Sunday, July 10, 2011

I Dare You Not to Fall in Love

The Lover's Dictionary: A Novel
I had the honor of seeing David Levithan at Oblong Books in Rhinebeck, NY this week. In fact, I survived nearly poking a hole in my gas tank, a very frustrated bout of roadside sobbing, and some ill wishes toward a local farm that left a veritable boulder in the middle of the road and was driving a tractor on the other side, causing me to ride over the boulder, in order to get to Oblong that night to see Libba Bray, Michael Northrop, David Levithan and E. Archer. While I was there, I had such a great time listening to these four YA authors, I picked up some of their books I hadn't read yet, including Levithan's Lover's Dictionary. I am so glad I survived such nonsense and got there. It was an amazing night and so far the books I snagged ROCK!

"balk, v.
I was the one who said we should live together. And even as I was doing it, I knew this would mean I would be the one to blame if it all went wrong. Then I consoled myself with this: if it all went wrong, the last thing I'd care about was who was to blame for moving in together."

"macabre, adj.
If you ever need proof that I love you, the fact that I allowed you to dress me up as a dead baby Jesus for Halloween should do it. Although, I suppose it would be even better proof if it hadn't been Halloween."

Lover's Dictionary is a strange book. It isn't your traditional novel by any means. In fact, it is arranged much like a dictionary with words A-Z listed at the top of the page. Then after the word and part of speech is a short story, reflection, or thought based off that word. All the "entries" center around the anonymous narrator's relationship. The beauty of this story is how honest, real, and amazing the relationship is. This isn't your average "romance" novel. This is a relationship in every real meaning of the term. It chronicles their meeting, their first few dates, realizing they love one another, moving in together, infidelity, and grief. The insecurities found in any relationship are described in such a real way it made me laugh, cry, and miss my fiance. This book is hard to describe because the impact it will have on you is so unexpected and heartwarming, you can't categorize it.

As I was reading this book, I knew exactly what I was going to do with it. I have a student who will be a senior and plans to take the SATs again. She has trouble with new vocabulary out of context, but it is hard to find a bunch of SAT vocabulary in one place. She is also very romantic and would love this story. I plan to take this book, have her read 3-4 entries a night, make a vocab card for the words, and then write her own entries for the words. I have a great feeling this will be a huge hit on so many different levels! I can't wait!

There is some references to intimacy in the book, but it isn't anything graphic. I think the relationship is clearly a mature relationship, but since this is actually adult fiction, that is understood. Therefore, I would only use this book with 11th and 12th grade students who were mature enough for the content (although the content is relatively tame). I just can't wait to share this book with everyone I can get to read it. It was so beautiful and sad at the same time. It was like Levithan looked right into all our relationships and splattered them on the pages! You won't be able to put this story down!

Saturday, July 9, 2011

Confusing but Intriguing

Imaginary Girls
This is a hard review to write, because I can honestly say I am not sure how I feel about this book. In fact, I am not entirely sure I know what happened in this book. I read it. I paid close attention. I even reread parts. I am still not completely sure I understood it all. Let's see if I can explain it semi-coherently... Imaginary Girls, by Nova Ren Suma...

Chloe is enthralled by her big sister, Ruby. In fact everyone is. "Enthralled" isn't even the word; bewitched might be more appropriate. She doesn't pay attention to any traffic signs or lights, but all other traffic just stops and lets her go. She shows up to work when she wants to, leaves when she's ready, and gives away stuff, but she never loses her job. At any given time, she has a legion of love sick boys following her around doing her bidding. Ruby is quite a force in their small upstate New York town by the NYC reservoir. But no one can quite explain why. Ruby practically raised Chloe since their mother spent most of her time in the local pub, but their relationship is more than that. It's indescribable.

One night everyone is at the reservoir swimming (illegally) and Ruby convinces Chloe to swim across. Chloe does, as she always does what Ruby says she can, but something goes wrong. The reservoir has covered a number of towns when it was flooded, and Ruby always says there are still people living down there, beneath the surface, in the water logged streets of Olive. When Chloe gets into the middle of the reservoir, she feels something strange, possibly she is tired, but miraculously a boat appears. She grabs the boat to catch her breath and realizes she isn't along- a classmate named London is inside the boat, dead. After the commotion of being dragged out of the water, speaking to the cops, and it being announced London had ODed, Chloe is dragged out of town to live with her father in Pennsylvania (Ruby has a different father). After two years, Ruby comes to get Chloe and convinces her to come back to NY.

