A Sky on Fire

Kids are resourceful. In extreme circumstances, I have no doubt kids could find a way to survive all on their own. In Emmy Laybourne's Monument 14, we saw them find a way to survive in a Greenway, but in the sequel, Sky on Fire, the group splits up in their fight to survive. 

As type O's, if Dean and Astrid breathe the compounds NORAD released into the air, they will become raving psychopaths hellbent on killing anything in their way. Therefore, they decided to stay behind and protect the little kids while Dean's brother Alex and the others took the schoolbus that saved them to the Denver Airport in the hopes of finding people willing to help rescue those left behind. But neither group experiences anything they expected.

Outside the Greenway, things are bad. A strange white mold eats rubber and has destroyed cars, making their bus a commodity for anyone within earshot. Add to that the raving lunatics and the fact that Josie lied to them about her blood type. With one whiff of the air, she becomes her own raving lunatic in the close quarters of the bus. Meanwhile, back at the store, Astrid and Dean are experiencing their own horrors. With crazy people trying to break into their stronghold one after another, they realize how defenseless they really are. Meanwhile, inside, they can barely hold things together with the little kids, infections, and people determined to get in. Both groups are in the middle of the battle of their lives, but will anyone make it out alive?

This series is an odd mixture of fairly mature circumstances with a relatively low reading level. Therefore, it is a good series for an older student who is also a struggling reader. The maturity of the subject matter includes a lot of murder, sex, and pretty scary situations, but the short nature of the stories and easy reading level makes them a perfect option for a reader who doesn't want to read a "kids" book, but needs a lower level story. Also, this series could easily serve as a bridge into more complex, mature post-apocalyptic and dystopic stories.

Overall, I like the story, but sometimes the kids make some really stupid mistakes. I know that is most realistic, but still, I would love it if they had a learning curve about trusting people! How many times do you have to get attacked, beaten, almost raped, and robbed before you figure out to not trust anyone??!! I like the fact that these books end with some finality, but still lead directly into the next story. I don't think these are the absolutely best PA stories out there, but they are quick and a lot of fun to read, which gives them a permanent space on the shelf of my classroom!

Me, Earl and the Dying Girl

High School is all about choosing sides and finding allies, which inevitably makes you enemies. If you are a drama kid, the jocks will undoubtedly ignore you at best. If you are a Queen Bee, the goth kids despise you. But what if you could manage to be accepted on the outskirts of every single group? You would never be able to reveal your allegiance to another group, would have to avoid all areas of congregation like the plague, and would have to accept that in order to be friends with everyone, you can't have any real friends. Is it worth it? For Greg, it was a juggling act that was about to come crashing down in Jesse Andrews' Me, Earl, and the Dying Girl. 

Greg is a pasty, overweight, nondescript kind of guy, but his philosophy for making it through high school is a unique one. If you can somehow manage to have a casual connection with every group on campus without actually committing to a single one, you can be relatively safe from the horrors of high school. For a kid like Greg who is awkward, can't talk to girls (actually, turns into a babbling idiot every time a cute girl walks into the room), and is obsessed with strange, obscure movies, this is really the best decision. He has always had Earl, the filthy mouthed oddball who shares Greg's love of strange movies and is his coproducer in their own miserable attempts at filmmaking, but you wouldn't exactly call Earl a "friend". He is more like a bad habit. 

When Greg actually made attempts to get girls to notice him, they turned into poo-covered, flaming disasters. The only girl he didn't completely alienate was Rachel. Granted, he never accomplished much of anything, but at least she didn't think he was a drooling moron. When Greg's mother tells him Rachel has cancer, she forces him to spend time with her. In reality, it isn't so bad. Rachel is pretty cool, and she isn't appalled by Greg's bizarre antics, but this isn't like what you would expect from a boy who befriended a dying girl. It isn't some life-affirming, wisdom laden one-liner filled cream puff of grief and self-reflection. Greg insists Rachel's presence in his life has not changed him. But is it possible to live through something like the death of a girl who was the first person you let over your protective wall and not be affected? Greg insists it is!

