this book in all its bulk (500+ pages) and know they have read a book. Imagine the pride that would come from that student?
So I have to say, I think Selznick is a genius. He created a book that is not only beautiful, but one that can appeal to even the most low-skilled students. I think it is an important book for any children's library or classroom, especially for students with learning disabilities. The illustrations can emote with little effort and will provide tons of material for discussions. You can have students write the dialogue or describe the illustrations as an activity. If a student is creative, you can have them illustrate the portions of the book that aren't already illustrated. The opportunities are limitless.
Labels:
automaton,
Brian Selznick,
clocks,
drawing,
film,
historical fiction,
middle reader,
orphan
Sunday, September 11, 2011
Revolution is Not a Dinner Party
I have been looking for books for our literature curriculum written by and based on Asian cultures. Unfortunately, it isn't terribly easy to find something that both fits those categories and is a worthwhile book to read in class with middle school students. Oh, there are books out there, but so many of them are written by American or European authors about Asian cultures. I was happy to find Revolution is not a Dinner Party by Ying Chang Compestine, a story about a young girl growing up in China at the end of Mao Ze-dong's Cultural Revolution.
Ling is nine years old and her biggest dream is to see the United States. Her father teaches her English in secret, shows her pictures of the Golden Gate Bridge, and they sing English songs and read English books. But something is happening in China that threatens her family's way of life. Both her parents are doctors- her father of Western medicine and her mother of traditional Chinese medicine. During the Chinese Cultural Revolution, if you weren't working class, you were considered extravagant and wasteful, and Ling's parents fell into that category.
When a Maoist officer moves into their apartment building, everyone in the building is careful because he has the power to make them all disappear if they are thought to be an anti-revolutionist against Mao. When Ling's neighbor, another doctor, disappears, Ling begins to slowly understand the severity of the situation. Then the neighbor's wife is taken and their son moves in with Ling's family. When he is found trying to escape to Hong Kong, he turns on Ling's family and turns them in to save himself. Ling's father is arrested and Ling and her mother must survive on their own with ration dollars becoming fewer and fewer and food in the black market more and more unreliable. Trying to protect her mother, Ling takes over getting food for the family and tries to stay out of trouble. Unfortunately, she has too much of her father in her and can't bear to swallow her pride when confronted by bullies at school and their Maoist parents. Will Ling's fate be any better than the millions of others who were murdered or disappeared during the Cultural Revolution?
This is a fast, small book that really blew me away. It reminded me a lot of Marjane Satrapi's graphic memoir Persepolis in that the main character is a young girl dealing with very mature, life threatening situations she doesn't completely understand. I feel like this perspective is important for students because they can see how the events that unfold are wrong through an innocent child's eyes. It is also interesting to see students critically analyze the naivete of the main character, especially since they are children themselves! It is important for children to relate to a culture they don't know much about, so having a common thread helps make the book more meaningful to them.
I have read some reviews on this book that criticize it for being "historical fiction" rather than a memoir, but I am not sure what is wrong with this. The author grew up in China during the Revolution and based the characters and events off her own experiences. Despite being fiction, the story is steeped in the author's life, making this just as powerful a story even if it isn't a memoir. I still think it is a valuable tool for exposing students to a culture they might not have been exposed to.
This is a perfect book for middle reader students, although the subject matter is serious and it could be used for an older, low-skilled student who likes historical fiction. I imagine this book being appropriate for grades 5-8 for the most part. At the end there is an explanation from the author of how the events in the book relate to her own life. There is also a brief explanation of the historical background, which might be better if read with students first, before the story. This would be a valuable book for any student to read!
Sunday, April 10, 2011
Always Strings Attached
Historical fiction is a funny subgenre. It all gets lumped under one heading, but it could be anything from incredibly distant history to a mere couple decades ago. Strings Attached by Judy Blundell is a story set in New York City during the late 1940's and early 1950's. This is a time when my mother and her family lived in NYC, and I was anxious to read about the time period.
Kit Corrigan was a the last triplet born, and she was the triplet who killed their mother in childbirth. Her father found a way to make ends meet: he made the triplets into the Corrigan Three, a mildly talented trio who travel to state fairs, do endorsements, and bring in enough money to get the family through tough times. Now that Kit is all grown up, she wants to pursue her dream and move to NYC to be famous, even if that means leaving her boyfriend, Billy, behind.
At first she can't get much work and finds herself in a doomed performance. When that show goes under, Nate Benedict finds her. Nate is Billy's father, and Nate is known in Providence for being a lawyer with mob ties, no matter how much he denies it. Nate convinces Kit to stay in an empty apartment he owns and even sets her up with an audition at the Lido, a nightclub famous for its "Lido Girls". At first Kit is uncomfortable with everything Nate does for her (including buying her an all-new wardrobe, complete with intimates), but he insists he is doing it all for her and Billy. With Billy recently enlisted, Nate hopes the dream of coming home to Kit will keep him safe in Korea.
It all seems fine until Nate starts asking Kit for small favors, like delivering a package or keeping him informed on the guests at the Lido at night. When one of Kit's "favors" for Nate leads to the man being the target of a hit right in the Lido, Kit knows her information was what got the man killed. She knows Nate is a dangerous man, and when the story breaks about the mob hit, nothing can stop him. Then the papers start speculating that Nate and Kit are having an affair. She tries to explain to Billy that it isn't true, but with the apartment and the fancy clothes, it is hard to convince him she hasn't been Nate's mistress. Quickly, everything falls apart for Kit and it starts to put her family in danger. She must find a way to protect her family and get the truth out, even if it means risking her own life.
This was a very difficult story to get through. I actually had to put it down halfway through, read another book, and pick it back up again. I wasn't sure if it was the time period at first, but then I realized it was the lack of dynamic characters that really made it a difficult book for me. Kit is not a very likable lead, which would be fine if you could invest in any of the other characters. Nate is supposed to be creepy and controlling, but her interactions with him are so limited you can't even get yourself to dislike him (even though you know you should). Billy was the one who really drove me nuts, though. Were we supposed to want her to get together with Billy? Hate him? I couldn't bring myself to feel much about him, except his striking resemblance to an early Michael Corleone before he was dragged back to the family business.
That was the other difficulty with this book. It was supposed to be a young adult novel and yet I can't imagine a young adult getting through this story. It isn't just that they won't be able to relate to the time period (which they won't through this particular narrative), but also that there is nothing at all they can relate to. If the characters were at least a little interesting or familiar, some kids might stick with this story, but that isn't really the case. If I even mentioned the Corleone connection I noticed, most of my kids wouldn't even understand the reference! In fact, I wouldn't even recommend this book to an adult (although it seems to be written more for adults than young adults).
If you are going to pass this on, the best bet would be that student who is really into historical fiction. Unfortunately, the interesting parts of the story, like the war and the mob, are so drowned by Kit's annoying musings, it makes it hard to pinpoint the type of student this book would be best for. The vocabulary is modest and there isn't anything graphic or inappropriate in the story. For sheer dryness, I would suggest this story for strong readers only, especially those who are good at wading through some dry parts to get to the meat of the story. I was sadly disappointed with this story, but maybe Blundell's next one will be more of a hit... I know it would be great to have exciting historical fiction to get our students and children to read!
Labels:
1950,
dancer,
historical fiction,
Judy Blundell,
mob,
New York City,
organized crime,
showgirl,
War,
young adult
Subscribe to:
Posts (Atom)