When Chloe arrives, she can sense something strange about the town. First, London is alive, but not fully there. She isn't a ghost, but she seems strange, not to mention she should be dead. Ruby makes Chloe promise she won't leave the town, but Chloe starts to feel the need to do the opposite of what Ruby says. When Ruby tells her to stay away from Owen, Chloe wants him more. She gets in a car with London and a bunch of boys and heads out of town for a party. When they get further from town, everyone's opinion of Ruby goes from awestruck to scathing. Then, just as they cross the line, London disappears. In fact, as people get farther from Ruby, her influence seems to fade. Chloe even goes to the reservoir, which Ruby forbade her to do. Curious, she sticks her toe in the water, and she realizes something is wrong. It is then that Chloe truly begins to realize the oddness surrounding Ruby and her control over people and places. But one thing is for sure... Ruby would die for Chloe... or kill for her.

This strange novel is written in beautiful poetic language. The descriptions of Ruby seem like something out of a fantasy, but then again, they kind of are. They can get a little tedious at times, but that is supposed to be the point- in Ruby's presence, she is always the center of attention. I think this language will lose most young readers, though. In fact, it almost lost me. I got a little tired of reading about some mysterious thing that I had no idea what it was. I spent a few hundred pages wondering what the heck was going on, and only stuck with it because I had to know. Of course, by the time I got to the end, I still didn't really understand what had happened. I did, in a way, but I also didn't.

I can visualize the kind of kid this book would be good for- that very abstract student who enjoys fantasy but is a little romantic. This is quite a narrow group of students (I can think of one or two), so this might not be a book you invest in for a library. Or, you might want to because it is perfect for that very specific type of student. Unfortunately, I think it will lose most other students. I know it lost me on many occasions. The author is at Oblong in August, so I am interested to meet her and hear her talk about the book. Maybe that will clarify some things for me. But one thing is for sure- from the cover to the relationship between Ruby and Chloe, this is one seriously haunting book.

5th Annual Girl Bullying Conference

The Bully, the Bullied, and the Bystander: From Preschool to HighSchool--How Parents and Teachers Can Help Break the Cycle (Updated Edition)
I had the privilege of attending this year's bullying conference last week. I wasn't entirely sure what to expect, but when I got there, it was clear these people had some great information and ideas. There are a number of different aspects for bullying, especially girl bullying, or relational aggression as it is called now (I just remember it as torture for most of 6th and 7th grade). You have to consider who is doing the bullying. These days, it isn't a big, scary-looking, mean boy with tattoos who smokes cigarettes as the John Hughes movies would have us believe. Instead, it is the popular girl, the smart girl, the girl who charms adults and knows how to torture her victims without ever raising suspicions. Who is the target? Could be anyone. Anyone who crosses the bully, has something she wants, or just has the pure dumb luck to be in the right place at the right time. The important thing to remember is the victim has done absolutely nothing to deserve this behavior. All too often we here "well, she is a weird girl. No wonder the other girls don't want to sit with her". This is called blaming the victim and is reprehensible on so many levels.

Another problem many schools face is where does the bullying occur? Well, as we all remember, it takes place int he hallways, the locker rooms, the school bus, etc. Barbara Coloroso said at the conference the bathrooms in a school were the single most dangerous place for a victim to enter. They are completely unsupervised space where the bully has total control. But the scarier and even less controlled than the bathrooms is the great land of cyber infinity. With all the social media we have at our fingertips, girls have taken bullying to a level we cannot fathom. If a girl moves because the bullying in her school is so bad, the rumors, lies, and torment only take a few keystrokes to follow her. Kids create Facebook pages about the perceived sexual activities of their targets. They text them. They video the target getting pushed, threatened, attacked, and then post it for everyone to see. This inescapable nature of cyberbullying has created a situation so dire kids are killing themselves. So what can we, as parents, adults, and educators, do about it?