OK, this was a strange book. It was strange in the same way Greg was strange- awkward, sometimes pretty funny, and surprisingly endearing. I actually loved it when I first started it, went through a period of being annoyed by Greg's silliness, and finished absolutely loving it. It was a strange experience, to tell you the truth. Even now, I am not sure how to describe the book that is going to truly do it any justice. Greg is just this big ball of awkwardness. He is so invested in blending in and not identifying himself to anyone, that is becomes terrifying to him to even consider openly befriending Rachel in school, but because he has a soft, gooey center, he does it anyway. And he insists over and over again that he is not affected by Rachel's leukemia, but you can see how it chips away at his resolve and his hard candy coating he uses to protect himself. Not in a "come to Jesus" kind of revelation, nothing that dramatic or expected, but just in small, tiny little ways where he allows Rachel to affect him. It was a really interesting approach. In fact, it made me think that this book was the antithesis to The Fault in Our Stars. Everything Greg made fun of, the deep, meaningful one liners, the emotional roller coaster, the grief, was hidden so well, you would almost miss it if you weren't looking carefully enough. And in the end, although Greg was totally ridiculous at times, it was a really great book.

And the supporting characters were just as hilarious. Earl in all his foul-mouthed glory was so absurd you had to love him. Greg's parents were just as entertaining. I think I can see the exact kind of kid I would give this book to- the wise-guy kind of tough guy who hides behind his wise cracks and silly jokes, the class clown. The only concern is that there is a lot of profanity and sex talk in this book (nothing graphic, just gross teenage boys talking about boobs and whatnot). I personally wouldn't let that keep me from giving this to a younger student if I thought they would enjoy the book, because it is mostly in the form of silly jokes and ribbing, but some might not be comfortable with that, so I thought it was worth mentioning. I am still shaking my head about this book, but I will definitely read Andrews' next book to see how much of this story was his creation of the characters and how much was really Andrews!

Trapped in Hell, Me- not the Characters!

Falling for a death deity can't be easy, but for Pierce, Meg Cabot's character in the Abandon Trilogy, it has made her already complicated life just that much more complicated. In Underworld, Pierce is faced with the reality that she might belong in the Underworld if she wants to be with John.

When John dragged her to the Underworld, it was to protect her from the Furies. After her grandmother, or rather a Fury wearing a grandmother suit, tried to kill Pierce, they barely escaped. But the Underworld isn't a place Pierce can imagine herself living. In fact, nothing lives in the Underworld, as a matter of speaking. Certainly not a real live girl. But she must make the best of it if she wants to be with John, even if that means abandoning everything she left behind on the island. When John offers her a meal, she distinctly remembers the story of Persephone who was trapped in the Underworld for 6 months a year as a result of eating 6 pomegranate seeds, so she avoids them like the plague. But what John didn't tell her was that any food consumed in the Underworld ties the eater to its realm for eternity. Essentially, John just ensured Pierce has no choice but to stay with him.

Pierce is stunned by his treachery, but staying with John seems to be more important, until she sees a video on her phone. In the video, her cousin Alex is locked in a coffin, dying. Convinced she needs to save him, she begs John to go find Alex, and John agrees to take her with him. What she didn't expect to discover, however, was the dark past John has been hiding from her, and the lies he doesn't want to reveal to her. With the Furies after her, her cousin in trouble, and the pain of leaving her mother to think she was dead, Pierce just keeps remembering John and his hunky biceps.

OK. You may have gathered a hint of sarcasm right there, and you would be correct. It has been a while since I read the first book, but I don't remember Pierce being so easily manipulated or so swayed by a few well-toned muscles. I also don't remember her to be one to pretty much abandon her family for a guy. So when I read this book, I was shocked to see John had become a manipulative, lying twerp who woud do anything to make sure he got what he wanted: Pierce. There were about 5 different instances where he openly LIED to Pierce to keep her from thinking there was any hope of her leaving the Underworld. He also got irrationally angry if she touched anything of his (despite insisting they cohabitate), and then she apologized profusely for being so out of line as to look through her own backpack that was taken from her and hidden when she was kidnapped and dragged to hell. Yep. Seriously. This guy wasn't a leading man, he was pathetic. He could only get his girl by lying to her, tricking her, and keeping her trapped. And the worst part? She couldn't stop thinking about how much she wanted to stroke his abs. Blech. 