Well, Barbara Coloroso will tell you conflict resolution isn't going to accomplish anything. Bullying isn't a fight, it isn't a conflict, so sitting down the bully and the target won't change a blessed thing. In fact, in this scenario, very often the bully will seem sincere, sorry, and beg forgiveness, while the victim will be angry and confrontational. The moderator may seem perplexed by this aggression and start to blame the victim, but would you want to agree to be friends with your torturer?! She went on to say people like Dr. Phil, who think the bully wouldn't hurt their victim if only they knew the pain they were causing, are so wrong they have left the reservation. Can we really think the bullies don't know the pain they are causing? Not only do they know how much they are hurting their victim, they enjoy it. They get pleasure from the pain. So telling them about the pain they inflict won't help the situation. It might make it worse, but it certainly isn't going to stop it. So what the heck can we do?

Well, first we have to recognize what the bullying has done to separate themselves from the victim enough to cause this pain with complete disregard. They have stopped seeing the victim as a person, and instead they see them as an "it". The victim is subhuman to them. So we must start early to create empathy among our students. They must feel for the people around them, including their victim. Now, I don't pretend to know how to do this, but if you have any suggestions, I am all ears. I have some ideas, of course, but I don't think there is any one formula or tactic that will work for every scenario. This is like a puzzle that can't be done the same way twice.

But the one thing so many presenters at the conference said is we can't be reactionary with bullying... we have to be preventative. How do we make our students care about each other so much they wouldn't bully? How do we create a sense of community where students protect one another instead of hurt one another? Once presenter created a year-long calender that focused on bringing girls together with various projects and community service efforts. They called it Chick Chat. It included some fun chick movies (and some serious ones), bake sales, clothing drives for battered women, and so much more. Each month was a theme like Breast Cancer for October, Family, Friendships, Relationships, etc. Each week there was an activity or meeting and they tried to include outside speakers for every theme. The presenter explained their girls weren't required to come, but bit by bit they trickled in until a community was born.

Punishment is important when bullying occurs, but there needs to be more than just punishment. I remember a student who damaged space in her dorm once, nothing too damaging, but enough to make a lot more work for the women in charge of housekeeping. Why did she do this? She didn't have empathy for them. She assumed it was their job to clean up after her, and their hard work didn't matter to her. The perfect "punishment"/exercise in empathy? Make her work with them for a couple of days, doing the same work they do. I personally think this made more of a difference with that young woman than any detention or suspension ever would have. Perspective is powerful tool.

Extraordinary Evil: A Short Walk to Genocide
Barbara Coloroso also write a book called Extraordinary Evil: A Short Walk to Genocide, a book that explains bullying behavior we see so often in schools across the world is very similar to the behavior and aggression the perpetrators of genocide display. They make their victim an "it", thereby negating any need for empathy or caring of their victim's pain. In Rwanda, the Tutsi were called cockroaches. In Germany, the Jews were called rats. Make your victim into something inhuman, and you can justify your actions and absolve your guilt. I have taught a unit about the 1994 Rwandan Genocide to students for a few years now, and the hardest thing I find is to make them truly understand the fear and pain these people experienced. It is so foreign and distant form their own lives, they have trouble imagining it. Sure, they understand genocide is awful, but they don't understand how awful. But every kid understands the reaction they felt to being bullied- the stomach clenching, sweat producing fear of seeing your attacker from a distance knowing what is about to happen. By connecting those emotions to the worst product of human nature, genocide, we can create empathy in our students. I have found this book to be an invaluable tool, and think any history teacher would count this as a valuable tool in their classrooms.

So we have a seemingly insurmountable problem that plagues our children. We have tried everything, and no solution is flawless. But if this conference has taught me anything, it is that our kids are too important to lose to bullying. We need to find a way to create empathy in our children. We need to never blame the victim and be savvy to the ways of the bully, including the charm, manipulation, and deceit they use when the adults are around. And most importantly, we need to create a community where they want to protect one another, not harm one another. It is a tough mountain to scale, but not impossible.

Friday, July 8, 2011

Funny Fins and Merry Mermaids

Fins Are Forever
Lily is really Princess Waterlily of Thalassinia, an underwater mermaid kingdom where her father is the king. But Lily has chosen to give up her throne in order to stay on land with the boy she loves, her next-door neighbor and once archenemy, Quince. Now, in Fins are Forever by Tera Lynn Childs, Lily prepares to officially give up her throne, graduate high school, take the SATs, and follow through with a life above the surface as a "terapod" (mermaid on legs).