I don't really know what happened to this series. I remember liking the first book, so I was interested in the second book, but now I am pretty turned off. Add to that the fact that the whole plot revolves around a stupid kid getting stuffed in a coffin (here is a tip, young man: stay away from coffins and graveyards, moron!), and even that was pretty anticlimactic. Sometimes I am a glutton for punishment, so I might read the last book in the trilogy just to see what happens, but I will likely let the book sit and gather dust for a while until I forget my distaste for this story. What happened, Meg Cabot? Why did you take your characters down this road? 

Assassin Meets Beast

Historical fantasy can be a beautiful thing when done well, and Robin LaFevers does it masterfully with her His Fair Assassin series. In Dark Triumph, she tells the dark tale of another of Saint Mortain's handmaidens, Sybella. 

Sybella's worst nightmare is returning to the home of her father, Lord D'Albret. D'Albret is not only a traitorous beast insistant upon forcing the duchess to marry him so he can control her land, but also to call her his next conquest. Since all six of his previous wives have died mysteriously, this does not bode well for the duchess. But Sybella's sister through Mortain saved the duchess. Now Sybella's post in her own home is to be the mole in the lion's den. The only way the abbess got her to return was with the promise she could kill D"Albret with her own hands. But after much time has passed and the Mark of Mortain has not graced D'Albret, giving Sybella the sign to finish him, she realizes she doesn't think she can wait a single minute longer before killing him even without the Saint's blessing. 

It is just then that she receives a message from the abbess to save a prisoner from D'Albret's dungeon. When she arrives, it becomes clear she is going to need help getting the heavily damaged beast of a man out of his cage in his beaten, semi-conscious state. Baron of Waroch, affectionately referred to as Beast, is half-dead already, but with the help of a jailer turned ally, Sybella is able to free him. In the confusion of their escape, however, she is knocked unconscious and take with them. Knowing it means D'Albret will peg her a traitor, she has no choice but to escort Beast to the duchess. What started out an assignment for the abbess and Mortain turned into a journey Sybella had not thought possible, both physically and emotionally.

You know, there is something about historical fantasy that just sucks me right in. I don't know what it is, but if done right, it gets me every time. And the His Fair Assassin series is addictive for me. I avoided this book for a little while until I had some time to really sit down and get sucked into it, and boy am I glad I did because it was SO good I couldn't put it down. In the first book, you see a little bit of Sybella, but not much. And what you do see isn't all that great- she is pretty mean and angry and bitter, but in this book, you find out exactly what made her that way. And boy, is it ugly. What this girl had to endure at the hands of her maniacal father and brother is a fate worse than death. LaFevers can write a villain like no other villain I have ever read about. I mean, if you can read about D'Albret and not want to kill him yourself, then I have to question your own sanity! I don't think I ever could have imagined such a vile, disgusting human being in my life! 

The beauty in LaFevers' writing is how she can make a character like Sybella redeemable. In fact, the redemption is the best part. I absolutely loved Beast and watching him and Sybella together was amazing. Both had their own demons to deal with before they could look at each other with any hope, but the beauty was in their ability to love and heal each other, and darn if it wasn't fabulous to watch! This was an amazing story, and I know so many adults and young adults who would enjoy it. I think if you know anyone interested in historical fiction with a touch of fantasy, this is your series. If you liked Graceling, Demon King, Throne of Glass, etc., you will love this series. And now I must wait for the third, anxiously biting my nails to see what happens to all of the daughter of Mortain!

Ladies: Champions of the Primates

Having just read Endangered by Eliot Schrefer, it seemed fortuitous that I would wander into a local bookstore to find this little gem facing out at me from a shelf in the children's department. Primates: The Fearless Science of Jane Goodall, Dian Fossey, and Birute Galdikas is a graphic, slightly fictionalized history of the three women who started with Louis Leakey and transformed the world's knowledge of the great apes.

Jane Goodall is probably the most well known of these three women, and she was the first woman Leakey was successful in sending to study the great apes. When his former secretary wasn't successful with the chimpanzees (or terribly interested), Goodall, a woman with no formal degree or experience in conducting such a study, was sent. It was there that she conducted some of the most groundbreaking research ever done on the chimpanzees.

Dian Fossey didn't wait for Leakey to discover her, she hunted him down and demanded to be sent to study the mountain gorillas. Leakey, still convinced women are better at this kind of research, put her study together and sent her. It was there that the gorillas became the life and death of Dian Fossey. Her refusal to back down from dangerous people's protection of the poaching of the gorillas was her undoing, but even in death, she is a champion for these beautiful animals.

 Birute Galdikas is the least known of these three women. Having come to Leakey after Fossey and Goodall, she was most interested in the illusive orangutans. Lucky for these creatures, their ability to fade into the mist also made them difficult to hunt, which was a protection in and of itself. Galdikas herself was as illusive as her orangutans, but the research she gathered is still unmatched.

This was a lovely little graphic non-fiction mini-biography of how these ladies came to study the great apes and forever shape the way the world viewed them and connected them to the human species. While the book is short and the stories are brief, it is a great starting point if you have a student interested in the study of the great apes. This would be a great paring with Endangered or "Gorillas in the Mist". After they have a taste of these three amazing (and very different) women, it would be fabulous to send them off for further research. I really enjoyed this little book, and I am so glad I happened to stumble upon it! 

In Danger of Breaking My Heart

Life for the bonobos and other great apes in Africa has always been tumultuous, but when people are starving, they will do anything to feed their families. Now the bonobos, the "lesser" chimpanzees, are endangered and in Eliot Schrefer's novel Endangered, he explores the love and risks involved in protecting these beautiful animals in the midst of a terrifying civil unrest in the Democratic Republic of Congo.

Sophie has spent her summers in the Congo with her mother ever since her father relocated her to the US to go to school. While it is a culture shock, those summers with her Congolese mother at the bonobo sanctuary are something she looks forward to. But this summer is different. On her way to the sanctuary, she sees a trafficker witha  near-dead bonobo baby, trying to sell him to people driving by. Unable to bear the thought of what could happen to the baby, Sophie does the worst thing she can do: she buys him from the man. Once you establish that precedent, there is nothing to stop the trafficker from going back into the jungle and taking more bonobo babies, even though it means killing all the adults it was with. Sophie knows her mother will be mad and this will create problems int he future, but she couldn't see past the despair and desperation in that little baby's eyes.

Her mother certainly is mad, but she makes the baby Sophie's responsibility. Named Otto, he struggles on the long, hard road back to health at the sanctuary. Sophie knows she should be acclimating him to another human as she is flying back to the US in a few short days, but she can't bear to be separated from Otto. When her mother travels north to deliver adults to the wild sanctuary, Sophie finds herself alone and caught in her worst nightmare: a coup. While she should have evacuated, she can't imagine leaving Otto behind. Hiding in the adult bonobo enclosure, she manages to live undetected for weeks while the rebels take over the sanctuary and kill all the people she knew and loved. But once the power to the electrified fence is cut-off, she knows she has to escape. How is a single teenaged girl going to escape with a baby bonobo in tow? And where do you go in a country that has been torn apart from the inside out?

Oh. Oh, boy. This story was so beautiful and so powerful, it has actually left me speechless. I had the privilege of meeting Eliot Schrefer at an author function a few years ago, and knowing what a funny, light-hearted man he is, I am even more blown away by this amazing, powerful story. The even more fascinating thing is that he took an incredibly violent and terrifying setting, and he managed to show the impact of the violence while still writing a story that could be read by a wide range of ages. For instance, he hints that death would be better for Sophie than being captured by the rebels, but for a younger reader, this subtlety would easily go over their heads: not forcing them to understand the culture and violence of rape behind the coup in order to understand the story, but still including this terrifying and important part of the story in a way that older readers would pick up on. It was masterfully done, and makes this book appropriate for students who aren't necessarily ready for the full terrors of such a war, but still should learn about the kind of life being lived in that part of the world. I am not sure how Schrefer managed to do this so seamlessly and beautifully, but I am grateful for it, because I can pass this book onto more and more of my students.