It was only a short few weeks ago when Lily chose to be unbound from Quince in order to give him freedom from being a merman and solidify her life on land. When a strong earthquake hits her small Florida town, it raises suspicions when the epicenter isn't even on a fault line- it is close to Thalassinia. But Lily doesn't have time to worry about that with the SATs coming up and being her only hope for college and a future as an un-princess on land. When her annoying, self-centered cousin Dosinia arrives at her doorstep having been exiled from Thalassinia, Lily's father makes her responsible for teaching Doe to respect humans. Although Lily can't get out of Doe what she did to get exiled, she knows it must be bad since the king never uses exile unless totally necessary.

Doe insists on making Lily's life miserable in small ways, but really crosses the line when Lily finds her with Brody (Lily's 3 year crush until she realized he wasn't her type and she was really in love with Quince). Doe and Bordy had clearly made out which is of course in direct violation of girl-code, but more importantly for a mermaid means now Doe and Brody are bonded and Brody is slowly transforming into a merman. For a girl who hates humans so much, being bound to Brody seems like punishment for Lily rather than something Doe really wanted. Now Lily must take Brody down to Thalassinia to be unbound.

When she gets to the kingdom, Lily's father agrees to the unbinding, but tells Lily she must do it since both Doe and Brody must be present. While in the kingdom, Lily runs into a guppyhood friend, Tellin, who is a prince of a neighboring mermaid kingdom. He begs Lily to bind with him, in formality only, in order to bring their kingdoms together and allow her to keep her throne. Lily is tempted, but her love for Quince is too strong to bind with another man. When Lily returns to land, she realizes the best way for Doe to have respect for humans is to stay bound to Brody (the same "punishment" her father gave her!). Now she must find a way to help Doe (without strangling her int he process), study for the SATs, and stop feeling so sad about losing her place as the next Queen of Thalassinia. Can she keep it all together?

This was a very cute follow up to the first book. While these aren't ground-breaking stories that will win countless awards, they are certainly fun and exciting reads. It is a good book for a young middle school student or an immature high school student. The content is completely clean, as is the language. The story is engaging enough to hold onto even the most unengaged reader. This is probably more of a "girl" book, but the content might be fine for either gender. I love Tera Lynn Childs. Her books are like a good chocolate milkshake on a warm summer day- a perfect guilty pleasure that will put a smile on your face!

Wednesday, July 6, 2011

Once is too Often...

Once
When I was in high school, I went to Germany on a school trip. In Germany, we went to Dachau, a concentration camp that has been turned into a memorial/museum. The emotions I felt at Dachau have never left me. The vast camp was completely silent except for the crunch of visitors' feet on the gravel. The pain within those gates was so strong, we couldn't even speak to one another. But more and more, I find my students are finding themselves disconnected from the Holocaust. Sure, they know the mass murder to millions of people is horrendous, but they really can't fathom the fear and agony felt by so many. We read books, we watch movies, but it is hard to grasp the same emotions I felt the moment I stepped foot into Dachau so many years ago. Therefore, as an educator, it becomes very hard to find quality books that will knock my students around emotionally the same way Night by Elie Wiesel did the first time I read it in high school. Once, by Morris Gleitzman knocked me around, and will certainly open the eyes of any jaded student.

It's 1942, and Felix has lived in a Polish Orphanage for 3 years and 8 months since his parents left him there. They are Jewish and owned a bookstore in town, but they made a deal with Mother Minka to hide Felix, but they told him they were just going to take care of some bookstore business and be back. They still haven't returned. So Felix passes the day writing stories about them saving people and being brave in the outside world. When Felix gets a whole carrot in his soup one day, he decides it is a sign from his parents that they are coming to get him. When Mother Minka sadly tells him it isn't a sign, he decides to leave the orphanage to find them. After watching a group of Nazis come to the orphanage and burn Jewish books, he is worried his parents' books are in danger, and he knows he has to go help.

On his way into town, Felix comes across a lot of puzzling situations. First, he tries to hitch a ride on a cattle truck that is full of people, but a soldier on top of the truck shoots at him. He assumes it must have been a mistake and actually feels bad for the soldier who must be upset he accidentally shot at a little kid. Then he goes to his parents' bookstore, but the books are all gone and a local Christian family is living in his house (and threaten to turn him in to the Nazis). Finally he happens upon a farmhouse in flames and discovers a mother and father shot (and all the chickens) and a young girl who is barely alive. He drags her away from the flames and the car coming back to the scene, saving her from whoever did this.