The conflict itself, Schrefer explained, was fictional, but based off previous conflicts. It felt so real and the terror that girl must have felt was palpable. But the story is really about Sophie and the bonobos. The descriptions of the bonobos are so amazing, it is clear Schrefer spent a great deal of his own time in the Congo studying them. The plight of these amazing apes that share so much of our DNA is one of the most shameful parts of our society. But Sophie, obviously trying her best to save Otto and the other bonobos, often considers the idea that any efforts to save the animals are efforts that aren't going to save the thousands of humans dying all around her. Having seen her friends killed around the sanctuary, she knew the full impact of the danger these people were in, and how the bonobos are no longer the focus. But still, she can't think past the immediate concern in her own life, and that is Otto. A poor boy who has suffered enough in his life, and she, the girl who saved him, can't imagine letting him down. It was beautiful. She understood what was going on around her, but her love for Otto kept her from saving herself when she couldn't take him with her. 

I am not ashamed to tell you that this book really made me cry. I cried for the bonobos, the people of the Congo, for Sophie and all she saw that would forever change her, and for the world that continues to sit by and watch conflicts like this happen. Our students have the privilege of not having to grow up so soon like poor Sophie did, but they also have the responsibility of knowing what is happening around the world they live in. This is a beautiful book, and it is not hard to imagine why it was a National Book Award finalist. After reading the Q&A and the Author's Note at the end of the book, it was clear that this book was Schrefer's way of bringing life to these people and these apes. He had to abandon all he knew about the world and the safety of his own life to travel to the Congo, and I am glad he did, because it brought us this beautiful, heartbreaking story. I know I was changed by Endangered, and I am sure you will be too.

So Many Lives Lost

When a virus takes over, it is only natural to assume the Powers that Be would be developing a vaccine or a treatment to stop the pandemic. People trust the government will save them. But a virus that collapsed all the governing powers is going to squash any hope of finding a cure as well. In the second book of Megan Crewe's The Fallen Worlds Trilogy, Kaelyn has the weight of the world on her shoulders. In The Lives We Lost, the hope of a cure lies in the hands of an orphaned teenage girl. 

Kae isn't in the mood for celebrating her birthday with everything that has happened to them. When she grabs her father's coat, the only thing that still smells like him, she discovers the key she has been looking for desperately: the key to his lab where he was trying to develop a cure. When she goes to the lab, she finds 5 vials of a vaccine her father was convinced would work, and as the first guinea pig, it seemed to be protecting him. With the vaccine in tow, Kae convinces Gav to trek with her to Ottawa in search of government scientists who can replicate the vaccine and save the world. What they don't expect are military helicopters to descend on the island in order to destroy what they believe is the epicenter of the pandemic. When a lone soldier speeds up to the dock to save them, Kae piles everyone in to race across the straight to the mainland. Now they are forced to begin their journey with more than they had expected and even with a kid in tow. 

But life on the mainland has changed. Leo tried to warn them about what it was like in a world where everyone was scared of dying, people were freezing to death, and starvation was imminent, but Kae is determined to save people with her vaccine. She uses 2 of the vials to vaccinate her little cousin Meredith and Leo, but Gav refuses to use one of the precious vaccines on himself. As they get further into the mainland, however, it becomes clear the virus isn't the only thing they have to worry about. When Meredith tells a group of hostile strangers about the vaccine, the group finds themselves dodging the murderous gang all across Canada. There are a lot of people who would love to save themselves with the few vaccines instead of save the world, but a few brave teens know the right thing to do, even if it kills them.

There is a lot about this book, the group of teens tracking across the countryside, the snow, the food, etc. that reminds me of Ashfall by Mike Mullin, but this story is much less mature than Mullin's series. That isn't to say it isn't a good story, but if you have read some of the more gritty and mature versions of this story, this one won't be as exciting. There were quite a few instances where I wanted to just smack the kids as they announced their possession of a vaccine, got in arguments with people on the street, and trusted people WAY too easily, but I imagine there are a lot of naive young adults out there who would fall into the same traps (although letting your little cousin announce you have a vaccine is quite possibly the stupidest thing you could ever do). I wanted them to maintain a lower profile, but they seemed hell-bent on walking in and announcing their presence with every step. It was maddening at times. 

Even with the lack of maturity, this was a fun story. It's mild nature would make it great for a younger reader who was new to the post-apocalyptic genre, but it would probably be too immature for a reader who had finished a story like Ashfall. I would give it to your stronger middle school readers, and it would be really interesting to see how many of those kids would find the actions of the book's characters to be childish as I did. Maybe they wouldn't even notice! But, Crewe did a pretty good job, and I will definitely be coming back to the third book to see the final leg of their journey.