At first Zelda is upset, but then she is just plain difficult, arguing with everything Felix says. When they get caught by Nazi soldiers and taken to the ghetto, it is her determination not to lose Felix, though, that saves them both. When a Nazi soldier tries to separate them, a large Jewish man offers the soldier something in German and he allows the man to take the kids. Barney, the man, takes Felix and Zelda and hides them with the other children he has saved in the ghetto. It is hear that Felix begins to learn the truth about the Nazis and what they are really doing to the Jews. When the ghetto gets emptied, Barney and the kids have no choices but to be packed into the trains with the other Jews. You might think all was lost at this point, but at some point, Felix's luck has to change!

This was such a beautiful little book (150 pgs). I loved Felix so much I just wanted to gather him up and keep him safe. He is so sweet and innocent and just wants to protect his parents. His naivete about the Holocaust was so scary and endearing at the same time, it broke my heart. But something I think kids might relate to is the fact that he is just a kid. He does kid things like protect kids from bullies in the orphanage and make up wild, fanciful stories. Yet, at the same time, he is stuck in this time period that has been written about, talked about and filmed ever since it ended. I think kids can relate to his childish ideas and that alone makes this story more powerful than others. They can imagine how they might feel if they were in the same situation.

The story is very short and perfect for any middle school student, but its beauty lies within the multiple layers that can be pulled back for a wide age range of people. For a middle school student, this story might be a face-value story about a boy in the Holocaust, but for an older student, this can be a way to quickly examine the plagues of war, such as the loss of life and innocence. It gives them a chance to delve deeper into the consequences of war. This is quite simply a beautiful story and as sad as it made me to read it, it also made me hopeful for Felix and for the growth of the young people I work with each and every day.

Realistic, Honest, and Well Written

Hooked
After reading Bumped, a dystopia about teenage pregnancy for profit, I had to prove to myself that my issues with Bumped weren't about the idea of teenage pregnancy. Instead, my issues were the silly way it was handled. So I picked up Hooked by Catherine Greenman with one purpose in mind- prove to myself I was open to all kinds of Young Adult novels- even ones about tough subjects. I have one ting to say- This book proved it.

Thea is the product of a now-sober alcoholic father and a flighty mother who is more concerned with her own life than that of her daughter she is supposed to be raising. Despite a somewhat absentee father (even when he was physically present) and mother, Thea turned out ok. She was doing decently in her competitive high school, was your average, well-rounded young woman, and had some good friends. When she met Will, it was your typical first love. She felt hooked by her love for him; she needed him to love her as much as she loved him.

When Will graduated, he decided to stay in the city and go to Columbia University. At some point in the beginning of the year, Thea becomes pregnant. At first, she is stunned, but she tells her mother and decides to have an abortion. While her best friend and her mom offer to go with her, Thea decides to do it on her own. When she sees the sonogram, though, she can't imagine getting rid of the little person inside her. She panics and leaves the clinic, but doesn't tell anyone about her situation. When it becomes too late for an abortion, she finally admits to Will, her mom, and finally tells her father the truth: she is still pregnant and plans to have the baby.

At first everyone is angry with Thea for a host of reasons, but most importantly for keeping this from them. But then they soften and realize she was determined to have the baby. Both sets of parents decide to help Thea and Will out, set them up with a cheap apartment, and are moderately involved in financial support. Will is still going to Columbia, so Thea stays home and takes care of the baby, Ian. At first, the arrangement seems cozy, but quickly the immaturity of both parents comes out. Thea accidentally burns Ian with water and rushes him to the hospital. When Will arrives, he makes it very clear he blames Thea (despite it being an accident). This tension continues until he pushes her to put Ian up for adoption. Terrified Will is going to take Ian and give him away, Thea moves in with her father and asks Will to leave them alone.

Life with her father, a man she barely knew growing up, is odd at first, but their shared love for Ian brings them together. They make a cozy little life together, but sometimes their ideas for Thea's future are very different. This causes tension between two parents in very different points in their lives, both trying to raise their children. While Thea must find out who she is and who she wants to become, one thing is always obvious. Thea loves Ian and wants nothing more than to be his mother.

This is an amazing story because the characters are flawed, caring, mean well, and are so darned realistic. Thea is a kid, but she is a kid who is determined to be the best mother she can. I have a cousin who had a baby when he was still a teenager, and it still amazes me to see him with his son- he is such an amazing father and he desperately loves his son. This is Thea. She is young. She makes mistakes (which is something we adults to all the time too!). She loves her child unconditionally. I love the way her parenting is told through the voice of an 18 year old woman, too. Instead of "nursing" her son, she "gives him the boob"! And when Will tries to give Ian to an adoption agency, she is too scared to seek help from the adults in her life but also too immature to know he didn't have the right to do so. This was a book that showed the real life of a teen mom- bumps, bruises, tears, joy, love, affection, and all. Nothing is spared here, from the time his belly button nub falls off, to the terror when she accidentally scalded him with hot water. This book is frank and honest. Sure the message is that being a young mother is hard work, means losing the "childhood" your friends get to have, and will change you for better or for worse... but the book also says, "Hang in there. It can be done. People will help you." I loved this message. Oddly, it makes me think of all the things we say to kids to scare them throughout their childhoods. "Don't make that face or it will stick that way." "Don't swallow the watermelon seeds or a plant will grow in your belly." We say so much to scare them, but we forget to just tell them the truth. Well, this book does just that. Truth, for better or worse, is what you will get with Hooked.

There is some sexual content in this book that might make it better for a high school reader. The moral is handled seriously, but with enough levity and individualism to make it not sound like a "moral" book. I suspect the cover might frighten away a number of parents and teachers, but I hope you give it a chance. This book doesn't glamorize teen moms, but it doesn't make them seem like a stereotype either. This is a wonderful book for any teenager to read in order to let them get all the information, good and bad, and let them make decisions and choices for themselves. Sometimes, like with Thea, the answer isn't what you first thought was the right answer, but it still might be the best one in the long run.

Tuesday, July 5, 2011

Will Steal Your Attention!

Uncommon Criminals (A Heist Society Novel)
When we last left Kat Bishop in Heist Society, by Ally Carter, she had reluctantly returned to the family business to save her father: high-end thieving. They steal what can't be stolen- priceless paintings, one-of-a-kind jewels, and items that have been horded by the rich, famous, and nasty for generations. She and her motley crew of teen masterminds managed to break into the most secure museum in the world and recover stolen paintings. But now Kat has fallen off the wagon. Once she started stealing again, she couldn't stop. The only thing that changed? Her motives for stealing. In Uncommon Criminals, Kat is a new kind of thief.

Kat finds priceless family heirlooms and returns them to their rightful owners. She specializes in art that was stolen during the Holocaust and returning it to the survivors or their families from the war criminals who absconded with them during the war. When a woman approaches her to help return an emerald her family uncovered in Egypt and were scammed out of, Kat can't say no. Even when she finds out the emerald is the famous and cursed Cleopatra Emerald, the jewel that has brought pain, suffering, imprisonment, and death to all those who come near it. Many thieves, including Kat's uncles, have tried stealing the Emerald and failed. But not even the curse can keep Kat and her friends from taking a chance at returning the Emerald to its rightful owner.

Somehow they manage to get the Emerald (no one ever suspects kids!), but after she returns it to the woman, Kat is in for the shock of her life. On the news, Kat sees the picture of the woman whose parents found the Cleopatra Emerald and had it stolen from them- and it isn't the woman Kat gave it to! Now Kat and her friends, who have already achieved the impossible, must find a way to steal the Cleopatra Emerald- again. To make matters worse, it seems the woman who conned Kat into stealing the Emerald is a con artist herself- on of the best! Now Kat and the crew have to con a con artist and find a way to get the Emerald back in one of the biggest jobs the thieves of the world have ever witnessed!

This was a fun sequel in this series that reminds me of a teen version of "Ocean's Eleven". The characters are fun and colorful, and the stealing is for a good reason (usually). I love Kat's crew. They are goofy and add some spice and laughter to the story. When Kat's cousin seems to have been cursed by the Emerald, her usual elegant demeanor is quickly sunken beneath trips, slips, falls, and tumbles. Even the two boys Kat cares about, Hale and Nick, are there to keep the excitement up and moving.

This is a wonderful story for middle school students because it is fun and exciting, but completely clean in language and content. It would also be great for a low-skilled older student, because the story is far from juvenile. I love the versatility of this series; it reaches such a wide range of children, making it a must for libraries and classrooms. My only silly complaint? I wish Carter would stop making her covers so cheesy and "girlie"! This book would appeal to both male and female students, but I doubt I could get an older boy to read it! Maybe I will just toss the dustcover and insist they read it anyway!